Devils are everywhere in medieval literature, disturbing, challenging, and violating conventional spatio-temporal constraints as they move freely between worlds in order to torment the holy, spread disease, and tempt good Christians by making sin seem sweet. They appear as enchanters, tempters, playful tricksters, masked tormentors, terrifying beasts, mankind's lawyerly accusers, and on occasion, as sympathetic figures who happened to be on the losing side of a cosmic war. Although much has been written about how devils are staged, their appearance, and their interaction with those they torment, very little has been written about what devils actually say. How do devils represent themselves and their spaces of punishment?
JSR: Journal for the Study of Radicalism—a print academic journal published by Michigan State University Press—announces a call for articles and reviews for our tenth year of issues. We are interested in articles on radicalism in a wide range of contexts and areas, and encourage articles from humanities and social science perspectives. The Journal for the Study of Radicalism engages in serious, scholarly exploration of the forms, representations, meanings, and historical influences of radical social movements.
Call for Papers for Edited Books with ISBN
Last Date 31st December 2015
Generally, most people have their own ideas of what literature is. When enrolling in a literary course at university, you expect that everything on the reading list will be "literature". Similarly, you might expect everything by a known author to be literature, even though the quality of that author's work may vary from publication to publication. Perhaps you get an idea just from looking at the cover design on a book whether it is "literary" or "pulp". Literature then, is a form of demarcation, however fuzzy, based on the premise that all texts are not created equal. Some have or are given more value than others.
This session aims to focus attention on a segment of the English population that is often ignored or treated simplistically in scholarship on our period: the English Catholic community. Recent research by Gabriel Glickman, Alison Shell, and several other scholars has demonstrated that the Catholic community was active politically, socially, and artistically throughout the eighteenth century. This panel seeks papers from historians, art historians, literature scholars, and religion scholars on any subject related to the political or social activities or cultural productions of eighteenth-century English Catholics.
Text in Context is a graduate student and post-graduate journal published electronically by current graduate students and post-graduates of the English Department at Southern Connecticut State University.
The Graduate Medieval Colloquium at the University of Virginia, along with organizers from the University of Pennsylvania and UC Berkeley, invites submissions for a graduate student conference and colloquium:
Method and the Middle English Text
April 8-9, 2016
The University of Virginia in Charlottesville
Keynote speakers: Andrew Cole (Princeton University), Alexandra Gillespie (University of Toronto), Patricia Ingham (University of Indiana, Bloomington), Steven Justice (UC Berkeley), Kellie Robertson (University of Maryland), Emily Steiner (University of Pennsylvania).
India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.
The fourth Islamic Economics Workshop will be held by the Association for Science, Culture and Education (ILKE); the Scientific Studies Association (ILEM) and the Turkish Entrepreneurship and Business Ethics Association (IGIAD) in Istanbul from April 2-3, 2016. The topic of the workshop will be on "Social Justice from the Perspective of Islamic Economy." In the evaluation of the applications for the workshop, which will be hosted by the Islamic Economics and Finance Department, Istanbul University, papers that discuss social justice and relative subjects from the perspective of Islamic Economics will be given priority.
In their 1999 essay "Deformance and Interpretation," Lisa Samuels and Jerome McGann propose deformative criticism against a rigid, theoretical, informative mode of reading in humanities. Deformance is an action, an imaginative, creative poiesis that does not necessarily aim to set a meaning of a text but reimagines it as a performance. Usually perceived in opposition to the more analytical camp of Digital Humanities, deformative criticism or deformance seems to be one of the very real and material alleys that Digital Humanities has offered to the structured, institutional, and perhaps all too ossified forms of production and exposition of knowledge.
The deadline for abstracts for the Twelfth Annual Massachusetts Center for Interdisciplinary Renaissance Studies Graduate Conference has been extended to Thursday, September 10:
Massachusetts Center for Interdisciplinary Renaissance Studies Graduate Conference
The Massachusetts Center for Interdisciplinary Renaissance Studies at the University of Massachusetts, Amherst will host its twelfth annual graduate student conference on Saturday, October 10, 2015. We are delighted to welcome Anne Lake Prescott of Barnard College as our keynote speaker.