Since the era of slavery and continuing through the present, Black women have articulated a vision of freedom, equality, anti-racism, and racial uplift, drawing from Scripture to sustain their work of promoting equal rights for African Americans. From the early female abolitionists such as Maria Stewart, Sojourner Truth, and Harriet Tubman, to the anti-lynching activists Ida B. Wells and Mary Talbert, to the twentieth-century civil rights activists Ella Josephine Baker and Septima Clark, and countless others, these "churchwomen" actively challenged the status quo that relegated Black women to the least empowered positions in the social order.
Black Womanist Ethics and The Color Purple as Sacred Text
Call for Panelists --- Abstract Deadline, September 30, 2015
Call for Papers: RAP AND HIP HOP CULTURE Southwest Popular Culture and American Culture Association
37th Annual Conference February 10-13, 2016
Hyatt Regency Hotel and Conference Center Downtown Albuquerque, New Mexico http://www.southwestpca.org
Proposal submission deadline: November 1, 2015
Submit Paper Proposals Here: http://conference2016.southwestpca.org
Proposals for both Panels and Individual Papers are now being accepted for the Rap Music and Hip Hop Culture Area.
Please consider proposing a paper to the ACLA 2016 seminar on poetry and forgiveness.
See details below and at http://www.acla.org/seminar/poetry-and-forgiveness.
Seminar: Poetry and Forgiveness
Meeting of the American Comparative Literature Association
Harvard U., Cambridge, MA, 17-20 March, 2016
Abstracts due 23 September, midnight PST; submit through the ACLA online portal: http://www.acla.org/node/add/paper.
Previously unpublished critical essays are being sought for a new volume tentatively entitled Illusory Visions: Dystopian Themes in Contemporary Fiction. Since the turn of the twenty-first century, new dystopian fiction has gripped the attention of the reading public, including young adults. Authors such as Cormac McCarthy (The Road), Suzanne Collins (the Hunger Games series), and Veronica Roth (the Divergent trilogy) have garnered acclaim from both critics and lay readers. In addition, as dystopian fiction finds its way into the English curriculum at various academic levels, literary scholars dedicate their time to the study of this increasingly popular genre. Dystopian fiction has a long history.
Fictional Economies: Inequality and the Novel
Joseph Donica is an Assistant Professor of English at Bronx Community College.
Rami Shamir is the author of TRAIN TO POKIPSE (Grove Press 2011, http://traintopokipse.com/)
Abstracts of 300 words and full CVs due November 1, 2015 to
Full articles due March 1, 2015
Projected publication fall 2016
JOSAAC AN ANNUAL RESEARCH JOURNAL OF SCIENCE, ARTS AND COMMERCE, PUBLICATION CELL, DKD COLLEGE, DERGAON, ASSAM (ISSN 2348-0602) invites article submissions by for its January' 2016 Issue. The journal is a peer-reviewed and published annually and publishes research base articles on various subjects of Arts, Science and Commerce.
1. The contributions should be original and not published earlier or submitted elsewhere for publication simultaneously.
2. The paper should be typed in MS Word in A4 size paper, times new roman font, 12 point font size in the text and all heading should be 14 font size bold with 1.5 line spacing.
The veil's ancient and modern history and its resurgence in our time is an important subject for discussion for those of us posing new questions about women and Islam in literature, film, and fine arts. In Europe and the U.S., the veil is often presented through errors of conceptualizations. The frequent and numerous discussions on the veil's role and function prove that the media, in particular, seems to be obsessed with it. Recurrently, these discussions run along essentialist and ahistorical lines associating Islam with the ideology of shame and honor. Moreover, the Muslim immigrant "problem" in Europe and the U.S. and the fear of Islam and Muslims in connection with terrorism has heightened the controversy on the issue of the veil.
16th Annual Craft Critique Culture Graduate Conference
April 8-9, 2016
University of Iowa
CRAFT CRITIQUE CULTURE is an interdisciplinary conference focusing on the intersections of critical and creative approaches to writing both within and beyond the academy. This year's conference will encourage an examination of the "inter" of interdisciplinary—as well as the construction and deconstruction of boundaries between and within academic, public, private, personal, critical, and creative discourses—through an inquiry into bridging divides.
This seminar seeks to examine the representation of violence, in its public and private manifestations, in contemporary European cinema. Brutality, cruelty, and aggressiveness permeate not only the lives of victims of war (as in Grbavica , Caché , etc.), of totalitarian regimes (4 luni, 3 saptamani si 2 zile , etc.), or of crime syndicates (Gomorrah , etc.), but also that of the ordinary individual confronted with racial and ethnic injustice, poverty, or familial conflict (Gegen die Wand , Lilja 4-ever , L'enfant , Entre les murs , Fish Tank , La Pianiste , Pozitia copilului , Leviafan , Urok , etc.).