We welcome proposals on any aspect of Whedon's television and web texts (Buffy the Vampire Slayer, Angel, Firefly, Dr. Horrible's Sing-Along Blog, Dollhouse, Marvel's Agents of S.H.I.E.L.D.); his films (Serenity, The Cabin in the Woods, Marvel's The Avengers, Much Ado About Nothing, In Your Eyes, The Avengers: Age of Ultron); his comics (e.g. Fray; Astonishing X-Men; Runaways; Sugarshock!; Buffy the Vampire Slayer Season Eight, Nine, and Ten; Angel: After the Fall; Angel & Faith Season Nine and Ten; Serenity: Those Left Behind; Serenity: Better Days; The Shepherd's Tale ); or any element of the work of Whedon and his collaborators.
estrema: Interdisciplinary Review for the Humanities is an on-line publication of the Centre for Comparative Studies (CEC) of the School of Arts and Humanities of the University of Lisbon (FLUL). Its exclusive goal is to publish the papers of both undergraduate and graduate students. Giving its interdisciplinary character, estrema accepts works from several areas of studies such as (but not limited to):
All papers will be subjected to a double blind peer review process.
Deadline for submissions: May 31st, 2016.
In the spirit of this year's conference theme of "Border States," we welcome papers that explore borders—or the blurring of such borders--within Science and Fiction. How does fiction work to educate us as readers on the use of technology? Are these examples historically, culturally, or socially relevant? Suggested topics may include:
* Women in Science Fiction
* Images of science in literature
* Energy resources in literature
* The image of the scientific utopia
* Science and progress
* The human body and/or its representation
* Representations of the apocalypse, dystopias, or other disasters in literature
BFS Journal 16 is due out in June/July.
The journal is a mix of articles and is keen to accept submissions from people who want to write about fantasy, horror and science fiction. Our focus is primarily the former, but our readers have interests across all three genres.
Academic articles for the BFS Journal should be between 2500 and 6000 words. We prefer nearer the former, as this is about the size of a conference paper. References in the text should be (Author, Date of Edition) with a full publication listing for the bibliography given for each article at the end. Please don't use footnotes in your submissions.
The Association for Theatre in Higher Education (ATHE) 2016 Conference
Palmer House Hilton
August 11-14, 2016
CFP: "Literature at Sea: Maritime Literary Currents"
Mobile, AL, USA, 3-8 December 2016
Abstracts are invited for a conference on literature and the sea, broadly defined. Proposed papers may focus on the literature of any country and any literary period, but please keep in mind that the conference language will be English. Topics might include (but are not limited to) the following:
EXTENDED DEADLINE - 21st MARCH 2116
Call for papers for the 2017 conference of the French Shakespeare Society
Annual Conference of the Société Française Shakespeare
12-14 January 2017
Fondation Deutsch de la Meurthe, Cité Internationale Universitaire de Paris
Call for papers
Call for submissions to an edited collection requested by publisher
Since his seminal writing on The Sandman (1989-present) and long since before and after on works such as Batman, Miracleman, The Books of Magic, The Endless, Stardust, The Graveyard Book, etc. from adult graphic novels (Neverwhere) to voluminous amounts of children's graphic novels and illustrated texts (Coraline, Chu's Day, Fortunately, the Milk, Hansel and Gretel etc.), Neil Gaiman has established himself as one of the most prominent, if not prolific, writers in the medium of sequential art in the late twentieth and twenty-first century.
2016 marks the quartercentenary of Shakespeare's death and the upcoming issue of Postcolonial Interventions will focus on the continued relevance of multiple Shakespeares in the culture-scape of the postcolonial world. Not only were Shakespearean plays shaped in many ways by colonial discourses, especially discourses of racial difference, but Shakespearean plays also initially functioned as those "signs taken for wonders" through which the colonial administrators sought to consolidate imperial hegemony, as evident from such critical works as Post-Colonial Shakespeares (1999).
LA ASOCIACIÓN DE ECUATORIANISTAS
(ESTUDIOS DE LITERATURA, LENGUA Y CULTURA)
Convoca a los interesados a participar en su próximo congreso
que tendrá lugar en la Universidad Católica de Santiago de Guayaquil
DEL 20-22 DE JULIO DE 2016.
TEMA: LA PRODUCCIÓN CULTURAL ECUATORIANA DESDE 1980
Sub-temas sugeridos (que no limitan las materias posibles)
The Midwest Conference on British Studies is proud to announce that its 63rd Annual Meeting will be hosted by Iowa State University in Ames, September 16-18, 2016. The keynote speaker will be Susan Kingsley Kent of University of Colorado Boulder, and the plenary address will be given by Ian Archer of the University of Oxford.
In keeping with the conference theme "Border States," the Religion and Literature permanent section invites papers on writers and texts which challenge, question, or reimagine the borderlands between religion/spirituality and secular life. Papers might consider questions such as: How do race, ethnicity, gender, and/or sexuality shape the religious imagination (or vice versa)? How do writers belonging to religious minorities address cultural hegemony? How do these writers counter the perceived threats they pose to the dominant social/political culture? How does a writer/character negotiate the relationship between aspects of her spiritual and secular lives? How do religious and spiritual concerns shape the formal choices that writers make?
The concept of evil is age old, but the way it manifests in cultural narratives has continuously shifted. From the theological to the psychological, evil is a core theme of tales across the ages. What does the way it is portrayed tell us? Does it still hold as much significance? This one day conference at the University of Southampton will explore representations of evil in its many guises. Papers from across disciplines are welcomed. Suggestions for topics include (but by no means are limited to):
•Physical representations of evil
•The changing role of evil in narratives
•Blurred lines between good and evil
•The celebration of evil
•History of evil
•Evil protagonists and their stories
Volume 2.2 (Summer 2017)
Caribbean Writers, Performance Artists, and Visual Artists Working From Canada
Caribbean Vistas Journal: Critiques of Caribbean Arts and Cultures
Editor: Dr. Emily Allen Williams
Volume 2.2 (Summer 2017) will highlight the work of Caribbean Writers, Performance Artists, and Visual Artists working from Canada.
[Note: Essays, poetry, literary non-fiction, visual art, performance art videos, et. al. on other topical areas also will be considered.]