Love and Justice: Consonance or Dissonance?
This conference considers literary renderings of labor concerns, broadly defined, to explore law.
The responsibility of the state described by Plato, the contracts written by Shakespeare's Shylock, or the works delving into the plight of modern laborers all explore the intersections between Literature and Law. This conference will explore the way that literary renderings of labor concerns, broadly defined, have responded to or have influenced the law.
The 2015 John Jay College of Criminal Justice's Law and Literature Conference is especially interested in the following areas although all submissions will be considered.
In a later preface to Bend Sinister (1947), Vladimir Nabokov claims, "the influence of my epoch on my present book is as negligible as the influence of my books, or at least of this book, on my epoch." The conventional reading of Nabokov as an aesthete who is insistent upon sharp divisions between fictional and political worlds has its principal source in the author's stylization of his own career. Yet this way of reading Nabokov has been complicated through such recent studies as Andrea Pitzer's The Secret History of Vladimir Nabokov.
Performance Research Volume 21, No. 4, August 2016
On Game Structures
Deadline for Abstracts: 15 August 2015
Issue Editors: Mathias Fuchs and Natasha Lushetich
To be or, actually, not two sentences to be, that is the question, combined.
Douglas R. Hofstadter
The last decade has produced critical and expressive studies in sacred canonical texts and comics. Witness, for example, the artistic works from R. Crumb's The Book of Genesis (2009) and JT Waldman's Megillat Esther (2005), as well as scholarly publications from Karline McLain's India's Immortal Comic Books (2009), A. David Lewis's edited volume Graven Images: Religion in Comic Books & Graphic Novels (2010), and Samantha Baskind's and Ranen Omer-Sherman's editorial work for The Jewish Graphic Novel: Critical Approaches (2010).
CALL FOR PAPERS
Stony Brook University and Florence University of the Arts
are pleased to announce the 7th Annual Conference that will take place in Florence on the 4th and 5th of December 2015.
The international conference is entitled:
DE RE MEDITERRANEA
How does "Mare Nostrum" shape the civilizations and societies inhabiting its geographical reach?
Despite borders shared by the diverse shores of southern Europe, North Africa, and Anatolia,
is it possible to speak of a Mediterranean identity?
The conference explores the many connections that define the Mediterranean as a symbol of tradition and modernity.
I am organizing a proposed panel on representations of the city within Faulkner's texts for the upcoming ALA Symposium "The City and American Literature." I'm looking for 2-4 proposals on any aspect of the city in Faulkner's works. If interested, please send a 250-500 word abstract to firstname.lastname@example.org by June 27, 2015.
Jefferson, Mississippi is definitely on the table, but I am especially interested in his treatments, portrayals, and uses of larger cites (Memphis, New Orleans, Chicago, Los Angeles, etc.).
The Sarah Gordon award is given each year to Graduate student for the best article written on Flannery O'Connor or Southern Studies. Each entrant must be a graduate student as of August 1st, 2015. Articles must be submitted by 1 Aug. 2015 to be considered for the 2015 award. Please note: aa lentries will be considered for publication in the Flannery O'Connor Review. Articles may take any approach but must conform to the Review's usual guidelines, available at http://www.gcsu.edu/english/oconnor.htm
The feminist movement has been categorised as a series of different waves, first, second and third, with some contemporary critics suggesting we are now on the precipice of a fourth wave. Each of these stages had their own aims and means of achieving those aims: underlying all was a quest for equality, for some or for all. Increasingly this neat categorization of the feminist movement has been questioned and challenged, especially with the internet age offering a greater platform of communication for female-identified individuals and feminists alike.
CALL FOR PAPERS – DEADLINE EXTENDED
Unity and Division in the History of Art
41st Annual Cleveland Symposium
Friday, October 23, 2015
The Cleveland Museum of Art, Cleveland, Ohio
In what ways can the visual arts unite or divide humanity? How can their subjects and functions stir us to collaboration or lead to disagreement, apathy, or even war? How do objects themselves change when their relationships to one another, or to the viewer, are altered or rearranged?