In almost a reactionary response to New Criticism and a development from Historicism, literary researchers are using archival research more and more to develop textual analysis. Whether this research is more historically based or is textual to the point of analysing printing ink and the construction of a text, special collections, museum, and archives are considered a valuable resource. Even in the abstract, the idea of 'the' archive, while being embraced is simultaneously being challenged both for its exclusions and its very definition. How has the/an archive or the very idea of an archive affected/enhanced your own work?
Co-editors Daniel Westover and William Wright invite chapter proposals for 'The Fire that Breaks': Gerard Manley Hopkins's Poetic Legacies, a new volume of critical essays focusing on the diverse and continuing influence of Gerard Manley Hopkins.
We are pleased to announce a CFP for submissions to the Third Annual Fandom and Neomedia Studies (FANS) Conference in Dallas, TX, on 6 and 7 June 2015.
Fandom for us includes all aspects of being a fan, ranging from being a passive audience member to producing one's own parafictive or interfictive creations. Neomedia includes both new media as it is customarily defined as well as new ways of using and conceptualizing traditional media.
This issue aims to elicit discussions about the literary and cultural productions that have emerged from the process of colonization and post-colonial experience in English-speaking countries, as well as the expansion of these historical experiences through cross-cultural dialogues. It is, therefore, the investigation of the transits of literary, artistic, and cultural repertoires in English, aiming to comprehend the networks and flows of critical or theoretical references about these productions in the various stages of the colonization and post-colonial period.
Mocking Bird Technologies: the Poetics of Parroting, Mimicry, and Other Starling Tropes
Call for papers:
We invite essays (of no more than 9,500 words) that address any aspect of "mocking bird technologies," with a special emphasis on tracking the elusive history and poetics of the "starling" trope within a global and comparative context.
*The deadline for submitting proposals has been extended to Saturday, April 25.*
Abstract: This special session will explore the intricacies and expectations embodied in portrayals of womanhood in Renaissance and Restoration England. This session desires papers using literature and plays to discuss the realities for and suppositions of women that were common in this era, potentially looking at the broader social implications.
Nine of the ten highest-grossing Hollywood movies of 2014 were based on creative properties from children's and youth culture, including comic books, novels, and toys. In line with this year's theme of In Concert: Literature and the Other Arts, I welcome papers that examine adaptation, compare media (broadly defined), and/or explore transmedia storytelling. While papers on recent adaptations are particularly encouraged, this panel seeks a variety of new, productive perspectives on adapting children's and youth culture for various media, including film, television, and online media.
CounterText is uniquely centred on the study of literature and its 21st-century extensions. Are the broader resonances of the literary being overtaken in the drifts towards image cultures, digital spaces, globalisation and technoscientific advances? For CounterText, the post-literary is the domain in which any artefact that might have some claim on the literary appears. However, the post-literary domain also allows for vital and challenging migrations and mutations of the literary. Such artefacts might be called 'countertextual'. The countertextual is strategic, metamorphic and revelatory of the charged evolutions and radical transformations of the literary today.
Call for Papers
'There's little left but to be bored or bore.'
Lord Byron, Don Juan, Canto XIV
'Mieux vaut un désastre qu'un désêtre.'
Alain Badiou, Conditions
Victor Hugo, Les Misérables
'There seemed nothing to do but live.'
J. M. Coetzee, Life and Times of Michael K