CFP for the thirteenth issue of the 452°F Journal of Literary Theory and Comparative Literature. The monographic section will bring together a body of texts dealing with "Chinese imaginary in other literatures: inspiration, appropriation and intertextuality". A non-comprehensive list of possible topics is:
Papers about the use/depiction/influence of religion/spirituality in ethnic U.S. literatures (including pop culture) are invited.
The MELUS conference (Multi-Ethnic Literatures of the U.S.) will be held April 9-12, 2015 in Athens, GA.
Submissions are welcome through Sunday, Nov. 30. Please send a 1-page abstract (including working title, your campus, and any a/v needs) to Dr. J. Stephen Pearson at email@example.com. Presentations run either 15 or 20 minutes (7 or 9 pages). Panelists will be notified that week.
Papers not chosen can still be submitted to the general pool by 15 December.
This conference seeks to bring together critical and imaginative forms of scholarship, workshops, performance and other creative work around ideas of trance. From the Great Awakening's irruptive glossalia to the glossed eyes of late capitalist workers, from various manifestations of trance dance to the moving spiral, trance is woven into the fabrics of spiritual, theological, political, and literary histories, texts and methodologies. Trance not only challenges Enlightenment models of knowledge production, but also forces us to navigate extra-linguistic experience, thus destabilizing language as epistemological ground.
Wilson College Humanities Conference
Humanities Past, Present, and Future
Saturday, February 28, 2015
Held in the Brooks Complex of Wilson College
sponsored by Wilson's M.A. in Humanities Program
This colloquium will explore peace and war in medieval culture, history, literature, philosophy, theology, and the arts. How did medieval men and women make peace and make war? What were the relationships between individual and social conflicts? How do the processes of peace and war shape, and how are they shaped by, institutions and artistic productions? Papers and panels might include such topics as the culture of the crusades, the politics of peace-making, military history, psychomachia and other forms of allegorical warfare, peace and penitence, gender and conflict, the use of spolia, just war theory, ethnic violence, the culture of knighthood, and the economics of war.
The boundary between humans and non-human animals has been an integral part of philosophic discourse since antiquity, with mounting evidence of language, tool use and general cognitive abilities now leading scientists to contest its impermeability. These lines have been drawn and re-drawn in innumerable ways in imaginative literature, and the various ways in which humans perceive non-human animals have become the subject of study in various disciplines. Attempts to draw a boundary between human and nonhuman animals have involved the artistic imagination as well as philosophical reflection.
The stories and plays of the ancients have long been an inspiration, a point de départ, for Western literature. Across the centuries, French authors use and reuse these myths, transforming them while giving them new life.
During the twelfth century, Benoit de Sainte Maure retold the Trojan War. Racine rewrote the fatal love triangle in Phèdre in the seventeenth century; Balzac recycled the King Midas myth in Eugénie Grandet two centuries later. This reappropriation of myth in literature was especially popular in the twentieth century, whether with Camus's Le mythe de Sisyphe, Anouilh's Antigone, or Cocteau's Orphée.
The XVII Annual Elizabeth Madox Roberts Conference:
April 24-27, 2015
Shaker Village—Pleasant Hill, Kentucky
St. Catharine College—Springfield, Kentucky
The Festivals & Faires Area of the Popular Culture Association welcomes submissions on any festival or faire—modern or historical. Scholars of theatre / theater, drama, performance studies, American studies, popular culture, religion, history, anthropology, folklore, English, theory, and non-western traditions are encouraged to apply. The PCAACA Conference is in New Orleans, April 1-4, 2015. Other specific areas of interest for this year's panels include, but are not limited to:
1. Burning Man;
2. Contemporary American Renaissance Festivals & Faires, including performative panels;
3. Festivals & Faires from outside the United States;
4. Theatre festivals, Shakespeare festivals, and music festivals;
Special Topics CFP Template
Call for Papers: "Thomas Merton and Imagination" at CEA 2015
Call for Papers, CEA 2015 | IMAGINATIONS
46th Annual Conference | March 26-28, 2015 | INDIANAPOLIS, INDIANA
Hyatt Regency Indianapolis, One South Capital Avenue, Indianapolis, Indiana, 46204, Phone (317)-632-1234; Fax (317) 616-6299
Submission deadline: November 1, 2014 at http://cea-web.org/
The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations for our 46th annual conference.
Mediating the Sacred and Secular in the Medieval and Early Modern period - deadline Nov. 15
University of Michigan, Ann Arbor
February 20-21, 2015
The Early Modern Colloquium, a graduate interdisciplinary group at the University of Michigan, is seeking submissions for its conference on the conceptualizations of the sacred and secular during the Medieval and Early Modern periods. This conference will engage with issues of periodicity through questions of secular versus sacred authority both during and between these eras. More specifically, it will investigate particular literary representations that negotiate and mediate the divide of the sacred and the secular in Medieval and Early Modern Europe.
[sic] – a journal of literature, culture and literary translation
University of Zadar
Obala kralja Petra Krešimira IV. br 2
10th Call for Papers
CFP: Utopia and political theology today
CFP: Utopia and political theology today
Call for Papers for the Panel
Art and Identity
As part of The Second Euroacademia International Conference 'Identities and Identifications: Politicized Uses of Collective Identities, 17 and 18 October 2014, Florence, Italy
Deadline for paper proposals: 12 September 2014
For the forthcoming issue planned for December 2014, the editors of artciencia.com invite essays and artwork with original approaches to the topics of Art and Education, History, Aesthetics, and/or Technology, in Cinema, Literature, Music, Video Art, Theatre, Performance, Photography, New Media, Painting, etc., as well as e-Learning, English Studies, Law and Communication Sciences.
We are especially interested in essays and artwork that address the convergence of studies in social sciences and/or cultural studies with those in art, or reconsider the encounter of art and culture with specific historical or scientific events (i.e. new discoveries, technological development, political and social change etc.).