We invite papers and panels that investigate any aspect of the new and the novel in the long 19th century, including forms and genres (song cycles, photography, "loose baggy monsters"), fashions and roles (the dandy, crinoline, Berlin wool work), aesthetics (Pater, panoramas), the old made new (Graecophilia, dinosaurs), crimes and vices (serial murder, racial science), faiths (Mormons, Positivists), geographies (frontiers, the source of the Nile), models of heroism (Custer, Byron, F. Nightingale), times (railroad tables, the eight-hour-day), psychologies (phrenology, chirology, Freud), attractions (the Great Exhibition, sensation fiction, Yellowstone), and anxieties (Chartism, empire).
According to the OED, the word tourism enters the English lexicon at the dawn of the nineteenth century, thus institutionalizing the notion that travel is a necessary component of personal development. As crowds of earnest bourgeois travelers displaced the solitary young aristocrat on the Grand Tour a vast body of literature concerned with both mundane and exalted facets of foreign places cropped up to fulfill a new set of needs. Owing to the diversity of places to which individuals traveled and the many different reasons for doing so, these needs were diverse and multiform.
How did poetry, theater, music, visual art, dance, architecture, and other forms of art coexist in the English-speaking world during the Early Modern period? This panel invites papers concerning the intersections of literature and the other arts during the 16th and early 17th centuries.
Suggested topics include but are not limited to: the influence of religion on artistic production, the use of music in the public theater and beyond, representations of courtly masques, the musicality of verse, representations of architecture in literature, etc.
SAMLA 87 will be held from November 13-15, 2015, in Durham, NC.
Centre for Nineteenth-Century Studies One-Day Conference
12 March 2016
Durham University, UK
Keynote Address: Professor Bernard Lightman (York University, Canada)
The treatment of post-Renaissance allegory by literary scholars has been consistently negative. Scholars continue to write about the "demise," "abandonment," or "shattering" of allegory during the eighteenth century, as writers purportedly move away from the abstraction of generalization of allegory and towards the concreteness and demonstrability of literal narrative. This panel is dedicated to revisiting the relationship between allegory and the eighteenth century, since the literary form (whether it is understood as a distinct genre or as a mode of writing that can be evoked occasionally) does not go away. Potential panelists are encouraged to submit proposals for any paper investigating the status or role of allegory during the Enlightenment.
Keeping with the conference theme of Literature and the Other Arts, The Eudora Welty Society invites papers that explore multimodality and interdisciplinary collaboration within the works of Eudora Welty. What elements in Welty's fiction, essays, or photography connect to her contemporary moment or a timeless part of human nature? Examples might concern the role of and engagement with politics, jazz and the blues, newspaper and magazine, television and film, translation of oral fairy tales into a written medium or Welty's Robber Bridegroom into a play.
Religion and American Literature panel at PAMLA seeks papers that address how questions of faith have shaped literary works and cultural meanings. How do American writers negotiate faith or unbelief? What are the varieties of secularism articulated in their work? How do they explore faith within a post-secular context? The panel especially welcomes papers on the following authors: Cormac McCarthy, Marilynn Robinson, and Jeffrey Eugenides.
Persona Studies is seeking papers and creative projects that investigate the ways in which personas are produced, managed, used, and disseminated in the contexts of our working lives and careers. What work do these personas do? How does our work shape and dictate them? What are the constraints and effects of these personas?
Abstracts and Expressions of Interest (250-300 words) should be submitted by 19 June 2015 to email@example.com with the subject heading "2015 Issue 2 Abstract." Full papers may also be submitted at this time.
This Rough Magic (www.thisroughmagic.org) is a journal dedicated to the art of teaching Medieval and Renaissance Literature.
We are seeking academic, teachable articles that focus on, but are not limited to, the following categories:
•Philosophy and Rhetoric