CounterText is uniquely centred on the study of literature and its 21st-century extensions. Are the broader resonances of the literary being overtaken in the drifts towards image cultures, digital spaces, globalisation and technoscientific advances? For CounterText, the post-literary is the domain in which any artefact that might have some claim on the literary appears. However, the post-literary domain also allows for vital and challenging migrations and mutations of the literary. Such artefacts might be called 'countertextual'. The countertextual is strategic, metamorphic and revelatory of the charged evolutions and radical transformations of the literary today.
Call for Papers
'There's little left but to be bored or bore.'
Lord Byron, Don Juan, Canto XIV
'Mieux vaut un désastre qu'un désêtre.'
Alain Badiou, Conditions
Victor Hugo, Les Misérables
'There seemed nothing to do but live.'
J. M. Coetzee, Life and Times of Michael K
In May 2015, a new edition of THE VICTORIAN will appear. Please send along your articles and reviews for consideration. All aspects of the Victorian period are covered, but with a particular emphasis on literary interpretations.
Regular Paper Submission:
Socrates Journal invites Authors/Researchers to submit their research papers for consideration of publication in the regular Issues of the Journal.
Visit our webpage: http://deuas.deu.edu.tr/
Dokuz Eylül University – Department of American Culture and Literature
1st INTERNATIONAL AMERICAN STUDIES SYMPOSIUM
May 4-5-6, 2016 – Izmir, TURKEY
This symposium will bring together academics from across Turkey and the rest of the world to discuss the idea of the "The Sacred and the Sublime"
New Perspectives on Censorship in Early Modern England: Literature, Politics and Religion
Sophie Chiari and Isabelle Fernandes
(CERHAC, UMR 5037, French National Centre for Scientific Research)
Blaise Pascal University, Clermont-Ferrand, France
1-3 December 2016
Maison des Sciences de l'Homme (MSH)
Pr. Roger Chartier (Collège de France, Paris)
Pr. Line Cottegnies (Université Paris 3-Sorbonne Nouvelle)
Pr. Richard Dutton (The Ohio State University)
Dr. Thomas Freeman (University of Essex)
Maroons, Indigenous Peoples, and Indigeneity
June 19-23, 2015
Charles Town, Portland, Jamaica
The Seventh Charles Town International Maroon Conference invites papers that explore the relationships between place and tradition in Indigenous and Maroon communities around the globe.
From Amazon's Transparent to #jesuischarlie, from The Interview controversy to coverage of Ferguson, MO, major media events of the past year foreground the image's imbrication in politics. At the same time, it's increasingly unclear what it means for an image to be political. We're losing faith in revolution and representation as paradigms: the image's revolutionary promise feels unattainable, and it no longer seems guaranteed that "better" representation translates into better material conditions for life. Recent work sees political potential in affect and the commons, but these concepts' particular importance for the politics of media remains undertheorized.
According to the OED, the word tourism enters the English lexicon at the dawn of the nineteenth century, thus institutionalizing the notion that travel is a necessary component of personal development. As crowds of earnest bourgeois travelers displaced the solitary young aristocrat on the Grand Tour a vast body of literature concerned with both mundane and exalted facets of foreign places cropped up to fulfill a new set of needs. Owing to the diversity of places to which individuals traveled and the many different reasons for doing so, these needs were diverse and multiform.
This seminar/workshop seeks to spark a critical conversation about how historical subjects and historical texts within the African Diaspora get re-fashioned, re-animated, and re-articulated, as well as parodied, nostalgized, and defamiliarized, to establish an afterlife for African Atlantic identities and narratives. Participants will consider how—as transnational and transhistorical sites of memory—particular performances (textual, visual, or embodied) circulate and imagine anew the meaning of prior personal and textual narratives liberated from their originary context.