Akda: The Asian Journal of Literature, Culture, Performance is an international peer-reviewed journal that seeks to publish cutting-edge articles in the areas and intersections of Literary, Cultural, and Performance Studies. We especially welcome articles that will inaugurate new and dynamic directions for scholarly inquiry on the literary and cultural production of the Asian region. Further, in our commitment to diversity and to multicultural dialogue, we welcome contributions that may potentially be relevant to the concerns of the region from various national and cultural backgrounds. The journal is supported by a distinguished editorial board that represents the journal's scholarly depth and geographic scope.
This permanent MMLA panel invites abstracts that engage with collectives, communities, and print culture, widely conceived. In line with the conference theme, "border states," how does print culture give us a sense of community boundaries? How are collective identities formed, altered, or dismantled? What role does print culture play in shaping collectives or communities? How can we (re)conceive solidarity or community through the literary? This panel can engage with but is not limited to the following topics: literary criticism, critical theory (including theories of affect), aesthetics, propaganda, literary texts, and print culture more broadly.
The 9/11 and Popular Culture area is looking for abstract proposals for the MPCA conference in Chicago, IL, at the Hilton Rosemont/Chicago O'Hare from Thursday-Sunday, October 6-9.
The 9/11 Popular Culture area seeks essays that explore the convergence of post-9/11 themes in contemporary television, film, fiction, poetry, comics, and other artistic expression. I am especially interested in essays that approach issues of trauma theory and Islamophobia, as well as critiques of American exceptionalism and politics across artistic expression.
I welcome papers that analyze
the immediate American literary responses and considerations of the 9/11 terrorist attack (Extremely Loud and Incredibly Close, The Writing on the Wall);
CFP DEADLINE EXTENDED TO 20 APRIL 2016
Registration is now open for Mood - Aesthetic, Philosophical and Psychological Perspectives, a two-day conference taking place at the University of Warwick on 6th and 7th May 2016. This interdisciplinary event explores the concept of mood from a variety of disciplines including philosophy, literary studies, musicology, sociology, socionomics, film studies and art. In addition to a series of panels and keynote lectures, the programme comprises a reading and an exhibition.
The Gothic Association of New Zealand and Australia (GANZA) welcomes papers for its third biennial conference, to be held at Auckland University of Technology, New Zealand, on 23-24 January 2017.
The conference will be organised in the spirit of the Association.
GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, television, fashion, architecture, and other popular culture forms. It is the aim of the Association to not only place a focus on Australasian Gothic scholarship, but also to build international links with the wider Gothic community as a whole.
Call for Papers
Department of French and Italian
Transparency and Opacity in French Language Literature
10-Day Course on Islamic Art
The Islamic School of Art (in collaboration with the University of Religions and Denominations of Qom) is pleased to offer the short-term course of Wisdom of Islamic Art on 22th-31st August, 2016. This 10-Day program focuses on Islamic Art (Miniature, Architecture, Calligraphy, Music, Ta'zieh and …), discusses their philosophical foundations and entails visiting the most important Islamic architectures in the three cities of Tehran, Qom and Isfahan. All professors, researchers, artists and students in related fields are invited to apply.
Deadline for Submissions: August 1, 2016
The upcoming issue of Parlour will concentrate on women as producers and consumers of texts with an emphasis on counter-intuitive feminist interpretations. We invite submissions that explore a wide range of approaches to the issue's theme and its attendant connotations of defiance, opposition, direct action, and rebellion.
Mock the Weak: Comedy and the Politics of Representation
14th-15th September 2016, Teesside University/ARC Stockton