The special panel "On Presence, Rhetorical and Divine: Reading the Wor(l)d of God" seeks papers on rhetorics of the eighteenth century that address the central role of divine and natural interpretations of theology, nature, or lived experience. To be presented at SCSECS during the conference in Dallas, Texas, from February 21-23, 2019. Contact: Brian Fehler at firstname.lastname@example.org www.scsecs.net
Many novelists in various national literatures touched upon the theme of an emancipated woman in the long nineteenth century. Imagination, as it is believed, has no borders and is dialogical in its nature. Different voices of great emancipationist writers merged into one influential symphony liberating and awakening consciousness of slaves—males and females. If writers did not support directly or sympathized with the image of an emancipated woman, they did reflect on her place in society and her belonging. World literature allows us to take a closer look at the imagined and real women's lives, at their biographies and reminiscent writing.
AMERICAN ACADEMY OF RELIGION WESTERN REGION (AARWR)
2019 ANNUAL CONFERENCE | CALL FOR PAPERS
Arizona State University | March 2-3, 2019
2019 Annual Conference Theme:
Religion and Resistance
Make sure to submit the Program Participant Form to the Jewish Studies Chair, Roberta Sabbath, email@example.com, when submitting your proposal! Click here to download it.
This collection seeks 4,000-6,000 word chapters on cinema and liberation theology for an edited collection which a major academic publisher is interested in.
This collection focuses on liberation narratives which are in some way related to or inspired by religious traditions/literatures/practices/discourses from around the world. The films and analyses need not be explicitly religious in content, but need only to be argued in the context of liberation with theology, spirituality, or divinity.
Mission Statement: Comparative Woman aims to create an environment that explores topics related to comparative literature and women/gender studies through poetry and academic essays from a multitude of perspectives. We seek to give poets a platform for reflecting on their thoughts and experiences according to each issue’s theme to present our readers with unique, diverse, and thought-provoking art while also exposing our readers to scholarly work on art created by women or about women in mediums both in and outside of the Western Literary Canon.
Comparative Woman Call for Submissions
The journal, Humanities, is now accepting proposals for a special issue on "Theology of Marilynne Robinson in a Postsecular Age." The deadline for the proposal is Janauary 31, 2019.
“What end is served in abstracting the glimmer of numinosity, the summons to awe…from its particular histories, institutions, communities, struggles?”
—Tracy Fessenden, “The Problem of the Postsecular”
The leading interdisciplinary journal Literature and Theology (Oxford University Press) is publishing a special issue on theopoetics.
Submissions are invited on any aspect of this theme, including:
Subject: Call for Papers: Thomas Merton at CEA 2019
Call for Papers, Thomas Merton at CEA 2019
March 28-30, 2019 | New Orleans, Louisiana
Astor Crowne Plaza
739 Canal Street, New Orleans, Louisiana 70130 | Phone: (504) 962-0500
The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Thomas Merton for our 50th annual conference. Submit your proposal at www.cea-web.org
Overarching theme of the Conference: VISION/REVISION.
Suggested lines of inquiry (but only suggested):
CFP: Southern Studies Conference, Auburn University at Montgomery, AL, February 1-2, 2019
Reminder: Deadline Approaching!
Now in its eleventh year, the AUM Southern Studies Conference, hosted by Auburn University at Montgomery, explores themes related to the American South across a wide array of disciplines and methodologies. Registrants to the two-day interdisciplianry conference enjoy a variety of peer-reviewed panels, two distinguished keynote speakers and a visiting artist, who gives a talk and mounts a gallery exhibition.