Literature and Medicine in the Eighteenth Century
A Critical Companion to Tim Burton
Edited by Adam Barkman and Antonio Sanna
Susanne Peters, Otto-von-Guericke-Universität Magdeburg, Germany,
Shoba Ghosh, University of Mumbai, India
The Berkeley Journal of Religion and Theology (BJRT) is a new, peer-reviewed journal of the Graduate Theological Union at Berkeley that is managed by GTU doctoral students under the supervision of the GTU consortial faculty. The mission of the BJRT is to be an international and diverse forum of original, cutting-edge scholarship in religious studies, philosophy, and theology that reflects the GTU's endeavor to be a nexus for "where religion meets the world."
On February 8, 1882, after his seventh lecture in America in just over a week, Oscar Wilde traveled north from Buffalo, NY crossing the border by train to Niagara Falls, Ontario, Canada to play the role of tourist. In typical Wilde fashion, his response to seeing the falls was paradoxical, proclaiming it "one of the earliest, if not the keenest, disappointments" of a bride's married life, yet appreciating its aesthetic and spiritual power as "a sort of embodiment of pantheism." Wilde's visit to Niagara Falls is both microcosm and metaphor for all of what might be called Wilde's 'border crossings'—national, classed, sexual, religious, and aesthetic.
The 2008 global downturn has compelled the social sciences and humanities to refocus on the concept of "crisis" in capitalism and rethink the relations between "core" and "periphery." What is crucial to this era of crisis is the emergence of the BRICS countries and the corresponding shifts in the world system. Debates on world literature and comparitivism have been alert to these readjustments (Moretti, 2000; Orsini, 2003; Damrosch, 2005; Warwick RC, 2015) as well as the proliferation of the neo-social realist novel (Adiga, Hamid, etc).
Co-organizers: Jacquelyn Ardam, UCLA; Ronjaunee Chatterjee, CalArts
2015 marked the 30-year anniversary of the publication of Donna Haraway's "A Cyborg Manifesto," whose radical questioning of the divisions between human and machine, matter and meaning, and gendered and "postgendered" existence continues to animate our social reality. Recent discussions in the field of new materialism, which grapple with questions of embodiment and materiality, have opened up new avenues for theorizing femininity outside of conventional frameworks.
Devils are everywhere in medieval literature, disturbing, challenging, and violating conventional spatio-temporal constraints as they move freely between worlds in order to torment the holy, spread disease, and tempt good Christians by making sin seem sweet. They appear as enchanters, tempters, playful tricksters, masked tormentors, terrifying beasts, mankind's lawyerly accusers, and on occasion, as sympathetic figures who happened to be on the losing side of a cosmic war. Although much has been written about how devils are staged, their appearance, and their interaction with those they torment, very little has been written about what devils actually say. How do devils represent themselves and their spaces of punishment?
JSR: Journal for the Study of Radicalism—a print academic journal published by Michigan State University Press—announces a call for articles and reviews for our tenth year of issues. We are interested in articles on radicalism in a wide range of contexts and areas, and encourage articles from humanities and social science perspectives. The Journal for the Study of Radicalism engages in serious, scholarly exploration of the forms, representations, meanings, and historical influences of radical social movements.
Call for Papers for Edited Books with ISBN
Last Date 31st December 2015
Generally, most people have their own ideas of what literature is. When enrolling in a literary course at university, you expect that everything on the reading list will be "literature". Similarly, you might expect everything by a known author to be literature, even though the quality of that author's work may vary from publication to publication. Perhaps you get an idea just from looking at the cover design on a book whether it is "literary" or "pulp". Literature then, is a form of demarcation, however fuzzy, based on the premise that all texts are not created equal. Some have or are given more value than others.