Medieval animal studies has tended to privilege literary and encyclopedic texts, viewing animals within Aristotelian hierarchies of rationality, while research on animals in medieval medicine has focused on their use as ingredients, rather than their potential status as patients. There have been few discussions of animals and humans in relationships of care, or of animals as the recipients of medical treatment. In this panel, we seek to expand these conversations by centering veterinary medicine, including treatment manuals (e.g., hawking handbooks), literary representations of veterinary practices (e.g., romance heroes caring for horses), and other genres that concern the (un)ethical, (il)legal, or (im)proper treatment, training, or keeping of animals.
The Journal of the Wooden O is a peer-reviewed academic publication focusing on Shakespeare studies. It is published annually by Southern Utah University Press in cooperation with the SUU Center for Shakespeare Studies and the Utah Shakespeare Festival.
The editors invite papers on any topic related to Shakespeare, including Shakespearean texts, Shakespeare in performance, the adaptation of Shakespeare works (film, fiction, and visual and performing arts), Elizabethan and Jacobean culture and history, and Shakespeare’s contemporaries.
Adaptation Before Cinema:
Literary and Visual Convergence from Antiquity through the 19th Century
SIDNEY AT KALAMAZOO, MAY 7-10, 2020
55th International Congress on Medieval Studies
Western Michigan University (Kalamazoo, Michigan)
International Congress of Medieval Studies, Kalamazoo 2020
What can we learn from unexceptional texts and artifacts in the Middle Ages? How can we critically assess the metrics by which we evaluate quality? How can medieval studies reconcile, or recover from, the history of Orientalism in its estimation of non-European medieval traditions? This panel builds on conversations during the 2019 Medievalists @ Penn Conference on Mediocrity (https://middling-ages.tumblr.com), which we seek to carry in more explicitly transcultural directions.
Special Issue of Multicultural Shakespeare: Shakespeare, Blackface, and Performance: A Global Exploration,
Ed. Coen Heijes and Ayanna Thompson.
DEADLINE: MARCH 1, 2020
PUBLICATION: AUTUMN 2020
More details here: https://acmrs.asu.edu/multiculturalshakespeare?fbclid=IwAR2JU0ixuEQhi0MG...
Kinney Center for Interdisciplinary Renaissance Studies, University of Massachusetts Amherst, February 22, 2020
What are the ecological affordances of thinking with the medieval and early modern past? How can the environmental humanities inspire eco-mimetic modes of thinking and writing? This think-tank conference invites research-in-progress that parses the entanglements of nature and culture, the human and the nonhuman, the material and the metaphysical, to explore how medieval and early modern ecocritical scholarship might speak directly to contemporary political and social concerns.
The conference will include three panels, grouped thematically according to distinct modes of ecological entanglement:
Call for Papers
SEDERI welcomes articles, notes and reviews for its next issue (nº 30) to be published in Autumn 2020.
SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual publication devoted to current criticism and scholarship on Early Modern English Studies. It is peer-reviewed by external readers, following a double-blind policy. It is published in paper and online, in open-access.
Quality Assessment and Indexing
Renaissance Society of America Annual Meeting
Philadelphia, 2-4 April 2020