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Digital Diversity 2015: Writing | Feminism | Culture

updated: 
Monday, July 14, 2014 - 2:56am
full name / name of organization: 
University of Alberta and MacEwan University
contact email: 

How have new technologies transformed literary and cultural histories? How do they enable critical practices of scholars working in and outside of digital humanities? Have decades of digital studies enhanced, altered, or muted the project to recover and represent more diverse histories of writers, thinkers, and artists positioned differently by gender, race, ethnicity, sexualities, social class and/or global location?

The Coming of Age of LGBTQ Studies: Past, Present, and Future Directions (San Diego State University, April 17-18, 2015)

updated: 
Sunday, July 13, 2014 - 12:45pm
full name / name of organization: 
SDSU LGBTQ Research Consortium
contact email: 

As LGBTQ Studies finds disciplinary space on a growing number of university and college campuses, questions about the cultural and intellectual effects of academic institutionalization have become progressively more urgent:

• Where is the broad field of LGBTQ Studies heading?
• Where has it been? How might we negotiate the relationship between intellectual inquiry and social movements?
• In what ways might the epistemological concerns of LGBTQ Studies affect the pedagogical imperatives of the classroom (and vice-versa)?

"The Coming of Age of LGBTQ Studies" is a two-day conference devoted to exploring these and related questions.

Call for Papers: "Broken Narratives"- Graduate Student Conference-Ohio State University-Saturday 11th Oct, 2014

updated: 
Thursday, July 10, 2014 - 4:51pm
full name / name of organization: 
English Graduate Organization, Ohio State U
contact email: 

Broken narratives abound in literary and cultural history. Serialized literary works, serial television, fragmented novels, and shuffle literature are among the many forms that use brokenness as a resource for unfolding narratives. The eclectic nature and the many avatars of "broken narratives" make them valuable sites for comparative studies. Arguably, brokenness remains integral to certain textual forms more than others: Segmentation and sequentiality, for instance, are identified as key to the comic form (McCloud) as well as narrative poetry (McHale; DuPlessis) and television series (O'Sullivan).

CORRECTED CFP: PCA/ACA 2015 National Conference, April 1-4, 2015, New Orleans: Proposals Due: 11/1/14

updated: 
Tuesday, July 8, 2014 - 1:14pm
full name / name of organization: 
PCA/ACA 2015 National Conference
contact email: 

CFP: Medievalism in Popular Culture

PCA/ACA 2015 National Conference
April 1-4, 2015 – New Orleans, Louisiana
New Orleans Marriott

The Medievalism in Popular Culture Area (now the combined areas of Arthurian and Other Medievalism) accepts papers on all topics that explore either popular culture during the Middle Ages or transcribe some aspect of the Middle Ages into the popular culture of later periods. These representations can occur in any genre, including film, television, novels, graphic novels, gaming, advertising, art, etc. For this year's conference, I would like to encourage submissions on some of the following topics:

Medievalism in Popular Culture, PCA/ACA, April 1-4, 2015, New Orleans: Proposals Due 11/1/14

updated: 
Tuesday, July 8, 2014 - 12:57pm
full name / name of organization: 
2015 Popular Cultural Association National Confernce
contact email: 

The Medievalism in Popular Culture Area (now the combined areas of Arthurian and Other Medievalism) accepts papers on all topics that either explore popular culture during the Middle Ages or transcribe some aspect of the Middle Ages into the popular culture of later periods. These representations can occur in any genre, including film, television, novels, graphic novels, gaming, advertising, etc. For this year's conference, I would like to encourage submissions on some of the following topics:

Contamination from Above (Submissions Due February 2, 2015)

updated: 
Tuesday, July 8, 2014 - 7:06am
full name / name of organization: 
Writing from Below
contact email: 

"What if there were, lodged within the heart of the law itself, a law of impurity or a principle of contamination?"
-Jacques Derrida, "The Law of Genre"

THE THEME
Unlawfulness, impurity, contamination: in the porous and scattered disciplines of gender, sexuality and diversity studies, these are the forces and strategies that impel our criticism and creation, the ethos of the fugitive journal Writing from Below.

Massachusetts Center for Interdisciplinary Renaissance Studies Graduate Conference

updated: 
Monday, July 7, 2014 - 11:55am
full name / name of organization: 
Massachusetts Center for Interdisciplinary Renaissance Studies - University of Massachusetts Amherst

The Massachusetts Center for Interdisciplinary Renaissance Studies at the University of Massachusetts, Amherst will host its twelfth annual graduate student conference on Saturday, October 11, 2014.

We are delighted to welcome Coppelia Kahn of Brown University as our keynote speaker.

CFP: 9th Global Conference: National and Cultural Histories of the Erotic

updated: 
Monday, July 7, 2014 - 10:17am
full name / name of organization: 
Dr Rob Fisher/ Inter-Disciplinary.Net

9th Global Conference: National and Cultural Histories of the Erotic

Tuesday 4th November – Thursday 6th November 2014
Prague, Czech Republic

Call for Presentations:

National and Cultural Histories of the Erotic forms a special stream of focus within the larger event of The Erotic conference.

2015 Shakespearean Theatre Conference: "Language in Text and Performance" (Stratford, Ontario, June 18-20)

updated: 
Sunday, July 6, 2014 - 8:24pm
full name / name of organization: 
University of Waterloo and the Stratford Festival
contact email: 

We invite paper, session, and workshop proposals for the inaugural Shakespearean Theatre Conference, to be held June 18-20, 2015, in Stratford, Ontario. Both text-based and performance-based approaches to language in Tudor-Stuart drama are welcome, and we especially encourage proposals that explore the relationship between text and performance.

Plenary speakers:
Joel Altman (University of California, Berkeley)
Antoni Cimolino (Artistic Director, Stratford Festival)
Russell Jackson (University of Birmingham)
Lynne Magnusson (University of Toronto)

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