This panel seeks participants interested in exploring the complex and multi-faceted relationship between Shakespeare and Italy. Key areas of focus will be, among other things, the impact of the Italian Renaissance on England; early modern English translations of Italian works; Shakespeare's use of Italian texts for both direct source and indirect inspiration; Italian settings and characters in Shakespeare's plays; the influence of Italian genres, such as tragicomedy, in Shakespeare's drama; early modern English attitudes towards Italy in general and certain Italians (such as Machiavelli) in particular; and later Italian adaptations of Shakespeare, particularly for the opera and for the cinema.
CFP: Congress 2016—Engaging Communities Comparatively
Knowledge and understandings of shared values are created based on our respect for difference and diversity and our engagement with the communities we live in. A focus on connections between the individual, the local and the global can provoke new ways of thinking.
The opening session of La métaphore du labyrinthe, an interdisciplinary seminar organized by Roland Barthes during 1978 and 1979, reached two principal conclusions: first, that despite the apparent chaos always linked to its semantics, the notion of 'labyrinth' actually implies "a factor of intentional and systematic construction"; second, that the labyrinthine structures have essentially a hermeneutic function. The wear and tear of the labyrinth as a metaphoric trope drove Barthes to conclude that maybe the labyrinth is but a "pseudo" metaphor, where the letter is richer than the symbol and thus, the labyrinth would engender narratives rather than images.
The quint's twenty eigth issue is issuing a call for theoretically informed and historically grounded submissions of scholarly interest—as well as creative writing, original art, interviews, and reviews of books. The deadline for this call is 31st August 2015—but please note that we accept manu/digi-scripts at any time.
All contributions accompanied by a short biography will be forwarded to a member of the editorial board. Manuscripts must not be previously published or submitted for publication elsewhere while being reviewed by the quint's editors or outside readers.
Hard copies of manuscripts should be sent to Dr. Sue Matheson at the quint, University College of the North, P.O. Box 3000, The Pas, Manitoba, Canada, R9A 1M7.
Geoffrey of Monmouth's 'Historia regum Britanniae' was one of the most popular versions of insular 'British' history in the medieval and early modern Britain. Over 200 extant manuscripts of the 'Historia' survive today (Crick, 1989), and there were also a number of re-writings of Geoffrey's text in a variety of languages, including Latin, Anglo-Norman, Middle Welsh, Middle English, and Old Scots.
The melancholic poet, the neurasthenic female reader, the man of artistic temperament: these heavily typed figures, each coded in the medical and psychological discourse of its own time, together bespeak a longstanding cultural connection between anxiety and literature. Sianne Ngai, in Ugly Feelings, even tentatively identifies anxiety as "the distinctive 'feeling-tone' of intellectual inquiry itself" – a signifying trope of bookish existence. But what might this connection between literature and anxiety mean after the advent of psychopharmacology, of neurodiversity awareness, of classroom trigger warnings?
If literature is, as Pound said, "news that stays news," then perhaps poetry is always a matter of current events, but recently, books like Claudia Rankine's Citizen or Brian Turner's Here, Bullet, to name just two, have taken on contemporary public moments, current events in common parlance, and in the process sparked a different kind of conversation.
CALL FOR PAPERS: UPDATE
Words Unofficial: Gossip, Circulation, Mediation
University of Chicago English Graduate Conference
November 19-20, 2015
Keynote Speaker: Prof. Susan Phillips, Northwestern University
Associate Professor of English and Alumnae of Northwestern Teaching Professor
-Prof. Natasha Barnes, University of Illinois at Chicago
Associate Professor of African American Studies and English
-Prof. Peter Coviello, University of Illinois at Chicago
Professor of English
-Prof. Patrick Jagoda, University of Chicago
Assistant Professor of English
-Prof. Lynn Spigel, Northwestern University
Frances Willard Professor of Screen Cultures
One of the SMFS sponsored series, this session on 'The Gender-Free Being' invites papers to consider portrayals of characters in medieval history, literature and art of any period or language that explore the extent to which an individual's identity is distinct from their socially gendered, or sexual being.
This panel proposal for the 2016 annual CAMWS meeting (to be held in Williamsburg, Virginia March 16-19) is seeking papers on a variety of topics involving original research or creative treatment of texts from the following disciplines: religious studies, rhetoric, literature, history, art history, lexicography, translation, and theater. Topics should be composed within or inspired by the classical tradition. Papers treating works composed in Latin or Greek are especially welcome. Individual presentations will last no more than 20 minutes, with time for discussion between papers.