"Staging the Undead"
The Medieval and Renaissance Drama Society seeks three 20-minute presentations on any aspect of medieval and early modern Dutch and Flemish drama for a session at the 2017 International Medieval Congress at Leeds.
The International Margaret Cavendish Society is pleased to announce that the next biannual conference is set to take place on June 22nd-24th, 2017 at Bates College, Maine. Professor Carolyn Merchant from the University of California, Berkeley, will be the keynote speaker. Preference will be given to abstracts that closely relate to the conference theme, but all talks about Cavendish, her family, and related subjects will be considered. The conference theme is "Margaret Cavendish: Reception and Representations." Cavendish has increasingly garnered intense academic interest during the past twenty five years by scholars from a wide range of disciplines such as literature, history of science, philosophy, history and politics.
Whether it is tweeting Lydgate’s Fall of Princes, making witnesses of his poems both in and out of the codex available to scholars worldwide, or engaging in digital prosopography, the “Digital Turn” in recent literary scholarship provides heretofore unavailable opportunities for engagement with the poetry of John Lydgate. However, this is not the first time the introduction of new technology has effected reception, understanding, and interpretation of the poet. The shift from manuscript to print spread Lydgate’s poems in numbers that were not possible before, while modern editorial practices developed during the nineteenth and twentieth centuries have created a set of “standard” editions of the poet’s works, for good and ill.
Medieval studies has made serious inroads into inquiries surrounding the relationship between objects and environments, between objects and their spiritual power, as well as between descriptions of objects and their literal presence. These issues also pertain to Lydgate studies, as his relationship with matter is complex. As Lisa H.
The shadow of Geoffrey Chaucer loomed large over the century after his death. Later poets such as John Lydgate used words coined by him, explicitly referenced Chaucer’s mastery of poetry, and mentioned their relationship with him in the development of their poetic personae and the writing of their poetic works. These connections, in turn, have left a tradition of scholarship that takes such conceits at face value and maligns the poetry of the fifteenth century for allegedly not being the equal of Chaucer’s.
CFP: Persecution, Punishment, and Purgatory I-II: Methodological Considerations, Historical Explorations
Sponsored by the Medieval Studies Certificate Program, Graduate Center, CUNY
52nd International Congress on Medieval Studies, May 11-14, 2017, Kalamazoo, MI
The Medieval/Renassiance area of MAPACA ("Beowulf to Shakespeare") seeks papers concerning the use of medieval and Renaissance materials in modern productions. Topics include, but are not limited to, the incorporation of medieval or Renaissance elements in modern artistic productions such as films, t.v. series, novels and music; the creation of medieval and Renaissance "themed" festivals, restaurants, etc., and the use of medieval or Renaissance elements in video games. The area also seeks panelists interested in presenting on the ways in which contemporary theories and pedagogies influence our perceptions of these eras.
Shakespeare at Kalamazoo
International Congress for Medieval Studies 2017
Shakespeare at Kalamazoo invites submissions for two sessions at the 2017 Congress, which will be held at Western Michigan University on May 11-14, 2017.
In criticism, relying on character study or treating Shakespearean characters as real
people, has often been censured. But, in performance, where actors especially need to
get under the skin of the characters they portray, Shakespearean personae do exhibit
some kind of biographical reality.