This panel welcomes papers about any aspect of Shakespeare, particularly papers that address Shakespearean portrayals of marriage, courtship, and/or gender. By June 15, please submit a 300-word abstract, brief bio, and A/V requirements to John Adrian, UVa-Wise, at firstname.lastname@example.org
The Midwest Modern Language Association (MMLA) will hold its 56th Annual Convention in Detroit, MI at the Double Tree Hotel by Hilton from November 13th-16th, 2014. The informal convention theme is "The Lives of Cites."
As we witness the rapidity with which various systems-theoretical approaches have begun to gain critical and literary currency, we would like to consider the relations among narrative, structure, and system.
The 2014 Rice University English Graduate Symposium welcomes individual and panel proposals that address any of the following topics as they relate to any and all forms of narrative across all time periods and disciplines:
CALL FOR PAPERS
Facing the Unknown: Anonymity in the History of Art
The 40th Annual Cleveland Symposium
Friday, October 24, 2014
The Cleveland Museum of Art, Cleveland, OH
Now in its 40th year, the Case Western Reserve University/Cleveland Museum of Art Joint Graduate Program in Art History & Museum Studies invites submissions from all areas of art history for the annual Cleveland Symposium.
English Forum: Journal of the Department of English, Gauhati University
CALL FOR PAPERS.
Seeking papers for the Travel Writing permanent section panel for the 2014 MMLA conference in Detroit. The overall conference theme is "The Lives of Cities." This panel will focus on travel writing and the urban experience.
"For the dramatically inclined, love is everything that the Corinthians quote from the Bible says it is. For the cynically inclined, love is measured in patterns of behaviour. For the scientific mind, there might be a solution in the colourful images of the brain as captured by an MRI machine.
Kaleidoscope, the journal of the Institute of Advanced Study (IAS) at Durham University, is a peer-reviewed, interdisciplinary journal edited by postgraduate researchers. This publication is specifically aimed at postgraduate students and early-career academics and encourages international interdisciplinary exchange across the annual theme of the IAS.
The theme for the academic year 2013-2014 is 'Light'. Subjects might include but are not limited to:
-Nature and Geometry of Light
-Scientific Processes Utilising Light
-Narrating and Representing Light
-Light and Wellbeing
-Light, Culture, and Practices
This panel invites papers dealing with the interactions between material culture and the coining of metaphors in early modern European literature. Many of the objects that are conjured up in the literature of the period seem to have no realistic function and are rather commonplace symbols drawn from a tightly woven net of pre-established meanings that was current in the emblematic culture of the day (e.g., the hourglass, the anchor, the dart…). Looking beyond the emblematic frame of mind, however, we wish to ask why certain objects more readily made their way into literature as metaphors. How does the history of material objects help to shed new light on the process of creating a figurative language?
Though stage properties were less numerous on the early modern stage, they were more than mere accessories. The candles, torches, plants, swords and even canons that were used in the Globe Theatre, for instance, were all real objects that had not been designed specifically for the stage. Their transfer to a space of theatrical exhibition and representation poses many questions. This panel invites papers that investigate the material history of objects used on stage, the diversity of their dramatic qualities, the ways in which the stage interrogated their status as objects, as well as the ways in which they might have reciprocally determined the stage. How might they have invigorated and transformed theatrical practices?
A panel sponsored by Epistémè (Research Group on Early Modern England, Paris)
The aim of this panel is to explore the links between physical pain and philosophical theories in the early modern period. Two main issues will be addressed in this session:
1. we will discuss the medical and philosophical theories that were elaborated to account for physical pain at the time: what could be the cause of physical pain and how could it be explained physiologically? Was there a clear distinction between physical pain and emotional suffering? Was pain gendered? We will also focus on the value of pain: was it always seen as negative or could it also be good?
Indiana College English Association 2014 Conference
October 24, 2014 at Purdue University Calumet in Hammond, Indiana
Conference Theme: Minds on Fire: Academic Crossroads
Keynote Speakers: Dr Bronwen Thomas (Bournemouth University), Dr Naomi Braithwaite (Nottingham Trent University)
28-29 November 2014 Institute of English Studies, Senate House, University of London
'I like to reinvent myself — it's part of my job.' – Karl Lagerfeld
In 2014, the 3rd annual Marginalised Mainstream conference will consider the varieties, motivations, and meanings of disguise. From secret identities to theatrical performances, from fictional fabrications to factual concealment, disguises of all sorts are part of mainstream culture. This event will explore various manifestations of disguise in popular fiction, media, and culture that have previously been academically marginalised.
Each year, the Bibliographical Society of America (BSA) invites three scholars in the early stages of their careers to present twenty-minute papers on their current, unpublished research in the field of bibliography as members of a panel at the BSA's Annual Meeting, which takes place in New York City in late January. The New Scholars Program seeks to promote the work of scholars who are new to the field of bibliography, broadly defined to include any research that deals with the creation, production, publication, distribution, reception, transmission, and subsequent history of texts as material objects (print or manuscript).
The History of Art Conference aims to trace the tracks of the dialectic correlation in between the art and the concepts of society and artistic crops of this correlation from the very roots of the art to the modern world and to the present. During the conference and within the context of society, well known periods and moments of the history of art will be brought to the agenda and new areas of interest that will be revealed by this perspective will be explored.
HISTART '14 will be organized from 23th to 25th of October, by DAKAM (Eastern Mediterranean Academic Research Center).