Personhood, personality, impersonation, personification in literature and law: Can literary persons provide insight into corporate personhood and other forms of artificial legal personality? How can legal fictions of personhood inform discussions of personhood in literary fictions?
Religion and (the Master) Narrative: An Interdisciplinary Conference on Medieval and Early Modern Belief and Practice
University of Colorado Boulder | Second Annual CMEMS Conference
October 22-24, 2015
Keynote Speaker: Professor Abdulrazak Gurnah from University of Kent
Shakespeare continues to feature in the construction and refashioning of national cultures and identities in a variety of original forms. Recent discussions about originality, now and then, have forced us to re-assess what we mean by Shakespeare, for originality not only travels backwards in time to a (perhaps mythologized) point of an "origin" but also refers to the "original" interpretation of Shakespeare today, one that–by definition of its newness–disrupts the continuity of tradition, and provides a transversal glimpse of a differential perspective. In the light of these views that demand a re-valuation of Shakespeare as original author, we need to rethink the idea of "Shakespeare originality".
The International Journal of Humanities and Cultural Studies (ISSN 2356-5926) invites original, unpublished, quality research articles/case studies in the fields of humanities, anthropology, business studies, communication studies, criminology, cross-cultural studies, development studies, economics, education, ethics, geography, history, international relations, linguistics, media studies, methodology, philosophy, political science, psychology, sociology, literature, discourse studies, performing arts (music, theatre & dance), religious studies, visual arts, women and gender studies, queer studies etc…for the June 2015 Issue (Volume Two, Issue One). Manuscripts Submission Deadline: May 20, 2015. Issue Publication Date: June 2015.
This panel explores SAMLA 87's theme of "literature and the other arts" through the unique dynamic of word-image interaction situated in the poet-artist collaboration. Paper proposals addressing poet-artist collaborations found in book arts, broadside printings, and museum/site-specific installations and exhibits are welcome. By May 15, 2015, please submit a 300-word abstract, brief bio, and A/V requirements to Anne Keefe, University of North Texas, at email@example.com.
22–24 July 2015
Conference Theme: 'London in Love'
Hosted by the Institute of English Studies, University of London
Confirmed Plenary Speakers:
Imtiaz Dharker (poet, artist and documentary film-maker)
Dr. Gregory Dart (University College London)
Professor Kate Flint (University of Southern California)
Hawthorne and Influence: Spenser, Shakespeare, Milton, and the Romantics