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UVA-Wise Medieval/Renaissance, Sept. 26-28, 2019 (Undergrad) (proposals by July 8, 2019)

updated: 
Thursday, April 25, 2019 - 9:20am
Center for Medieval/Renaissance Studies, UVa-Wise
deadline for submissions: 
Monday, July 8, 2019

Medieval-Renaissance Conference XXXIII

Undergraduate Sessions

The University of Virginia’s College at Wise

September 26-28, 2019

 

Keynote Address:  “Noisy Neighbors: Playhouse and Church in a London Parish”—Christopher Highley, The Ohio State University

Infinite Variety: The Older Actress on Stage 1660–present

updated: 
Wednesday, April 24, 2019 - 11:33am
Christ Church, University of Oxford & School of Arts, University of Bristol
deadline for submissions: 
Friday, May 31, 2019

Infinite Variety: The Older Actress on Stage 1660–present 

A two-day symposium on 18–19 October 2019, taking place at Christ Church, University of Oxford, UK. 

 

Symposium Directors are Dr Sophie Duncan and Professor Mary Luckhurst 

The event is jointly convened by the School of Arts, University of Bristol and Christ Church, University of Oxford, with support from The Oxford Research Centre for the Humanities (TORCH). 

 

Confirmed keynote speakers include Gilli Bush-Bailey (Central School of Speech and Drama), Jacky Bratton (Royal Holloway) and Fiona Gregory (Monash University). 

 

Not Altogether Feste: Shakespeare's Indirect Engagements with "Foolery"

updated: 
Wednesday, April 24, 2019 - 11:22am
Alfred J. Drake / PAMLA (Pacific Ancient and Modern Language Association)
deadline for submissions: 
Monday, June 10, 2019

Paper abstracts needed for PAMLA (Pacific Ancient and Modern Language Association) Conference Special Session on Shakespeare:

Shakespeare’s plays abound in fools direct, but the language, gesture, and attitude of “foolery” run through his work even aside from the antics of characters such as Feste, Lear’s Fool, or Touchstone. This panel will concentrate on moments in Shakespeare that are not so much driven by the playwright’s most famous practitioners of the fool’s trade, but rather subtly informed and structured by that trade and by the perspective it affords.

Shakespeare and Actors

updated: 
Wednesday, April 24, 2019 - 11:36am
French Shakespeare Society
deadline for submissions: 
Wednesday, May 15, 2019

Call for papers for the 2020 Société Française Shakespeare conference
Paris, Fondation Deutsch de la Meurthe, 9-11 January 2020

Call for papers

Writing Home: Literatures of Place & Belonging, c.1300-1600

updated: 
Wednesday, May 1, 2019 - 9:01am
University of Liverpool
deadline for submissions: 
Tuesday, May 28, 2019

Writing Home: Literatures of Place & Belonging, c.1300-1600

25th-26th July 2019, University of Liverpool

Confirmed Keynote: Professor Wendy Scase

International Conference - "Renaissance Man: Re-Appraisal and Re-Invention"

updated: 
Monday, June 3, 2019 - 9:54am
Department of English, Jadavpur University, Kolkata
deadline for submissions: 
Sunday, June 30, 2019

International Conference: Renaissance Man: Re-Appraisal and Re-Invention

Organizer: The Department of English, Jadavpur University, Kolkata

Dates: 14­­–16 November 2019

 

Keynote Speakers: Professor Michelangelo Zaccarello, University of Pisa

                                  Professor Martin Dzelzainis, University of Leicester

 

Shakespeare and Shakespearean Criticism

updated: 
Tuesday, April 9, 2019 - 9:51am
Midwest Modern Language Association
deadline for submissions: 
Friday, April 19, 2019

The “Shakespeare and Shakespearean Criticism” permanent section of the 2019 Midwest Modern Language Association invites proposals that engage with this year’s conference theme of “Duality, Doubles, and Doppelgangers.” Scholarship that explores issues of duality in Shakespeare’s literature, and in early modern culture broadly, from myriad perspectives will be considered.

Exploring doubling in Shakespeare’s works might begin with attention to any of the following list of topics:

· Duality of texts and paratexts

· Double-meanings (linguistics, semantics, multiple interpretations)

· Double entendre

· Twins, doubles in drama

· Doubled literary sources

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