The symposium committee invites proposals for papers and presentations on any aspect of the works of William Shakespeare. We are currently accepting submissions on a wide range of topics, discipline-specific or interdisciplinary. General topics may include, but are not limited to, Shakespeare and early modern culture; Shakespeare's influence on or appropriation by contemporary culture; Shakespeare on film or television; digital Shakespeare; Shakespearean sources or adaptations; aesthetic approaches to Shakespeare's work; the Shakespearean stage; Shakespeare in performance; teaching Shakespeare; Shakespeare in the high school classroom.
Coldnoon: Travel Poetics (International Journal of Travel Writing) — www.coldnoon.com — invites submissions for its two online publications: Diaries (email@example.com | upto 1500 words) and Dialogues (firstname.lastname@example.org | above 1500, prose only).
Works can be in prose or poetry and should be pertaining to any dimension of travel/travel writing or its representation in writing, film and other media. Your subjects may address, but are not restricted to, the following domains:
DEADLINE EXTENDED TO FEBRUARY 1, 2015
The City That Never Sleeps and the City of Angels. Gotham and the Dream Factory. albeit is going bicoastal, and invites scholarly articles, detailed lesson plans, book reviews, creative pieces, and nonfiction essays exploring the place of New York City and Los Angeles in American culture. Topics for this issue can include, but are not limited to:
We make assumptions based on bodies all the time: what bodies are
normative, strange, dangerous, fragile, familiar, foreign, and so on. The bodies we see are always-already constructed and commodified within various cultural marketplaces. Bodies function as currencies, some of which have more cultural capital than others. This cultural capital lends visibility to some bodies, while rendering others invisible.
Hosted by the Institute of English Studies, University of London
Proposals are invited for papers, comprised panels, and roundtable sessions, which consider any period or genre of literature about, set in, inspired by, or alluding to central and suburban London and its environs, from the city's roots in pre-Roman times to its imagined futures. While the main focus of the conference will be on literary texts, we actively encourage interdisciplinary contributions relating film, architecture, geography, theories of urban space, etc., to literary representations of London. Papers from postgraduate students are particularly welcome for consideration.
Deadline: January 25, 2015
Editor: Kevin MacDonnell
"The chief defect of humanism is that it concerns human beings. Between humanism and something else, it might be possible to create an acceptable fiction."
A colloquium to be hosted by Sigma Tau Delta Iota Chi Chapter, sponsored in part by the Department of English at California State University, Northridge.
January 16, 2015
Saturday, April 25, 2015
California State University, Northridge
Italo Calvino once asked, "who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?" And while the question maintains its relevance, isn't it about time we turn our attention away from the individual, the "we," and ask this question of the texts produced and the environments in which they are produced?
- PASSAGES -
The 4th Annual English Graduate Student Association Conference
February 21, 2015
Keynote address by Jed Esty, PhD and Samantha Pinto, PhD
Deadline for Proposals: EXTENDED to January 9, 2015
The middle passage, the passage of time, a secret passage. Passing as straight, the passing of a loved one, just passing through. Passages and acts of passing often involve movement and transformations that cross — and sometimes blur — traditional boundaries of place, time, identity, or perspective. This conference will explore how and why passages and passing occur, what they entail, and why they matter.
In a time when even Bridget Jones finds herself in her early fifties, it may at first glance seem unwarranted to speak of the invisibility of ageing women in literary and cultural contexts. In fact, in a review of Mad about the Boy in The Times, Sarah Lyall writes that, "Bridget's amorous adventures … make the prospect of middle age not so bad at all". Constructions like this open up questions about representations of women and ageing. What types of images of the "ageing woman" are created in cultural texts? Do women in later life, in order to become visible, need to find ways to "pass" as younger so that "age shall not wither them" as Kira Cochraine puts it in an article in The Guardian?