cfp.english.upenn.edu

(Our email was unavailable for a few days, so we have decided to extend the deadline until October 15.)

The Work of Return (edited collection)

This Rough Magic (www.thisroughmagic.org) is a journal dedicated to the art of teaching Medieval and Renaissance Literature.

Morality and ethics shape our lives in a plethora of ways.

The peer-reviewed journal Interdisciplinary Humanities invites submissions of scholarly articles, nonfiction essays, and book and film reviews that explore representations and theories of fat, gender

From the rage of Achilles to Priam's subservient pleadings for Hector's body, from the conceit of King Lear to the meekness of Cordelia, from the terribilità of Michelangelo's Moses to the earthy nob

Call for Papers: Deadline November 30, 2012
Galaxy: International Multidisciplinary Research Journal (ISSN 2278 – 9529)
Research Papers are invited for January 2013 Issue (Vol. II. Issue. I)

Attention is increasingly regarded by cognitive scientists and evolutionary anthropologists as a faculty whose development in human animals is constitutive of what it means to be human.

In 1913, Ezra Pound articulated the literary imperative for the modernists’ age: “Any work of art which is not a beginning, an invention, a discovery is of little worth,” and later urged artists

Attention is increasingly regarded by cognitive scientists and evolutionary anthropologists as a faculty whose development in human animals is constitutive of what it means to be human.

How does music (its concepts, practices, and institutions) shape the exercise of diplomacy, the pursuit of power, and the conduct of international relations?

Multiples, multiplication and multicultural; digital at work 2013

“The Ambassadorship of Literature” – a two-day symposium at New York University, 2-3 November 2012

The College English Association, a collegial gathering of scholar-teachers in English studies, welcomes proposals for presentations on “Nature in the Renaissance” for our 44th annual conference in

College English Association - Middle Atlantic Group
ANNUAL SPRING CONFERENCE 2013
Call for Papers
“Nature and Artifice”
9 March 2013

This panel seeks papers about film adaptations of medieval and Renaissance English drama, both in English-speaking countries and around the world.

1st Global Conference
21st Century Science: Health, Agency and Well-Being

Wednesday 30th January – Friday 1st February 2013
Sydney, Australia

Call for Presentations:

Illusion is commonly defined as a false idea or belief, often the product of misperception or deception, intentional or otherwise.

Call For Papers – “I Live Here!: Redefining and Negotiating Notions of Public and Private”
NC State English Graduate Conference
Conference Dates: Feb 22-23, 2013

In Momentum: Literature, Travel, and Alterity
The 23rd Annual Graduate Student Mardi Gras Conference
Louisiana State University
February 7th and 8th, 2013

We invite Master’s students from all departments to submit work on a range of topics related to Middle Eastern studies.

Call for Papers

Theatre Survey

Special Issue edited by guest editor, Peter A. Davis, University of Illinois at Urbana-Champaign

“Theatre History as Microhistory”

The International Conference on Medieval and Renaissance Thought, featuring Dr.

The Shakespeare Society of India proposes to hold a three-day international seminar on “Revisiting Shakespeare in Indian Literature and Culture” in collaboration with Indraprastha College

Body and Technology: Instruments of Somaesthetics

1st Global Conference
Opportunity in Crisis: Finding Benefits in Difficult Life Events

Thursday 7th February – Saturday 9th February 2013
Sydney, Australia

Call for Presentations:

“The hooly blisful martyr for to seke,” is the alleged goal for the pilgrimage that structures Geoffrey Chaucer’s Canterbury Tales.

ACLA 2013 (Toronto, ON) – April 5-7, 2013
Seminar: ALTERITY BEYOND UTOPIA
Seminar Leaders: Gerry Canavan (Marquette University) and Ramzi Fawaz (GWU)
Deadline for proposals: November 1, 2012

Do digital platforms change the way we remember? How will the myriad tracks we leave behind through social media and our online presences shape the historical practices of the future?

What cannot be taken up or kept alive? What is too used to reuse, too basic to break down further? What are the ideas at dead ends?

Digital humanists often tout their work as transformative to literary scholarship.

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View the CFP on our webpage here: http://pi.library.yorku.ca/ojs/index.php/pivot/announcement/view/103/

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Do digital platforms change the way we remember? How will the myriad tracks we leave behind through social media and our online presences shape the historical practices of the future?