Revenant, a peer-reviewed scholarly journal dedicated to the study of the supernatural, the uncanny and the weird, based out of Falmouth University in the United Kingdom is looking for submissions for a special theme issue dedicated to the “Transatlantic Renaissance Supernatural”. Guest-edited by Ed Simon of Lehigh University, Revenant is looking for scholarly, academic and creative exploration of the supernatural during the Renaissance across literature, history, folklore, philosophy, science, religion, sociology, and popular culture.
Shakespeare’s Hamlet in an Era of Textual Exhaustion
The editors of Shakespeare’s Hamlet in an Era of Textual Exhaustion are reposting the CFP for the edited collection, which is now under contract with Routledge as a part of the Studies in Shakespeare series. We are particularly interested in rounding out our collection with an essay that focuses on multimedia, cognition, ecocriticism, digital humanities, and/or global performance. Please see the original CFP below and submit a CV and abstract by September 15 to email@example.com.
Our panel in 2017 will consider Elizabeth and her ruling strategies in relation to the material culture of early modern England. How did Elizabeth participate in production and consumption of material culture? How did material culture of early modern England reflect, shape, or ignore Elizabeth's taste, needs, and preferences? What household practices were modeled on those of the royal household? How did the city of London, the royal palaces, and places Elizabeth visited during her progresses accommodate the queen's needs? How were the material aspects of trade, gift-giving, cooking, writing, theater, etc. affected by Elizabeth's prominent position as a ruler?
Call for Papers - The 2017 IASEMS Graduate Conference
THE FINE ART OF LYING: DISGUISE, DISSIMULATION AND COUNTERFEITING IN EARLY MODERN CULTURE
Florence, 7 April 2017
The 2017 IASEMS Graduate Conference at The British Institute of Florence is a one-day interdisciplinary forum open to PhD students and researchers who have obtained their doctorates within the past 5 years.
Dissimulation is but a faint kind of policy, or wisdom; for it asketh a strong wit, and a strong heart, to know when to tell truth, and to do it. Therefore it is the weaker sort of politics, that are the great dissemblers! (Francis Bacon, “Of Dissimulation”)
SHAKESPEARE ON FILM & TELEVISION
CALL FOR PAPERS
POPULAR CULTURE ASSOCIATION/AMERICAN CULTURE ASSOCIATION
2017 NATIONAL CONFERENCE
April 12-15, 2017, San Diego, CA, at the Marriott Marquis San Diego Marina
DEADLINE: OCTOBER 1, 2016
We have previously had papers on the following topics and invite new ideas all the time.
"Staging the Undead"
The Medieval and Renaissance Drama Society seeks three 20-minute presentations on any aspect of medieval and early modern Dutch and Flemish drama for a session at the 2017 International Medieval Congress at Leeds.
The International Margaret Cavendish Society is pleased to announce that the next biannual conference is set to take place on June 22nd-24th, 2017 at Bates College, Maine. Professor Carolyn Merchant from the University of California, Berkeley, will be the keynote speaker. Preference will be given to abstracts that closely relate to the conference theme, but all talks about Cavendish, her family, and related subjects will be considered. The conference theme is "Margaret Cavendish: Reception and Representations." Cavendish has increasingly garnered intense academic interest during the past twenty five years by scholars from a wide range of disciplines such as literature, history of science, philosophy, history and politics.
Whether it is tweeting Lydgate’s Fall of Princes, making witnesses of his poems both in and out of the codex available to scholars worldwide, or engaging in digital prosopography, the “Digital Turn” in recent literary scholarship provides heretofore unavailable opportunities for engagement with the poetry of John Lydgate. However, this is not the first time the introduction of new technology has effected reception, understanding, and interpretation of the poet. The shift from manuscript to print spread Lydgate’s poems in numbers that were not possible before, while modern editorial practices developed during the nineteenth and twentieth centuries have created a set of “standard” editions of the poet’s works, for good and ill.
Medieval studies has made serious inroads into inquiries surrounding the relationship between objects and environments, between objects and their spiritual power, as well as between descriptions of objects and their literal presence. These issues also pertain to Lydgate studies, as his relationship with matter is complex. As Lisa H.