Subscribe to renaissance

renaissance

The Sermon as Literature

updated: 
Thursday, June 2, 2016 - 12:06pm
Dr. Mark K. Fulk, Panel Organizer/
deadline for submissions: 
Tuesday, September 20, 2016

This panel seeks informed readings of British sermons written between 1500 and 1900, reflecting on the ways that the sermon fits in the literature classroom and for literature readers today.What new avenues of research can be pursued in studying the sermon in Great Britain's literature from 1500-1900? How do the well-known sermon writers (e.g., Donne, Andrewes, Wesley) and lesser-known (Barrow, Whitefield, Edwards) form, transform, and deform the genre? And how do we respond to the form as instructors of British literature in the post-Christian, twenty-first century? This panel seeks informed readings of sermons and ability to discuss them in their historical context as well as pedagogically for college/university classrooms today.

[UPDATE-DEADLINE EXTENDED] CFP: Early Modern Utopian Literature (SAMLA, November 4-6, 2016)

updated: 
Tuesday, May 31, 2016 - 4:11pm
Southeast Renaissance Conference, SAMLA Affiliate
deadline for submissions: 
Monday, June 6, 2016

2016 marks the 500th anniversary of the first printing of Thomas More’s Utopia, the text that created and provided the name for its own genre.  Since the appearance of More’s text, utopias have been imagined as unreal realities and worlds where people exist according to a specific vision of an author, whose aim might be justice, art, or an imagined reality with a specific agenda. 

We request abstracts that address any aspect of early modern utopianism.  Please submit 250-300 word abstracts along with a brief bio or a one page C.V. by June 6, 2016 to: Dr. Ruth McIntyre, rmcinty1@kennesaw.edu.

Passion, Power, and Rhetoric: Latin Influences on Early Drama

updated: 
Tuesday, May 31, 2016 - 4:11pm
Elza C. Tiner / Lynchburg College
deadline for submissions: 
Wednesday, August 31, 2016

MEDIEVAL AND RENAISSANCE DRAMA SOCIETY

Call for Papers: Leeds IMC 2017

Passion, Power, and Rhetoric: Latin Influences on Early Drama

 

The twenty-fourth International Medieval Congress will take place in Leeds, UK, from 3-6 July 2017.  The IMC seeks to provide an interdisciplinary forum for the discussion of all aspects of Medieval Studies. However, every year, the IMC chooses a special thematic strand which – for 2017 – is ‘Otherness’. This focus has been chosen for its wide application across all centuries and regions and its impact on all disciplines devoted to this epoch.

Performing the Monstrous on the Early Modern Stage, RSA 2017

updated: 
Tuesday, May 31, 2016 - 4:11pm
Barbara Mello
deadline for submissions: 
Sunday, June 5, 2016

This panel seeks proposals that examine the performance of the monstrous on the early modern stage. Performances of the monstrous include but are not limited to deformity, animals, devils, witches, and other supernatural beings performed on stage. Proposals should consider the vibrant medieval iconographic images of the monstrous that continued to stimulate the early modern imagination. Questions to be addressed might include: how did staging the monstrous secure or collpase boundaries between the natural and supernatural realms? Did the monstrous on stage enforce or interrogate political, cultural, or religious authority? How might staging the monstrous call attention to the cultural power of the stage?

Beauty and Truth in Composition and Literature

updated: 
Tuesday, May 31, 2016 - 4:10pm
Georgia and Carolinas College English Association at SAMLA
deadline for submissions: 
Wednesday, June 8, 2016

 

 

GEORGIA AND CAROLINAS CEA AT SAMLA

In “Ode on a Grecian Urn,” Keats declared that beauty and truth are as one.  But are they? T. S. Eliot called Keats’s pronouncement “meaningless” and “a serious blemish on a beautiful poem.” Scientists and mathematicians debate beauty in terms of symmetry.  Aestheticians ponder what is beautiful and try to determine whether it is true.  Ethicists and theologians explore the moral nexus between beauty and truth. For its 2016 GACCEA at SAMLA session, the GACCEA seeks proposals that discuss beauty and/or truth.  Potential topics include:

Reprobate Humanisms in Early Modern England

updated: 
Thursday, May 26, 2016 - 3:27pm
Daniel R. Gibbons, Catholic University of America; Ben Beier, Washburn University
deadline for submissions: 
Tuesday, May 31, 2016

**REMINDER**

A Woman Well Reputed? Porcia/Portia from Antiquity to the Renaissance

updated: 
Monday, May 23, 2016 - 9:08am
Renaissance Society of America
deadline for submissions: 
Thursday, June 1, 2017

Cato’s daughter; Brutus’ wife.  This panel will consider the figure of Porcia in the Renaissance, where she is to be found in a wide range of cultures and genres.  From the earliest accounts, Porcia has been something of a a paradox: heroic and vulnerable; the masculine soul who is also the devoted wife.   No woman in history can have passed into legend more closely defined by her menfolk; let’s give her some room of her own.

 

Topics might include, but are certainly not limited to:

 

National traditions (eg. Spanish lyrical Porcias; French tragic Porcias)

Exemplary Porcias

Porcia in the visual arts

Female suicide: strength or weakness?

Gender transgression

The Medieval “Freak Show”: Putting the Monstrous on Display in the Middle Ages

updated: 
Thursday, May 19, 2016 - 11:27am
MEARCSTAPA
deadline for submissions: 
Monday, May 30, 2016

SEMA 2016 Proposal

 

Call for Papers for SEMA 2016

The Medieval “Freak Show”: Putting the Monstrous on Display in the Middle Ages

 

People and creatures perceived as monstrous or wondrous are often put on display for profit or exploitation. At times, this exhibitionism presents itself as “education.” What has popularly been called the “freak show” achieved its height via the emergence of working class entertainments that transformed visual cultures in the nineteenth century, as exemplified in P.T. Barnum’s circus and its sideshows, but also including innovations such as the stereoscope and the panorama, which prepared the rise of cinema and, later, television.

English and Italian Hybridity

updated: 
Thursday, May 19, 2016 - 11:27am
Michael Saenger / Sergio Costola
deadline for submissions: 
Sunday, June 5, 2016

English and Italian Hybridity

CFP for Renaissance Society of America, March 30-April 1, 2017, Chicago, IL.

ANAFORA journal – Call for Papers

updated: 
Thursday, May 19, 2016 - 11:26am
Faculty of Humanities and Social Sciences, University of Osijek
deadline for submissions: 
Thursday, September 15, 2016

Anafora, an international journal published by the Faculty of Humanities and Social Sciences, University of Osijek, invites contributions for the upcoming volume. 

DEADLINE EXTENDED: Spenser's Jargon

updated: 
Tuesday, May 17, 2016 - 3:01pm
Renaissance Society of America (International Spenser Society)
deadline for submissions: 
Wednesday, May 25, 2016

DEADLINE EXTENDED

Spenser at RSA 2017: Spenser's Jargon

Sponsored by the International Spenser Society

DEADLINE EXTENDED: Spenser's Sustaining Fictions

updated: 
Tuesday, May 17, 2016 - 3:01pm
Renaissance Society of America (International Spenser Society)
deadline for submissions: 
Wednesday, May 25, 2016

DEADLINE EXTENDED

Spenser at RSA 2017: Spenser's Sustaining Fictions

Sponsored by the International Spenser Society

 

UVA-Wise Medieval/Renaissance, Sept. 15-17, 2016 (Undergrad) (proposals by July 15, 2016)

updated: 
Monday, May 16, 2016 - 11:57am
University of Virginia's College at Wise
deadline for submissions: 
Friday, July 15, 2016

The University of Virginia's College at Wise’s Medieval-Renaissance Conference is pleased to accept abstracts for our thirtieth conference.  The conference is an open event that promotes scholarly discussion in all disciplines of Medieval and Renaissance studies.  Papers by undergraduates covering any area of medieval and renaissance studies—including literature, language, history, philosophy, science, pedagogy, and the arts—are welcome.  Abstracts for papers should be around 300 words in length and should be accompanied by a brief letter of recommendation from a faculty sponsor (the latter can be mailed or emailed separately).  A branch campus of the University of Virginia, the University of Virginia’s College at Wise is a public four-year liberal arts c

Pages