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CFP: III International Conference on “Hermeneutics of Symbol, Myth and ‘Modernity of Antiquity’ in Italian Literature and the Arts..." (15-16, December 2017)

updated: 
Wednesday, September 20, 2017 - 1:21pm
Università Cattolica del Sacro Cuore
deadline for submissions: 
Tuesday, October 24, 2017

Please consider submitting a proposal for the following Call for Papers.

 

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III International Conference on “Hermeneutics of Symbol, Myth and ‘Modernity of Antiquity’ in Italian Literature and the Arts from the Renaissance up to the Present Day” (Milan, Università Cattolica del Sacro Cuore, 15-16, December 2017)

 

Deadline: 24 October 2017

 

Università Cattolica del Sacro Cuore (Milano) - Katholieke Universiteit Leuven

 

Male Appropriations of the Female Form in Early Modern Literature

updated: 
Wednesday, September 20, 2017 - 1:21pm
NeMLA
deadline for submissions: 
Saturday, September 30, 2017

While his most famous crossdressing characters are women posing as men––including Rosalind from As You Like ItTwelfth Night’s Viola, and The Merchant of Venice’s Portia––William Shakespeare also twice imagines male characters posing as women: Falstaff in The Merry Wives of Windsor and the page playing Christopher Sly’s wife in The Taming of the Shrew. Male characters also pass (to varying degrees) as women in works by Sidney, Jonson, Middleton, Fletcher, and others. But while much has been made of the “squeaking” boy actors who played women’s parts on the early modern stage, very little critical attention has been paid to male characters wearing women’s weeds in early modern literature.

Leeds International Medieval Congress 2018: The Textual Afterlives of Medieval Mystics, Visionaries, and Prophets

updated: 
Thursday, September 14, 2017 - 12:30pm
Justine Trombley
deadline for submissions: 
Thursday, September 28, 2017

Recent scholarship has noted the importance of viewing medieval manuscripts at many stages of their “lives”, not merely confined to the mechanics of their production and the immediate contexts of their creation, but also viewing them within each cultural context that they encountered throughout their existence. This session aims to apply this approach to manuscripts of medieval mystical, visionary, or prophetic/revelatory texts, examining their reception and use long after their original composition and the lives of their authors. These genres produced some of the most provocative and controversial texts of the Middle Ages, with often complicated reception histories.

UPDATE: Imagining Other Worlds: Setting in Early Modern English Drama

updated: 
Tuesday, September 12, 2017 - 2:27pm
Philip Goldfarb Styrt/Northeast MLA
deadline for submissions: 
Saturday, September 30, 2017

Every play imagines its own world—but the worlds they imagine must in some way connect with their audience, both past and present. This panel invites perspectives on early modern English drama that considers the balance between these two poles: the imagined world of the setting and its connection to the surrounding culture in early modern England. This balance is particularly important in early modern English drama for both historical reasons—an increased awareness of other worlds and their different reality within the expanding cultural purview of the early modern English—and literary ones—since so much criticism of these plays has focused on their relation to early modern England itself to the exclusion of their frequently quite disparate settings.

NeMLA 2018 Panel: Ancient Myth and National Spaces in Medieval and Early Modern Europe

updated: 
Tuesday, September 12, 2017 - 2:24pm
Renate Blumenfeld-Kosinski and James Coleman / University of Pittsburgh
deadline for submissions: 
Saturday, September 30, 2017

Please consider submitting an abstract to the following session at the NeMLA's 49th Convention that will take place April 12-15, 2018, in Pittsburgh, PA:

Ancient Myth and National Spaces in Medieval and Early Modern Europe

In this current age of resurgent nationalism, questions of national origin and legitimation take on a new importance. This panel, which welcomes submissions from scholars working within or across different national literary traditions, will explore the use of ancient myth in justifications of territorial conquests and the defense and legitimation of national spaces.

 Issues that papers may address include (but are not limited to):

Ancient and pseudo-ancient foundation myths 

'Theatre People of Shakespeare's Time': A Special Issue of the Journal Shakespeare

updated: 
Friday, September 8, 2017 - 11:57am
Shakespeare: Journal of the British Shakespeare Association
deadline for submissions: 
Thursday, March 1, 2018

2019 marks the 400th anniversary of the death of Richard Burbage, a member of the family who gave us the first purpose-built theatre in Shakespeare's London. By exploring his life, and those around him, historians have been able to unearth much valuable information about the early modern theatre industry. Scholarship about other theatre people – prompted by their work, the archive, or both – has similarly added to our knowledge of the theatre in Shakespeare's time. We have learnt about the period's theatre from Philip Henslowe's diary, Anthony Munday's pageants, Richard Brome's contract, and George Wilkins' lawsuits.

Reminder: LANDSCAPES OF EMOTIONS IN ITALIAN LITERATURE

updated: 
Thursday, September 7, 2017 - 10:46am
Stefania Porcelli and Luisanna Sardu
deadline for submissions: 
Saturday, September 30, 2017

In light of expanding literary theories contributing to a better understanding of emotions and affects in literary texts, this panel will provide participants with an opportunity to discuss various new and important perspectives on the representation of emotions in Italian literature and art.

Proposals that analyze early modern through contemporary Italian literary production are welcome. We seek papers exploring the manner in which writers convey emotions to their readers, to the literary community of their day and to their society at large.

Representations and Recollections of Empire

updated: 
Wednesday, September 6, 2017 - 12:51pm
Cerae: An Australasian Journal of Medieval and Early Modern Studies
deadline for submissions: 
Thursday, November 30, 2017

CALL FOR PAPERS      

Volume 5 

Ceræ: An Australasian Journal of Medieval and Early Modern Studies invites essay submissions for Volume Five on the theme of ‘Representations and Recollections of Empire’.

In its broadest sense, empire as a term is used to describe a state or cluster of lands and states ruled by a monarch or emperor. With its implications of wide and far reaching dominion, empire as a concept also lends itself to a broad range of subject areas that may consider a number of cultural groups and historical periods, concepts of power and dominance, influence and control. Topics may include but are not limited to:

ICMS 2018 - Disability, Devotion, and Subjectivity in Medieval and Renaissance England

updated: 
Wednesday, September 6, 2017 - 12:55pm
José Villagrana, Bates College / Spencer Strub, UC Berkeley
deadline for submissions: 
Friday, September 15, 2017

This panel invites trans-historical and trans-disciplinary examinations of pre-modern disability studies, focusing particularly on the construction of the devotional subject across the lines of periodicity. Medievalists and early modernists working in the burgeoning field of disability studies have shown that “disability” was an operative category in premodern texts, with subjects constituted by different or “non-standard” bodies, minds, and spirits. This roundtable proposes to extend this conversation by turning to religious experience and devotion, an important discursive field for the construction of identity by marginalized and/or minority groups.

  

 

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