We seek submissions to a seminar on Gender Switching and Queerness in Web-Native Shakespare at the upcoming ESRA conference (http://www.ircl.cnrs.fr/francais/sos2019.htm) in Montpellier, France, in June 2019. We welcome papers exploring the interpretive possibilities generated by queer and gender-switched casting in web series and other digitally-native media adaptations of Shakespeare’s plays. By shifting the means of production and distribution beyond traditional mainstream media channels, new digital platforms like YouTube, Tumblr, and Netflix offer a creative process through which more people can adapt Shakespeare in their own image.
A good book is the precious lifeblood of a master spirit, embalmed and treasured up on purpose to a life beyond life.
Mad, Bad, and Dangerous Texts:
Controversies in Reading, Writing, Editing, and Printing
Please circulate widely.
In addition to conveying controversial ideas, books themselves have both committed and inspired mad, bad, and dangerous behaviour. The production and consumption of printed matter can be subversive, destructive, or downright criminal. Studying books as material objects reveals controversies that are fascinating in their own right, regardless of the subject matter between their covers.
Organizer: Alison Frazier, University of Texas, Austin
Across the pre-modern world, biography in all media focused largely on rulers, warrior heroes, and spiritual adepts. Such figures, historical or not, were understood to embody virtues worth preserving, admiring and, on occasion, imitating. Thus, the global phenomena of afterlives: creative re-presentations that aimed to secure the posthumous life, or life-effect, of the hero. The topic of afterlives encourages pursuit of a global and comparative pre-modernity that remains generously local, conceptually and theoretically astute, and disciplinarily diverse.
The editors of English: The Journal of the English Association are pleased to invite submissions to the journal's annual essay prize competition exclusive to postgraduates.
The competition is open to any postgraduate student who is registered on a doctoral programme at any institution anywhere in the world, by, or within three months of, the submission deadline.
The deadline for submissions is October 22nd, 2018 with the winner being announced in January 2019.
The Journal of the Northern Renaissance invites submissions on any aspect of cultural practice in Northern Europe in the period 1430-1650, including but not limited to the following disciplines:
- art and architectural history
- history of science
We are particularly interested in studies exploring alternative cultural geographies, challenging existing conceptualizations and periodizations of the Renaissance in the North, and/or establishing continuities and ruptures with earlier and later epochs.
CFP Early Modern Studies Seminar, "The Rule(s) of Exception(s) in Early Modern Culture (16th-17thc.): Literary and Historical Perspectives on Exception and Exceptionality", SAES Congress, 6-8 June 2019, Aix-en-Provence, France.
What is real and what is fake? And why does it matter? As soon as objects, texts and utterances (be they pragmatic or artistic) become imbued with a sense of authority or authenticity, there is a potential to produce other objects, texts and utterances which mimic and attempt to siphon off that authority and authenticity. In late medieval and early modern European culture (1400-1750), this potential was realized in new and unprecedented ways. Social, technological, and intellectual developments forever altered many activities which fall under the remit of forgery and fabrication, spurring lively debate about truth and falsity. The printing press transformed the production, distribution and marketing of texts and images.
This survey panel aims to establish dialogues between experts in early literatures. The confluence of epochs facilitates cross-historical discussion and provides a means for thinking about ways to teach early survey courses in university or college classrooms. This panel focuses on identities (racial, gendered, sexual, or mediatized, etc.). In recent years, scholars have labelled efforts to locate early forms of contemporary identity in early literature as presentist, an approach that tends to overlook differences between historical eras by prioritizing current concerns. However, are presentist methods actually flawed? And does any effort to trace earlier forms of current interests automatically constitute presentism?
Shakespeare and Tourism
Call FOR PAPERS/ABSTRACTS
Deadline for Submission: November 15, 2018
Editors: Robert Ormsby and Valerie Clayman Pye
The editors of the essay collection, Shakespeare and Tourism, are seeking two further contributions for the volume, which is under contract with Routledge.