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Female Hagiography in Hispanic Literature

updated: 
Friday, August 26, 2016 - 2:38pm
NeMLA
deadline for submissions: 
Friday, August 26, 2016

This table explores the different expressions of female hagiography whose main goal is to establish a map of the varied representations of female saints in different periods of Hispanic Literature.
In the twelfth century, Hildegard of Bingen uses the life of the Magdalene with the intention of creating her own model. This tradition is intensified among women in the Middle Ages with other European women such as Catherine of Siena or Margery Kempe among many others. 

Influence and Appropriation

updated: 
Monday, November 28, 2016 - 9:40pm
CERAE: An Australasian Journal of Medieval and Early Modern Studies
deadline for submissions: 
Tuesday, January 31, 2017

Influence and Appropriation

CERAE: An Australasian Journal of Medieval and Early Modern Studies is seeking contributions for its upcoming volume on the theme of “Influence and Appropriation”, to be published in 2017. We are, additionally, delighted to announce a prize of $200 for the best article published in this volume by a graduate student or early career researcher (details below). 

The Biannual International Margaret Cavendish Society Conference

updated: 
Friday, August 26, 2016 - 2:56pm
The International Margaret Cavendish Society
deadline for submissions: 
Monday, January 9, 2017

The International Margaret Cavendish Society is pleased to announce that the next biannual conference is set to take place on June 22nd-24th, 2017 at Bates College, Maine. Professor Carolyn Merchant from the University of California, Berkeley, will be the keynote speaker.  Preference will be given to abstracts that closely relate to the conference theme, but all talks about Cavendish, her family, and related subjects will be considered.   

“Manuscript in the Age of Print”

updated: 
Friday, October 21, 2016 - 11:57am
Bibliography Among the Disciplines Conference 12–15 October 2017, Philadelphia, PA
deadline for submissions: 
Tuesday, November 15, 2016

*DEADLINE EXTENDED 15 November 2016*

CFP: “Manuscript in the Age of Print”
Session Organizers: Rachael King (University of California, Santa Barbara), Marissa Nicosia (Penn State University, Abington College)
Saturday, 14 October 2017, 10:45am–12:15pm
Bibliography Among the Disciplines Conference
12–15 October 2017, Philadelphia, PA

Animating the Early Modern Stage (ACLA, Utrecht)

updated: 
Tuesday, August 23, 2016 - 5:02pm
Ellen Welch, UNC-Chapel Hill and Alison Calhoun, Indiana University
deadline for submissions: 
Friday, September 23, 2016

"Animating the Early Modern Stage," ACLA Seminar, July 6-9, 2016, Utrecht This seminar will explore what theater and the performing arts contribute to early modern theories of life, the soul, and autonomy. At a time when European philosophers debated the distinction between material bodies and lively bodies, between organic machines and ensouled beings, artists and performers innovated new techniques for bringing stage objects to life through mechanical or human manipulation. We invite contributions that examine a wide array of techniques for “animation” in theater and the performing arts of the sixteenth through eighteenth centuries, from any national/cultural perspective.

Books as Agents of Contact (RBS-Mellon Conference, Philadelphia, October 2017)

updated: 
Tuesday, August 23, 2016 - 5:03pm
Hansun Hsiung (Max Planck Institute for the History of Science), András Kiséry (The City College of New York), Yael Rice (Amherst College)
deadline for submissions: 
Tuesday, October 25, 2016

Call for Proposals

"Books as Agents of Contact"

Session Organizers: Hansun Hsiung (Max Planck Institute for the History of Science), András Kiséry (The City College of New York), Yael Rice (Amherst College)

Saturday, 14 October 2017, 8:30–10:00am

Bibliography Among the Disciplines Conference

12–15 October 2017, Philadelphia, PA

The book territorializes and deterritorializes. It binds together materials, technologies, and labor from far and abroad--a letter from Goa, an editor in Rome, Chinese paper, German engravers, Italian leather, English capital--only to be dispersed and reconstituted, from hand to hand, collection to collection, dismembered, reassembled, and reinvented for new audiences in new locations.

NeMLA 2017 Panel - Transcultural Adaptation of Shakespeare

updated: 
Tuesday, August 23, 2016 - 5:03pm
Northeast Modern Language Association
deadline for submissions: 
Friday, September 30, 2016

This panel seeks to shed light on transcultural adaptations of Shakespeare. Proposals are invited for presentations on aspects of adaptations of Shakespeare across languages, cultures, religions, and even platforms (theatre, TV, cinema, video games, social media, and other forms of pop culture). One of the features of global Shakespeare in the 21st century is the proliferation of transcultural adaptations around the world. This panel seeks to shed light on these adaptations across languages, cultures, religions, and even platforms (theatre, TV, cinema, video games, social media, and other forms of pop culture). Proposals are invited for presentations on aspects of transcultural adaptations of Shakespeare.

CFP: Shakespeare and Accentism

updated: 
Thursday, August 18, 2016 - 11:09am
ESRA 2017 Congress
deadline for submissions: 
Tuesday, January 31, 2017

CFP: Shakespeare and “Accentism”

As part of the ESRA 2017 Congress, “Shakespeare and European Theatrical Cultures: AnAtomizing Text and Stage” (Gdansk, 27-30 July), Dr Carla Della Gatta (University of Southern California, USA) and Dr Adele Lee (University of Greenwich, UK) invite contributions to the following seminar:

The accent of his tongue affecteth him:” “Accentism” and/in Shakespeare.

Panel “Now Let Us Anatomize Shakespeare: Shakespeare-Inspired Ballets in European Ballet Companies”

updated: 
Tuesday, August 16, 2016 - 9:51am
European Shakespeare Research Association (ESRA) Conference, Gdansk - 27-30 July 2017, Shakespeare and European Theatrical Cultures: AnAtomizing Text and Stage
deadline for submissions: 
Sunday, November 20, 2016

“Now Let Us Anatomize Shakespeare: Shakespeare-Inspired Ballets in European Ballet Companies”

Convenor: Adeline Chevrier-Bosseau, University of Paris-Est Créteil

 

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