Now accepting proposals for a panel on Second-Generation Cognitive Approaches to Literature at NeMLA 2016, to be held March 17-20, in Hartford, Connecticut.
The Sunflower Collective is looking for submissions. We celebrate the personal and the political - which we believe to be one and the same thing - in art.
We would like to mention at the outset that we are not interested in art that does not take risks. We do not mind if you have a degree but we are unlikely to be impressed by it. Nor do we care which journals have published your work before. All we are interested in is something that sings for itself without any props, something that grabs us by our throat and refuses to let go, something that shakes us out of our complacent stupor. Give us something hungry, not bellyful; something beat, if you get our drift.
Papers are invited for the Volume 3, Issue 2 of the Global Journal of English Language and Literature (ISSN 2320-4397) to be published in August 2015. The forthcoming issue will be an Open Issue. The journal features densely theoretical and analytical writings that focus on various aspects of English Studies which address/approach the research problems with methods of and insights borrowed from multiple established disciplines. Accepted papers will be published after peer-review process. This is an online electronic journal and there will be no hard copy of the issues. There are no publication fees or handling charges. The last date for submission is 10th August, 2015.
This panel seeks to explore the category of disability as something that is perceived and performed in the visual sphere. Papers might include discussions of voyeurism, spectacles and spectatorship, self-fashioning, visual art, undetectable or ambiguous disability, the body as evidence, erasure and exposure, sensory impairment, perception and interpretation, and questions of legibility and truth. Open to scholars working in any geographical region or period.
Please submit abstracts up to 300 words with a short (1-2 sentence) bio. DO NOT EMAIL YOUR ABSTRACT. You must go through the NeMLA site:
Devils are everywhere in medieval literature, disturbing, challenging, and violating conventional spatio-temporal constraints as they move freely between worlds in order to torment the holy, spread disease, and tempt good Christians by making sin seem sweet. They appear as enchanters, tempters, playful tricksters, masked tormentors, terrifying beasts, mankind's lawyerly accusers, and on occasion, as sympathetic figures who happened to be on the losing side of a cosmic war. Although much has been written about how devils are staged, their appearance, and their interaction with those they torment, very little has been written about what devils actually say. How do devils represent themselves and their spaces of punishment?
Call for Papers: Self-Commentary in Early Modern European Literature 26-27 February 2016, Durham (UK)
Comunichiamo che il comitato direttivo di SEMPER - Seminario permanente di poesia diretto da Pietro Taravacci e Francesco Zambon ha stabilito di prorogare di dieci giorni la deadline per l'invio di proposte per il convegno Brevitas. Percorsi estetici tra forma breve e frammento nelle letterature occidentali, che si terrà nei giorni 4-6 novembre presso l'Università di Trento.
Un breve testo di presentazione e le linee di indagine proposte possono essere consultate all'indirizzo
Concentrate! A Symposium on Attention and Distraction in Medicine and Culture
30th October 2015
Birkbeck, University of London
"Though it is in the first place a faculty of individual minds, it is clear that attention has also become an acute collective problem of modern life—a cultural problem." -- Matthew B. Crawford, The World Beyond Your Head: On Becoming an Individual in an Age of Distraction (2015)
Session sponsored by mearcstapa
SEMA (Southeast Medieval Association) Conference Oct. 22-24 in Little Rock, Arkansas
The Medieval "Freak Show": Putting the Monstrous on Display in the Middle Ages
People and creatures perceived as monstrous or wondrous are often put on display for profit or exploitation. At times, this exhibitionism presents itself as "education." What has popularly been called the "freak show" achieved its height via the emergence of working class entertainments that transformed visual cultures in the nineteenth century, as exemplified in P.T. Barnum's circus and its sideshows, but also including innovations such as the stereoscope and the panorama, which prepared the rise of cinema and, later, television.
This session will present new work from scholars in an emerging line of inquiry: post-medieval outlaw narratives and the textual and cultural relevance of feasting and eating. This session purposefully reaches beyond the Middle Ages to demonstrate that outlawry is a global phenomenon, one that is not only present in a variety of literatures, languages, and cultures, but also one that is inherently intertwined with food and feast. While outlawry has its formal origins in the Middle Ages, the outlaw is a figure and trope present in many post-medieval texts: several Renaissance dramas, and especially American, Native American, African American, and Australian outlaw narratives.