CFP: Adaptation and Dance
Wednesday 2 March 2016
Centre for Adaptations, De Montfort University, Leicester
CFP: Adaptation and Dance
*Roundtable session at the 51st International Congress on Medieval Studies, May 12-15, 2016.*
Proposals accepted ASAP; conference deadline is 9.15.15
Abandon then the base and viler clowne,
Lyft up they selfe out of the lowly dust:
And sing of bloody Mars, of wars, of giusts.
Spenser, The Shepheardes Calender (October, 37-39).
Spring Magazine on English Literature
Call for Papers
The Spring Magazine on English Literature, as its name suggests, is a customized journal for graduate and postgraduate English literature students. For this, we are inviting contributions from teachers, researchers, and students of English literature.
Two Panel Call For Papers at the 2016 Irish Association for American Studies/British Association of American Studies Conference at Queen's University, Belfast (7-9 April 2016)
Border Crossings and Revolutions
*****CALL FOR PAPERS*****
The twentieth biennial New College Conference on Medieval and Renaissance Studies will take place 10–13 March 2016 in Sarasota, Florida. The program committee invites 250-word abstracts of proposed twenty-minute papers on topics in European and Mediterranean history, literature, art, music and religion from the fourth to the seventeenth centuries.
It's been almost thirty years since Allan Bloom made his clarion call to classicism within the American academy with the publication of The Closing of the American Mind. For as moribund as the humanities have supposedly been (according to positivist scientists, economics majors, and higher education administrators) the "Culture Wars" have surely blazed a bright path across the consciousness of any literature, history, philosophy, theology or cultural studies major. Columnists from William Safire to David Brooks have bemoaned the supposed death of the humanities (while conveniently ignoring how supply-side economics has had a hearty role in that) identifying a "post-modern bogeyman" as being responsible for the murder.
Humanism and its prefixes
(non-, trans-, post-, in-, a-)
October 3rd-4th, 2015
Organized by the graduate students of UC Berkeley's Department of Rhetoric
Doe Library, University of California, Berkeley
Individually or serially, Romeo and Juliet, Troilus and Cressida, and Antony and Cleopatra present opportunities to engage a range of critical concerns. The double protagonists in the titles foreground gender questions, however. Ladies are not first in the sequence of names, but whether or not they may be said to be first in the action of the plays is the question that this panel seeks to consider. Treating the plays individually or as a sequence, the panel welcomes papers that investigate the masculine/feminine divide.
**This is a recurring panel at the SAMLA conference. Any and all 16th and early 17th century topics will be considered. The following topics are especially welcome...**
How did poetry, theater, music, visual art, dance, architecture, and other forms of art coexist in the English-speaking world during the Early Modern period? This panel invites papers concerning the intersections of literature and the other arts during the 16th and early 17th centuries.
Suggested topics include but are not limited to: the influence of religion on artistic production, the use of music in the public theater and beyond, representations of courtly masques, the musicality of verse, representations of architecture in literature, etc.