We are now into the second century in which aerial warfare is commonplace in a range of forms, and the second decade in which drone warfare is routinized. As paradigm, strategy, and tactic, violence-at-a-distance has become a predominant model of military engagement.
The New Global City: Presenting and Translating Cultures within a Worldwide Citizenry
full name / name of organization:
University of North Carolina Wilmington
While it seems as though the Euro-American culture is everywhere globally—from television shows to fast food restaurants, international trade treaties to sanctions and strikes—this conference explores how it actually gets translated, interrogated, adapted, and even re-defined, as it appears in localized contexts across the globe. This conference is interested in scholarship that explores general concerns of global translations of national and regional cultures and subcultures.
"I would I knew his mind." - (Two Gentlemen of Verona, 1.2.33)
"My own mind is my own church." - Thomas Paine, The Age of Reason (I.i)
"Where is my mind" – The Pixies
The Department of English at Saint Louis University – Madrid Campus will host its Fourteenth Annual International Academic Conference on Friday, 20th and Saturday, 21st May. The keynote speaker is Jonathan Sawday (Saint Louis University, Missouri).
Call for Papers for a proposed roundtable panel at the Modern Language Association (MLA) Annual Convention, Jan. 5-8, 2017, in Philadelphia, PA.
The Forum on Transdisciplinary Connections between History and Literature is soliciting papers on the topic of historical approaches to "writing resistance" or "writing rebellion". We construe the topic broadly to encompass the narrative construction of historical incidents of resistance, but also the practice of writing history as a form of resistance, or, in yet another vein, the resistance to historico-literary approaches in our discipline. Papers that problematize the location of historical practice (Global North or South, for example) are also of interest. Furthermore, we welcome papers that address different media, including film and the digital, as well as papers that address material from a broad historical span.
This Rough Magic (www.thisroughmagic.org) is a journal dedicated to the art of teaching Medieval and Renaissance Literature.
We are seeking academic, teachable articles that focus on, but are not limited to, the following categories:
•Philosophy and Rhetoric
Papers are invited on all aspects of the troubled but fruitfully complex relation between Nabokov and psychology. 300-word abstracts for 15-minute papers by March 15 2016 to Zoran Kuzmanovich email@example.com.
Connecting the Dots in a Glocalized World 2016 will provide a forum for the exchange of ideas in the four main disciplines of language, linguistics, literature and translation. As the title for the conference suggests, the aim is to highlight the relationship between global themes and local practices. The focus thus is on the under-examined interactions that occur as globalization takes on negotiated forms in different contexts.
Space and Place
The Space and Place Project: 7th Global Meeting
Call for Presentations
Thursday 1st September – Saturday 3rd September 2016
Mansfield College, Oxford, United Kingdom
I am looking for contributors for Sleuths, Private Eyes, and Policemen: An International Compendium of the 100 Greatest Literary Detectives, a new reference work under contract with Rowman & Littlefield for publication in late 2017.
This collection will focus on the investigators who lie at the heart of crime fiction (and who appear with surprising frequency in other genres), and will offer academics and general readers a rigorous, opinionated, and entertaining survey of the key figures in one of our richest literary traditions. The hundred entries will offer broad historical and international coverage, but must be based on books available in English.
Inaugural Interdisciplinary Queer Studies Symposium University of California, Merced
Saturday, April 9th, 2016
Keynote: Eric A. Stanley, UC Riverside
Eric A. Stanley is an assistant professor in the Department of Gender and Sexuality Studies at the University of California, Riverside. Along with Chris Vargas, Eric directed the films Homotopia (2006) and Criminal Queers (2015). A coeditor of the anthology Captive Genders: Trans Embodiment and the Prison Industrial Complex (AK Press, 2011) which won the Prevention for a Safe Society award and was a finalist for a Lambda Literary Award, Eric's other writing can be found in the journals Social Text, American Quarterly, Women and Performance, and TSQ.
In August of this year, based on the recommendation of the Anthropocene Working Group, geologists will vote to determine whether the Anthropocene should be considered an official geological epoch and (if they vote yes) decide when it began. As recent critical discussions of the term have insisted, periodizing the Anthropocene means making an argument about the Anthropocene. An Anthropocene beginning in 1610 is radically different from one that starts in 1784/1800, and the AWG's likely proposal of 1945/1960 paints a dramatically different picture of the Anthropocene compared to the c. 1800 timeline that has to date received the most attention.
11-13 July 2016, Western Sydney University
Confirmed keynote speakers: Prof. Nicholas Daly (University College Dublin), Dr. Rachel Franks (State Library of NSW), Prof. Ken Gelder (University of Melbourne), and Prof. Kerry Mallan (QUT).
Monsters remain powerful creatures for what they are and what they represent. Straight from mythology and legend, these fantastic creatures creep across our television and movie screens and the pages of our books. Over centuries and across cultures, the inhuman have represented numerous cultural fears and, in more recent times, desires. They are Other. They are Us. This panel will explore the literal monsters--whether they be mythological, extraterrestrial, or man-made--that populate fiction and film, delving into the cultural, psychological and/or theoretical implications. Please submit a 250-300 word abstract, a brief bio, and any A/V needs by May 6, 2016 to
20 March 2016 – Abstract (500 words) and biography (500 words) due
28 March 2016 – Feedback given
2 June 2016 – Full paper due (3500 - 4000 words)
12 July 2016 – Feedback given
2 September 2016 – Final paper and presentation due (presentation no more than 20 minutes long)
8 October 2016 – Conference, London, UK