romantic

CFP Overview:   

This June, the BARS Early Career and Postgraduate Conference gathered researchers from around the globe to celebrate and to appreciate Romanticism and its legacies at the University of Edinburgh by exploring the theme of ‘boundaries’ within the context of Romantic-period literature and thought. The Oxford English Dictionary defines the term ‘boundary’ as: ‘That which serves to indicate the bounds or limits of anything whether material or immaterial; also the limit itself.’ Such a term seems at odds with the spirit of Romanticist thought, which has long been associated with mobility and boundlessness.

Society for Global Nineteenth-Century Studies World CongressGlobal Studies Center, Gulf University for Science and Technology, Kuwait
16-19 January 2025
Translation, Transposition, and Travel in the Global Nineteenth Century

Keynote speakers:
Regenia Gagnier, University of Exeter
Marwan Kraidy, Northwestern University QatarArthur Asseraf, University of Cambridge
Sarga Moussa, Université Sorbonne Nouvelle

In Literature and Evil, Bataille argues for a close connection between literature and "Evil" as a sovereign and productive value, which is defined against an oppressive use of reason that "flattens" all knowledge into a reductive uniformity. Bataille finds in Blake's A Marriage of Heaven and Hell "agitations", "poetic violence" and "lacerations" that occur in Blake’s drive towards human totality and death. At the same time, Bataille observes that this violence and Evil also "raise us to glory" in Blake's attribution to Evil of "the wisdom of Hell that heralds ... truth” --albeit a truth irreducible to representation, priority of the logos, and assimilation by reason.

In Other Wor(l)ds: Romanticism at the Crossroads, a special issue of Romantic Textualities: Literature and Print Culture, 1780-1840­

Note: The deadline for submissions has been extended to 9/15/23.

Traveling Texts: Translating Nineteenth Century European Classics in Vernacular languages of South Asia

Dr. Shantanu Majee

Dr. K Subramanyam

The proposed work is under consideration to be published in the Routledge series on ‘South Asian Literature in Focus’.

Please consider submitting an abstract for the NeMLA session "Romantic Religions: Re-evaluating Secularism in the Romantic Era" (55th Annual NeMLA Convention March 7th in Boston, MA). The deadline for submissions is September 30, 2023. You can submit an abstract for this session here: https://cfplist.com/nemla/Home/S/20719

Session Abstract: How does our understanding of religion in the Romantic era shape our interpretation and evaluation of Romantic thought and literature? How might we reconsider Romantic literature within the contexts of religious surplus in the eighteenth and nineteenth centuries?

The Margaret Fuller Society invites proposals for the following panel at the C19 Conference to be held in Pasadena, CA (14–16 March 2024). Please feel free to reach out with any questions. 

"Refusing Foreclosures and Endings: 19C Women Writers' Defiance, Persistence, and Resilience"

The Margaret Fuller Society seeks to form a panel for the March 2024 C19 conference in Pasadena, CA. We invite abstracts of no more than 250 words that engage with Fuller and/or other 19C women writers (American and otherwise) as well as the conference theme—"The End." Papers might consider the following topics, among numerous possibilities:

In Animal Rights: Considered in Relation to Social Process (1892), Henry Salt argues that “Oppression and cruelty are invariably founded on a lack of imaginative sympathy,” which purports the notion of the “tyrant or tormentor” from ever having a “true sense of kinship with the victim” (16). In a similar way, Donna Haraway states in When Species Meet (2007), that “we are a knot of species coshaping [sic] one another in layers of reciprocating complexity all the way down” (42). Taking cues from Salt and Haraway, our panel will take up key features of human and animal relations and their intersection with the queerness of imaginative sympathy.

The proposed interdisciplinary panel examines the rich relationship of music and the literary works within various European literatures focusing primarily on the period from mid-nineteenth to the twentieth century, but presentations within a broader time frame will also be considered. We invite a wide range of papers investigating the author’s technique of representing music in literature, examining aesthetic, historical and cultural interactions between music and literature, audience and performers, as well as the relationship between the author and the composer, in real or fictional form

Whether in bridging divides or leaping over them, contesting a binary or dismantling it, “trans(-)” linguistically registers changes of state as well as movements in time and space; it indexes communication or traffic that puts places, persons, and things in new relations to one another and, perhaps, to themselves.

**DEADLINE EXTENDED to JULY 10*

On love being analogous to a battlefield, Roland Barthes writes: “From what language, one wonders, did these lovesick, melancholy grenadiers draw their passion (scarcely in accord with the image of their class and profession)? What books had they read–or what stories been told?” Following Barthes’ indicative questions, this panel inquires into the connection between love–as an idea, experience, or emotion–and the stories we have been telling about it over the long course of history. Can one imagine love without stories? What is the relationship between different forms of desire and the literary forms that bear their weight? How do changes in global storytelling practices transform our ideas of love?

Matter Really Matters: Materialism in Nineteenth-Century Literature

British and Global Anglophone Panel Session

55th Northeast MLA (NeMLA) Annual Conference

March 7-10, 2024 Boston, Massachusetts