The Women's Caucus for the Modern Languages
welcomes submissions for its annual awards.
The Women's Caucus for the Modern Languages
The Emily Dickinson International Society will sponsor two sessions at the 2015 American Literature Association Annual Conference. ALA conference will be held in Boston, May 21-24, 2015. Please send a 300-word abstract and a brief CV to Páraic Finnerty (firstname.lastname@example.org) and Michelle Kohler (email@example.com) by January 1, 2015.
"To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper!… When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve."
- The Joker, The Dark Knight
ACCUTE is excited to announce our call for papers for our 2015 conference, which will take place 30 May – 2 June 2015, during the annual Congress of the Humanities and Social Sciences, being held at the University of Ottawa. In addition to ACCUTE's general call, our conference CFP includes member-organized sessions and joint sessions with other associations. For information about the conference, travel funding, and other FAQs, please go to www.accute.ca. Proposals are due by November 1, 2014.
TRANS-AM :: Losing/Becoming Self
Individuals from around the globe travel to Louisiana early in the year to participate in Mardi Gras celebrations. Masks, costumes and reverie encourage participants to shed certain prefigured aspects of identity in order to become something new. Much of the excitement these traditions allow is rooted in the idea that one can undergo a personal, transformative experience by relinquishing a prefigured sense of self.
Introducing: Reconstruction 14.3, "Spatial Literary Studies,"
Edited by Robert T. Tally Jr.
Featuring work by:
Sarah Ager, Mustafa Bal, Yann Calbérac, Ralph Crane, Dustin Crowley, Michelle Dreiding, Lisa Fletcher, Angela Flury, Matt Hudson, Julia Kröger, Jessica Maucione, Adam R. McKee, Rogério de Melo Franco, İ.Murat Öner, Emmanuelle Peraldo, Elizabeth Robertson, Albrecht Selge, Mariya Shymchyshyn, Kate Siklosi, and Robert T. Tally Jr.
Reconstruction is also accepting submissions for the following special issues: Reconstruction 15.1, "Immersions and Interventions: Convergences in Art and Science Research" (Due Dec 31) and Reconstruction 16.1, "Archives on Fire" (Due Nov 30).
The Birmingham Journal of Literature and Language (BJLL) is a postgraduate journal published electronically and in print. We are currently seeking short pieces and reviews (850-1000 words) for inclusion in the 'Notes' section of Volume VI (2014-15).
These can be on any topic of academic interest including (but not limited to):
*conferences and symposiums
*short pieces of original research.
Applicants are also invited to send in their short, original literary compositions, poetry and artwork.
Submissions should be sent by email to the General Editors firstname.lastname@example.org by Friday 14 November.
Keynotes: Doctor Holly Furneaux and Professor Joanne Bailey.
To commemorate the bicentenary of the Battle of Waterloo and the lasting impact of the Napoleonic Wars upon the history of militarism, submissions are welcomed for 'Military Masculinities in the Long Nineteenth Century', an interdisciplinary conference held at the University of Hull on the 20th and 21st May 2015. We welcome papers from scholars across the humanities on the topic of nineteenth-century 'military' manliness. The conference will encompass a range of themes relating to notions of gender, war and empire, exploring the ways in which nineteenth-century society responded and reacted to ideas of militarism and mobilised manhood.
Call for Papers: Alfred Hitchcock
Southwest Popular/American Culture Association Conference
36th Annual Conference
Albuquerque, New Mexico
February 11-14, 2015
Hyatt Regency Hotel and Conference Center
330 Tijeras Ave. NW
Albuquerque, New Mexico 87102 USA
Submission Deadline: November 1, 2014
Conference Website: (updated regularly)
Call for Papers: Scottish Literature at CEA 2015
CEA 2015 | IMAGINATIONS
46th Annual Conference | March 26-28, 2015 | INDIANAPOLIS, INDIANA
Hyatt Regency Indianapolis, One South Capital Avenue, Indianapolis, Indiana, 46204, Phone (317)-632-1234; Fax (317) 616-6299
Submission deadline: November 1, 2014 at http://cea-web.org/
The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations for our 46th annual conference.
American Comparative Literature Association
Seattle, March 26-29, 2015
Seminar Organizers: Adam Ahmed (UC Berkeley) and Seulghee Lee (Williams College)
CFP: Medievalism in Popular Culture
PCA/ACA 2015 National Conference
April 1-4, 2015 – New Orleans, Louisiana
New Orleans Marriott
The Medievalism in Popular Culture Area (now the combined areas of Arthurian and Other Medievalism) accepts papers on all topics that explore either popular culture during the Middle Ages or transcribe some aspect of the Middle Ages into the popular culture of later periods. These representations can occur in any genre, including film, television, novels, graphic novels, gaming, advertising, art, etc. For this year's conference, I would like to encourage submissions on some of the following topics:
A Journal of Interesting Fictions, Interested Criticism
Wreck Park is a double-blind, peer reviewed publication run out of Binghamton, New York. The journal publishes prose, poetry, criticism, and interviews, and is particularly interested in conceptual frameworks and developments that set to disrupt canonical and standardized discourses of the contemporary academic and literary landscapes. The journal welcomes authors, poets, researchers, and thinkers whose work reflects an interrogation of engendered norms and traditions within societies, cultures, intellectual circles, and beyond.
ACLA 2015 Conference, Seattle, WA (March 26-29)
Writing a text as if it were a translation creates a specific kind of fiction: it overlays the act of authorship with an invented author, and the original text with an invented original in a different language, aimed at a different audience. Original translation does not (only) invite readers to imagine a fictional world, but to imagine a fictional original version of the very text they read.