I am looking to put together a panel on Imperial Borderlands in the British Empire in the 19th Century for the North American Conference on British Studies in Providence RI, in October 2018. My own paper is on Sir Alexander Burnes's _Travels into Bokhara_ (1835); but I would welcome papers on Central Asia, Northern India, Africa, China, Persia, the Middle East, or other contact zones in the world just outside British Imperial reach at the time. Please send detailed abstracts of 500 words by March 1, 2018.
Romanticism and Time
Conference of the French Society for the Study of English Romanticism (SERA)
co-organized by the Université de Lille and the Université de Lorraine,
with the support of the Institut Universitaire de France and of the SERA
to be held at the Université de Lille on 8-10 November 2018
Kevis Goodman, University of California, Berkeley
Paul Hamilton, Queen Mary, University of London
Reading Walter de la Mare, 1873-1956:
‘a voice which has no fellow’
20th –21st September 2018, University of Cambridge
By whom, and by what means, was this designed?
The whispered incantation which allows
Free passage to the phantoms of the mind?
. . .
By the delicate, invisible web you wove —
The inexplicable mystery of sound.
— From T. S. Eliot, ‘To Walter de la Mare’
The William Dean Howells Society welcomes submissions for two panels at the 29th Annual American Literature Association Conference to be held in San Francisco, May 24-27, 2018.
Panel 1: William Dean Howells and Democracy
Scholars working in any area of Romanticism are invited to submit proposals for the annual meeting of the International Conference on Romanticism (ICR) to be hosted by Clemson University and held at the Hyatt Regency Hotel in Greenville, South Carolina.
Submissions are invited for a multidisciplinary symposium on Nineteenth-Century Time, which will take place at the University of Toronto on 9-10 March 2018. This event will be hosted by a working group of the Jackman Humanities Institute that is devoted to the study of time and temporal experience throughout the long nineteenth century, encompassing cross-disciplinary exploration of the cultures of thought, representation and performance of revolutionary time, neoteric time technologies, the rise of historicist consciousness, and new psychologist discourses of the subject in terms of time and memory.
The Joys of the Erotic: Building Human Connections
An Inclusive Interdisciplinary project
29th to 30th June 2018
The erotic. A complex, tangled, and ephemeral web of meeting points, interfaces and intersections at the centre of human experiences. It informs our lives, shapes our perceptions and pulls us toward one another while being itself shaped by shifting tastes and perceptions. Shrouded in mystery, it is tantalising, alluring and dangerous all at once. Eroticism is frequently displayed in film, embedded in music, intimated in art and literature, as well as in the advertising on city streets, travel shows and fashion events. Above all, it builds pathways which bring us closer to each other.
Exiles, Émigrés and Expatriates in Romantic-Era Paris and London
Symposium of the London-Paris Romanticism Seminar
Ecole Normale Supérieure, Paris, Thursday 12-Friday 13 April 2018
Keynote Speakers: Greg Dart (University College London), second speaker TBC
Marc Porée (Ecole Normale Supérieure, Paris)
David Duff (Queen Mary University of London)
Caroline Bertonèche (Université Geronoble Alpes / Société d'Etudes du Romanticisme Anglais)
Dr Laurent Follliot (Université Paris-Sorbonne)
Rupkatha Journal on Interdisciplinary Studies in Humanities (www.rupkatha.com, E-ISSN 0975-2935, indexed/abstracted by Elsevier Scopus, ERIH PLUS, EBSCO, MLA etc) is inviting latest interdisciplinary research works on Mary Shelley's Frankenstein (1818) on the ocassion the completion of 200 years in 2018.
Papers should be between ideally 3000-5000 words.
Book reviews should be between 1000-1200 words for single and/or double book reviews. Review articles should be above 2000 words with proper citations.
Style Sheet: APA
One of the original bestselling authors, Jane Austen (1775-1817) has successfully managed to bridge the gap between what is often perceived as the non-negotiable chasm between canonical and popular literature. Her works, two centuries after her demise, are, in fact without exaggeration, more popular now than in her own period. Once written off as an author who provides the readers with a limited perspective of the world — as her characters are seemingly unperturbed by political events, Austen shows unparalleled finesse in depicting the characters and setting using a “fine brush” to artistically explore and exploit her “two inches of ivory”. What is evident, debates regarding her subject matter notwithstanding, is that Austen’s popularity has not faded.