This panel explores SAMLA 87's theme of "literature and the other arts" through the unique dynamic of word-image interaction situated in the poet-artist collaboration. Paper proposals addressing poet-artist collaborations found in book arts, broadside printings, and museum/site-specific installations and exhibits are welcome. By May 15, 2015, please submit a 300-word abstract, brief bio, and A/V requirements to Anne Keefe, University of North Texas, at firstname.lastname@example.org.
Editors: Jessica Seymour (Southern Cross University) and Denise Beckton (Central Queensland University)
The pluralistic, sophisticated and technocrazy nature of contemporary existence has blurred concepts like marginality and minority that are inherent in human existence. Because technology seems to have melted several existential boundaries, and because theories of global citizenry give the impression of free access to movement, the sense of being marginal is almost waning. However, the network of global philosophy and technological connectivity are themselves apparent mechanisms of marginalization especially in the postcolonial context. Postcolonial theorists, intellectuals and writers have taken the intellectual, political and moral authority to challenge representational claims made by dominant Western/imperial cultures.
Just over a decade ago, Dana Phillips (in)famously attacked ecocritics for uncritically borrowing terms and ideas from the discipline of ecology, which, he argued, is itself a "less than fully coherent field with a very checked past and fairly uncertain future" (45). While controversial, Phillips's critique sparked important discussions about ecocriticism's methodology, especially its claim to interdisciplinarity. So-called "second wave" ecocritics reexamined the field's founding assumptions; a period of self-assessment propelled ecocriticism toward a more rigorous engagement with the sciences as well as the humanities.
MLA 2016 (Austin, TX, 7-10 January 2016)
Special Session: The Romantic Public
Forms, definitions, spheres, resistances, effects, legacies of "the public" – past, present, and future – as imagined or provoked by Romantic literature.
Abstracts by 15 March 2015
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Call for Papers: submission deadline extended till 15 March 2015
4th Annual Meeting of the European Beat Studies Network (EBSN)
28-31 October 2015, Université Libre de Bruxelles
Anne WALDMAN (poet and performer, author of over forty books of poetry, and co-founder with Allen Ginsberg of the Jack Kerouac School of Disembodied Poetics at Naropa University)
Daniel KANE (professor at U of Sussex and author, amongst others, of All Poets Welcome: The Lower East Side Poetry Scene in the 1960s)
We seek theory- and practice-based presentations on application of digital technologies in language/literature fields. Interdisciplinary approaches are especially welcome. 300-500-word abstracts by 15 March 2015 to email@example.com.
time and place: March 16-19, 2016, Armstrong Browning Library, Baylor University
deadline for proposals: 5:00 p.m. Friday, September 18, 2015
The Reception Study Society promotes informal and formal exchanges between scholars in several related fields: reader-response criticism and pedagogy, reception history, history of reading and the book, audience and communication studies, institutional studies, and gender, race, ethnic, sexuality, postcolonial, religious, and other studies. Proposals for panels and papers in any of these areas are now welcome. Please submit proposals of 250 words or less, along with a one-page cv, to firstname.lastname@example.org by May 8, 2015.
Plenary Speakers will be:
Call for Papers
_LIT: Literature Interpretation Theory_ Special Issue cfp
Literature and Tourisms of the Long Nineteenth Century
Deadline: June 3, 2015