Abstracts are being welcomed for a proposed collection examining the toy as hero. Toys, a celebrated part of childhood and often key figures in children's imaginative play, have a fantastic history of heroism in print and on film. Open to examinations of literature, comics, and film, the collection seeks to be a repository of original essays that analyze the roles toys play as protectors of the child(ren) they love, as heroes of their own stories, or as champions for the greater good.
Silence: A Semiotics of (in)Significance, University of Liverpool, 1-3 July 2015
<<< Last chance to submit abstracts: 30 March 2015 >>>
The conference proceedings will be published as a special issue of the International Journal of Literature and Psychology, and will include a separate edited volume on "silence". Submissions for the proceedings should be received no later than
30 April 2015.
BAKEA Symposium is open to all participants from the fields of English Language and Literature, American Culture and Literature, French and German Language and Literary Studies, Comparative Literature, Translation Studies.
DEADLINE EXTENDED- Call for papers for an interdisciplinary conference
Proposals Due: April 6th, 2015 12am.
AFFECT: MEMORY, AESTHETICS, AND ETHICS
With Keynote Speakers: Lauren Berlant, John T. Cacioppo and Ronald de Sousa
Featuring Special Seminars by: Amy Schmitter, Daniel M. Gross, Isobel Armstrong and Noreen Giffney
18-20 September 2015, The Fort Garry Hotel, Winnipeg, Manitoba
Catwalk: The Journal of Fashion, Beauty, and Style, part of the Global Interdisciplinary Research Studies series, Oxford, UK, is a triple blind peer reviewed inter- and trans-disciplinary academic journal, published twice a year that emphasizes theoretical and methodological analyses of fashion, beauty, style. Lavishly illustrated in color and black/white with high production values, Catwalk publishes articles focused on the historical, social, cultural, psychological, political, business, media, technology, performance, representational, and artistic dimensions of fashion, beauty, and style.
Open submissions: We are currently open to submissions of poetry, short fiction, literary essays, book reviews, and artwork. Our theme for this issue to be published in Fall 2015 is Continuance: beginning, transitioning, sustaining. This can include things which invite or consider complexity of presence, modernities, future planning and leadership, memory, activism, syncretism. The deadline is June 1, 2015.
Recent academic interests and explorations within the field of broadly understood American Studies have been largely concentrating on the unusual and exceptional aspects of American literature, art and life, such as wildness, transgression, excess, violence, sublimity, greatness, intemperance, extraordinariness. The questions which the conference is going to address will focus on the constructions and the place of the "ordinary" viewed from the perspective of various "home"-inspired discourses, from housing to domestic policy, through questions of family values, ethics of modesty, simplicity of living, unpretentiousness, individual and domestic security, American communities, localities and neighborhoods.
Reflections for Revenge Conference at the University of Leicester – only two weeks left to submit your abstract!
Please can I remind you all of the exciting new conference we are holding in September at the University of Leicester. The Call for Papers is open but will close on the 2nd April. For more details about the conference, and the wider collaboration into the study of revenge, please visit our website: http://www2.le.ac.uk/departments/criminology/research/current-projects/r... or contact us on firstname.lastname@example.org.
We welcome papers that explore the intersection of "art" and "science" in the long nineteenth century. From Keats's enigmatic intonation "beauty is truth, truth beauty," to Ruskin's declaration that "high art differs from low art in possessing an excess of beauty in addition to its truth, not in possessing excess of beauty inconsistent with truth," to the aestheticism of the fin de siècle, the nineteenth century witnessed a fraught renegotiation of the relationships between knowledge, art, and science. If the opposition between C.P.