Call for Papers:
2015 Midwest Popular Culture Association Conference
Thursday-Sunday, 1-4 October 2015
Hilton Cincinnati Netherland Plaza
Address: 35 West Fifth Street, Cincinnati, OH 45202
Phone: (513) 421-9100
Deadline: May 15, 2015
Call for Papers:
Stream #2 – Black Affect and Minor Feelings, OCTOBER 14-17
"…we know for certain that the solution to the Black Man's problems will come only through Black National Consciousness. We also know that the focus of change will be racial. (If we feel differently, we have different ideas. Race is feeling…Art is one method of expressing these feelings and identifying the form as an emotional phenomenon."
– Amiri Baraka, "The Legacy of Malcolm X, and the Coming of the Black Nation"
Aporetic Press is inviting the submission of proposals for edited collections and scholarly monographs in the fields of literary criticism, philosophy, media and cultural studies, as well as fiction and poetry related to the Gothic, horror, weird, speculative, cyberpunk and science fiction. In the case of literary works a sample chapter or an indicative selection is preferred in lieu of a proposal. Full manuscripts should not be sent unsolicited.
A one-day interdisciplinary conference at the University of Oxford
Saturday 7 November 2015
Janet Todd (Cambridge) & Karen West (Keele)
The "Linqua – International Journal of Linguistics, Literature and Culture" (Linqua- LLC) is a peer reviewed journal which accepts high quality research articles. It is a quarterly published international journal and is available to all researchers who are interested in publishing their scientific achievements. We welcome submissions focusing on theories, methods and applications in Linguistics, Literature and Culture, both articles and book reviews. All articles must be in English.
Evolutionary Love: Relations and Identities in a Virtual World
Belonging and possession have long been treated as foundational to the missions and activities of museums and archives in how they connote, establish, explain, and demonstrate the ways collections belong to them; determine and express who possesses custody, ownership and control of artifacts; and, by extension, consider the knowledge surrounding objects, makers, places of origin and residence that they supply. Typically, museums and archives express their interests in possessing collections through practices of acquisition, loan, attribution, provenance, exhibition, scholarship, conservation, and rights and reproductions.
For its 2015 SAMLA panel, the Georgia and Carolinas College English Association seeks proposals that address the theme of carnivalization and the carnivalesque. As articulated by Mikhail Bakhtin, "carnival celebrated temporary liberation from prevailing truth and from established order; it marked the suspension of all hierarchical rank, privileges, norms, and prohibitions. Carnival was the true feast of time, the feast of becoming, change, and renewal. It was hostile to all that was immortalized and completed." Topics include but are not limited to:
• the liberating subversion of popular humor on the literary and cultural tradition
• the overturning of hierarchies in popular carnival
(dis)junctions 2015: Strange Bedfellows
"Misery acquaints a man with strange bedfellows."-Shakespeare's The Tempest (2.2)
University of California, Riverside's (dis)junctions conference invites papers and panels that push at the boundary of contemporary scholarship. Our critical focus, "Strange Bedfellows," is geared specifically toward innovative and interdisciplinary approaches to cultural, literary and theoretical texts. We are looking particularly for scholarship that emerges from the disjunction of incongruent forms, that thrives on the border of the unfamiliar, and that transgresses the boundary of the expected.
The quint's twenty ninth issue is issuing a call for theoretically informed and historically grounded submissions of scholarly interest—as well as creative writing, original art, interviews, and reviews of books. The deadline for this call is 15th May 2015—but please note that we accept manu/digi-scripts at any time.
All contributions accompanied by a short biography will be forwarded to a member of the editorial board. Manuscripts must not be previously published or submitted for publication elsewhere while being reviewed by the quint's editors or outside readers.