This permanent MMLA panel invites abstracts that engage with collectives, communities, and print culture, widely conceived. In line with the conference theme, "border states," how does print culture give us a sense of community boundaries? How are collective identities formed, altered, or dismantled? What role does print culture play in shaping collectives or communities? How can we (re)conceive solidarity or community through the literary? This panel can engage with but is not limited to the following topics: literary criticism, critical theory (including theories of affect), aesthetics, propaganda, literary texts, and print culture more broadly.
I seek contributions for an edited collection on Jane Austen and masculinity. This peer-reviewed collection aims to include essays that address Austen's treatment of men and masculinity within the context of ongoing feminist, queer, and gender studies scholarship on her writings. Potential contributors could focus on such issues as: Austen's fictional depiction of historical challenges and expectations for men (including her treatment of violence, soldiers, imperialism, militarism, or class conflict), her representation of male sexuality and the male body, the function of men within families (including their roles as husbands, brothers, and/or fathers), the deployment of patriarchy in her stories, and many additional topics.
In celebration of the newly created Andrew Davies archive at De Montfort University, Leicester, The Journal of Adaptation in Film and Performance is issuing a special edition on the British screenwriter.
Davies is perhaps most famous for his work on the BBC's 1995 Pride and Prejudice with his vision of Darcy becoming one of the most enduring images of late 20th century popular culture. As well as revisiting Darcy with commercially successful adaptations of Helen Fielding's modern-day adaptation of Pride and Prejudice - Bridget Jones's Diary - Davies' legacy is wide-ranging in terms of classic-novel and contemporary fiction adaptations.
Deadline for abstract submissions extended until April 30, 2016.
The Gothic Association of New Zealand and Australia (GANZA) welcomes papers for its third biennial conference, to be held at Auckland University of Technology, New Zealand, on 23-24 January 2017.
The conference will be organised in the spirit of the Association.
GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, television, fashion, architecture, and other popular culture forms. It is the aim of the Association to not only place a focus on Australasian Gothic scholarship, but also to build international links with the wider Gothic community as a whole.
Call for Papers
Department of French and Italian
Transparency and Opacity in French Language Literature
Deadline for Submissions: August 1, 2016
The upcoming issue of Parlour will concentrate on women as producers and consumers of texts with an emphasis on counter-intuitive feminist interpretations. We invite submissions that explore a wide range of approaches to the issue's theme and its attendant connotations of defiance, opposition, direct action, and rebellion.