A new preference for the production and consumption of lyric forms of poetry, over that of more narrative options like the epic, often coincided with a governing body’s establishment of courtly norms and practices. This trend is consistent across a multitude of seemingly disparate cultures. The popularity and refinement of the ghazal during the Ghaznavid dynasty and the sonnet at the Elizabethan court are just two examples of similar formal developments arising within different cultural contexts. Shorter lyrics were often formally rigorous, but also highly customizable, and many of these forms also called for a new emphasis on the construction and expression of self.
A large number of graduate students are first-generation. This session seeks to cultivate a discussion about common questions, concerns, and advice for graduate students and postdocs as they navigate academia. However, this isn’t designed only for students, but it also aims to provide mentors with advice on how to better support students’ success and retention rates. This roundtable is intended to create a space in which seasoned professionals and early career scholars can share tips and ideas for first-generation graduate students, describe mentoring experiences, and foster mentorship relationships.
“Are you game?”
For an upcoming issue of Angles: New Perspectives on the Anglophone World, a peer-reviewed journal indexed by MLA, ERIH-Plus, EBSCO and others, we welcome proposals on “Are you game?”
This issue will be guest edited by Gilles Bertheau (email@example.com).
Call for papers
CFP: Victorian and Edwardian Mysteries
(Special Issue, Victorians Institute Journal)
Call for Papers
Byron Society of America at CEA 2020
March 26-28, 2020 | Hilton Head Island, South Carolina
Hilton Head Marriott Resort and Spa
The Byron Society of America and the College English Association welcome proposals for presentations on Lord Byron's life, works, and/or influences for the 51st annual CEA conference, the theme of which is Tides.
The University of Hong Kong
This interdisciplinary conference asks participants to rethink the nineteenth century and its social, aesthetic, and discursive formations. It brings together scholars from a variety of disciplines to consider the categories that inform and shape our various disciplinary approaches to the nineteenth century. In doing so, it invokes the term “formations” in a broad sense, to convey the processes by which concepts, categories, structures, systems, and institutions—many of which remain in place today—came into existence during this period.
This session seeks papers that bridge discussions of eighteenth-century Gothic literature with discussions of the Gothic’s role in contemporary literature and culture. Questions explored may include (but are not limited to) the following: What does the eighteenth-century Gothic tell us about our own contemporary Gothic moment? Can studies of the contemporary Gothic shed new light on our understanding of the Gothic's eighteenth-century origins? Are we guilty of dehistoricization if we apply the term “Gothic” to contemporary uncanny or scary texts?
We are looking for one or two more presenters to join the second Gothic Panel at PAMLA.
We invite proposals for papers dealing with Gothic literature, culture, and film. This session welcomes proposals on a wide variety of topics, with particular consideration granted to papers that explore gothic children's literature or that engage with the 2019 conference theme of "Send In the Clowns." Possible foci might include adaptations, audience/reception studies, children's gothic, and emotional portrayals in relation to the Gothic.
November 14-17, 2019
Wyndham San Diego Bayside, San Diego, CA
https://www.luigiboccherini.org/2019/05/22/beethoven-the-european/ BEETHOVEN THE EUROPEANLUCCA, Complesso Monumentale di San Micheletto27-29 March 2020 Keynote Speakers:• Barry Cooper (University of Manchester)• William Kinderman (University of Illinois at Urbana Champaign) Beethoven’s impact is widely recognised as of seemingly universal, timeless significance; 250 years since his birth his music still communicates with and inspires people across the globe. Nevertheless his iconic, enduring oeuvre stems from a specific European cultural milieu and historical context.
Call for Papers: Subject--Technology and 19th-C. British Literature
Seeking contributors for a book of essays that explore connections between technology and nineteenth-century British literature. To be published by McFarland Press, a leading publisher of academic books. (See: https://mcfarlandbooks.com/) Essays should be of interest to, and readable by, both scholars and non-academics.
Suggested topics include:
*The effects of technology on nineteenth-century British literature.
*Portrayals/rhetoric regarding technology in nineteenth-century British literature.