• What Do Students Learn & How Do We Know They Have Learned It?: Closing the Loop Through Assessment in Composition & Literature Courses
• Stimulating Awareness/Provoking Engagement:
Metacognition, Active Learning, & Supportive
Technology in the Literature or Composition
Fictional Economies: Inequality and the Novel
Joseph Donica is an Assistant Professor of English at Bronx Community College.
Rami Shamir is the author of TRAIN TO POKIPSE (Grove Press 2011, http://traintopokipse.com/)
Abstracts of 300 words and full CVs due November 1, 2015 to
Full articles due March 1, 2015
Projected publication fall 2016
16th Annual Craft Critique Culture Graduate Conference
April 8-9, 2016
University of Iowa
CRAFT CRITIQUE CULTURE is an interdisciplinary conference focusing on the intersections of critical and creative approaches to writing both within and beyond the academy. This year's conference will encourage an examination of the "inter" of interdisciplinary—as well as the construction and deconstruction of boundaries between and within academic, public, private, personal, critical, and creative discourses—through an inquiry into bridging divides.
Aristotle in his Poetics outlines his theory of tragedy and gives readers a framework for assessing and understanding the genre; his treatise providing the equivalent analysis of comedy has sadly been lost, and as a result, it is difficult to find a unified theory of ancient comedy. Perhaps the closest we have is Democritus' statement that "Laughter is a complete conception of the world." Centuries later, Bakhtin would elaborate upon this sentiment by claiming that the carnivalesque comedy allows for dialogue between multiple genres and voices in order to create a world in which societal structures are upended.
In recent years, the web has seen an explosion of digital interpretations of nineteenth-century texts. The Lizzie Bennett Diaries web series translates Elizabeth from Pride and Prejudice, via video diary, into an out-of-work grad student living with her family; "Texts From Jane Eyre" imagines how Jane would interact with Rochester and St. John via text message; David Copperfield has his own Facebook page; and there are at least four video games based on Alice's Adventures in Wonderland. This session combines interests in nineteenth century, digital media, and cultural studies to investigate how we understand our current world through the lens of nineteenth-century characters and stories.
Encyclopedia of Spanish Literature Film Adaptations
The terms "terror" and "horror" as defined by gothic novelist Ann Radcliffe, are diametrically opposed: while the former "expands the soul and awakens the faculties to a high degree of life," the latter "freezes and nearly annihilates them" ("Supernatural" 150). This distinction subordinates horror's focus on the material - the visceral, the abject - to the intellectual stimulation provided by terror. Blood, guts, and the grotesque are the norms of horror and while gothic fiction anxiously stages the destruction of the human body, this panel is interested in how sensual apprehension constructs the body.
"Gothic Routes: Travel Writing and the Gothic"
ASECS in Pittsburgh, March 31-April 3rd, 2016
This panel will focus on the connections between travel writing as a genre and the uses of, representations about, and innovative connections between it and conventions of the gothic. Themes and topics may include: narrative relationships between the gothic and travel narratives, gender and travel writing/gothic tropes, empire and the gothic/travel narratives, exploration and the gothic, finding the "other" and the narrative of travel writing and the gothic.
Please send abstract to M. Soledad Caballero, Associate Professor of English, email@example.com, by Sept. 15, 2015
The editors invite contributions to Symbolism. An International Annual of Critical Aesthetics, an interdisciplinary, peer-reviewed journal dedicated to pursuing fundamental questions on the forms and functions of the symbolic. Symbolism publishes high-profile research on topics related to the use of figurative language, thought and signification in artistic expression and representation. While maintaining a strong literary focus, the annual also inquires into practices of the symbolic across discourses in media ranging from the cinema and painting to opera, sculpture and other arts.