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Feminist Singularities [UPDATE]

updated: 
Tuesday, September 1, 2015 - 11:31am
ACLA 2016: American Comparative Literature Association

Co-organizers: Jacquelyn Ardam, UCLA; Ronjaunee Chatterjee, CalArts

2015 marked the 30-year anniversary of the publication of Donna Haraway's "A Cyborg Manifesto," whose radical questioning of the divisions between human and machine, matter and meaning, and gendered and "postgendered" existence continues to animate our social reality. Recent discussions in the field of new materialism, which grapple with questions of embodiment and materiality, have opened up new avenues for theorizing femininity outside of conventional frameworks.

Publication of 5 Edited Books with ISBN

updated: 
Tuesday, September 1, 2015 - 8:50am
Professor B.Panda

Call for Papers for Edited Books with ISBN
Last Date 31st December 2015
Generally, most people have their own ideas of what literature is. When enrolling in a literary course at university, you expect that everything on the reading list will be "literature". Similarly, you might expect everything by a known author to be literature, even though the quality of that author's work may vary from publication to publication. Perhaps you get an idea just from looking at the cover design on a book whether it is "literary" or "pulp". Literature then, is a form of demarcation, however fuzzy, based on the premise that all texts are not created equal. Some have or are given more value than others.

Wordsworth Among The Naturalists – Panel for NeMLA in Hartford, CT, March 17-20, 2016

updated: 
Monday, August 31, 2015 - 6:23pm
NeMLA

British Romanticism and American Literary Naturalism might seem an unlikely pairing. Romanticism's investment in a sublime yet beneficent natural world and the power of the individuated self contrasts starkly with Naturalism's interest in deterministic doom and urban degeneration of. Yet the relationship between the two movements is more complex than this binary allows. This panel seeks papers that consider the ways British Romanticism as practiced by poets, essayists, prose stylists and other writers of the early 19th century was repurposed in the works of late 19th and early 20th American literary naturalism.

Call for Papers by Graduate Students and Post-Graduates

updated: 
Monday, August 31, 2015 - 5:56pm
Text in Context: A Graduate Student Journal published at Southern Connecticut State University

Text in Context is a graduate student and post-graduate journal published electronically by current graduate students and post-graduates of the English Department at Southern Connecticut State University.

(UPDATE) CFP: LITERATURE AND CENSORSHIP (DEADLINE, 30 SEP, 2015)

updated: 
Monday, August 31, 2015 - 4:53pm
Sanglap: Journal of Literary and Cultural Inquiry Volume 2 No 2

India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.

CFP: NEMLA 2016 Hartford What does Digital Humanities Enable Today?

updated: 
Monday, August 31, 2015 - 2:44pm
elif sendur/ Binghamton University

In their 1999 essay "Deformance and Interpretation," Lisa Samuels and Jerome McGann propose deformative criticism against a rigid, theoretical, informative mode of reading in humanities. Deformance is an action, an imaginative, creative poiesis that does not necessarily aim to set a meaning of a text but reimagines it as a performance. Usually perceived in opposition to the more analytical camp of Digital Humanities, deformative criticism or deformance seems to be one of the very real and material alleys that Digital Humanities has offered to the structured, institutional, and perhaps all too ossified forms of production and exposition of knowledge.

The Oswald Review: Undergraduate Literary Criticism

updated: 
Monday, August 31, 2015 - 9:57am
University of South Carolina, Aiken, English Dept

The Oswald Review is a refereed undergraduate journal of criticism and research in the discipline of English. Published annually, The Oswald Review accepts submissions from undergraduates in this country and abroad (with a professor's endorsement).

Submit each manuscript as a separate email attachment in Microsoft Word. TOR discourages simultaneous submission to other journals.

All text should be provided in current MLA format, justified left only and without headers and footers. Endnotes, if absolutely necessary, should be minimal.

Presumed Autonomy: Literature and Art in Theory and Practice 10–13 May 2016

updated: 
Monday, August 31, 2015 - 9:20am
Department of English, Stockholm University, Sweden

Ever since the emergence of the modern marketplace for cultural goods, literary texts and art works have, on occasion, defied the expectations of its readers and audience, affronted their moral ethos, or flaunted a disregard for their sensibilities and norms. The potential power of art to disrupt the perceptions of its audience was foregrounded in the critical discourse of the modernists and the historical avant-garde and this possibility continues to animate critical debates, particularly those organized around some understanding of autonomy. With the all but complete commodification of every artistic and literary practice, it is more urgent than ever to pose the question whether we can still presume autonomy.

[UPDATE] DEADLINE EXTENDED for Making Common Causes: Crises, Conflict, Creation, Conversation

updated: 
Sunday, August 30, 2015 - 11:56am
Association for Literature, Environment, and Culture in Canada (ALECC)

***DEADLINE EXTENDED to September 20, 2015***
• What makes an environmental crisis common or uncommon?
• How do our understandings of environments depend on causes—both as ideas of causality and ideas of action?
• What ways of imagining, re-imagining and making our environments are held in common, or perhaps just as valuably, are uncommon?
• What can our common and uncommon cultures contribute in addressing environmental crisis?
• How might we understand culturing as an experiment, and thus as a means of creation and conversation? What might we seek to culture?
• What kinds of environmental commons and means of conversation do we already have, or should we create?

"Making Sense(s) in the Eighteenth Century"

updated: 
Saturday, August 29, 2015 - 9:08pm
ASECS 2016

Below, please find a cfp for a panel to be held at the American Society for Eighteenth-Century Studies (ASECS) Annual Meeting in Pittsburgh, PA, March 31 - April 3, 2016.

"Making Sense(s) in the Eighteenth Century"

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