With an increasing interest for a globalized and diverse society, the quest for an authentic self is more readily apparent and therefore further conflates the problem of representation. Globalization expands beyond social media and encroaches on the realms of the public and private spheres. However, the process of authenticity only further stabilizes potentially harmful ideologies that promote illusions of truth. In some instances, language (literature), film, and art, because of their figurative element, expose the artificiality of representation and engage the issue of authenticity. How are certain claims to truth (authenticity/referentiality) formulated, regulated, and destabilized through representation in literature, film, and art?
Call for Papers for a guaranteed panel at the Modern Language Association
(MLA) Annual Convention, 7-10 Jan. 2016, in Austin.
"In a world where language and naming are power, silence is oppression, is violence."
― Adrienne Rich, On Lies, Secrets, and Silence: Selected Prose, 1966-1978
"When we (as readers) fill in the gaps that the writer has peppered throughout the book, we form a meaningful bond with the book. We are not just pulling information from it; we're participating in a reciprocal relationship, creating and deriving meaning in an extravaganza of interpretation."
— Wolfgang Iser, Prospecting: From Reader Response to Literary Anthropology
The Association of Art Historians (AAH) Summer Symposium is a two-day annual conference highlighting post-graduate research. It takes place at a different university each year in early Summer.
'Fashion & Art History'
University of York
29 - 30 June 2015
Fashion and art often follow a shared trajectory of social, political, and historical circumstances. In collaboration with the University of York, the AAH's annual Student Summer Symposium will explore the relationship between fashion and art, by inviting papers that engage with this subject across a wide range of chronological and theoretical perspectives.
The Department of English Language and Literature and the Department of Languages and Linguistics at Gordon College invite paper submissions for their sixth annual Literatures and Linguistics Undergraduate Colloquium (LLUC). Undergraduate students from all colleges and universities are encouraged to submit 8-10 page papers in English on any linguistic or literary topic. Please provide a 100-200 word summary (abstract) of your essay in addition to your completed paper. Presentations should not exceed 20 minutes. The submission deadline is February 14, 2015, and we will confirm acceptance by February 28, 2015.
Seeking abstracts for a proposed special session at MLA 2016, next January 7-10 in Austin, Texas. This panel seeks to explore how 4E – embodied, embedded, enacted, and extended – and distributed cognition can illuminate the study of narrative. Send a 300-word abstract (or any inquiries) to email@example.com by March 15.
VOL. 2, ISSUE 1 | MARCH-APRIL 2015
"The term crime denotes an unlawful act punishable by a state…in modern criminal law (however, it does not) have any simple and universally accepted definition…" (Wikipedia)
Criminal: n. A person who has committed a crime. Adj. Informal. Disgraceful and regrettable. (Oxford English Dictionary)
"Users of Scholarly Editions: Editorial Anticipations of
Reading, Studying and Consulting"
The 12th Annual Conference of the European Society for
Textual Scholarship (ESTS) will be held at the Centre
for Textual Studies, De Montfort University, Leicester
England 19-21 November 2015
The ESTS returns to Leicester where it was founded in 2001
to stage a major collective investigation into the state
and future of scholarly editing. Our focus is the needs
of users of scholarly editions and proposals for 20 minute
papers are invited on topics such as:
Hawthorne and Influence: Spenser, Shakespeare, Milton, and the Romantics
Call for Papers
4th Annual Meeting of the European Beat Studies Network (EBSN)
28-31 October 2015, Université Libre de Bruxelles
Papers are invited for the 4th Annual Meeting of the European Beat Studies Network. In keeping with the inclusive spirit of the EBSN, we are open to submissions of scholarly papers, panels, and roundtables, as well as artistic/creative dialogues and performances devoted to any aspect of the Beat Generation.
For this special session on Women & Work in Literature at PAMLA, November 6 - 8, 2015, Portland State University, Oregon, we seek 50 word abstracts & 250 word proposals on the following: How do writers represent the work of being women—where "work" is defined broadly to encompass not only paid labor inside and outside the home, but also the work of performing femininity and domesticity? How do writers address social assumptions about who should be performing work, and for what purpose? Abstracts and proposals are due by May 1, 2015 to firstname.lastname@example.org. Those accepted would need to join PAMLA by June 1, 2015 in order to present at the conference.
The 69th Rocky Mountain Modern Language Association (RMMLA) Convention will be held from October 8-10, 2015 in Santa Fe, New Mexico (USA)
The session "Francophone Literature of Africa and the Caribbean" at the 69th Annual Convention of the RMMLA is devoted to Francophone Literatures, Cultures, and Film of Africa and the Caribbean.
Topics include but are not limited to:
Environmental questions in African /Caribbean Literature, cultures and film
Colonial and Post-colonial Studies
Feminist Theory and Women Writers
I just wanted to remind you about our International Conference, to take place on March, 12 (Thursday), 2015 - COMMUNITY AND COMMUNICATION FROM A DIACHRONIC AND SYNCHRONIC PERSPECTIVE.
Deadline for proposals: February 20, 2015
We are inviting paper proposals for a possible special sessions panel at the 2016 MLA Conference in Austin, TX, Jan. 7 - Jan. 10
Papers sought for a planned special session at the 2016 MLA Convention (Austin, TX; 7-10 January 2016). Entitled "Writing the World Fair" this special session proposes to examine literary accounts of nineteenth-century world expositions, from the London Great Exhibition of 1851 to the Paris Exposition Universelle of 1900. Submissions adopting a transnational framework and/or focusing on works outside the Anglo-American tradition are particularly encouraged.
Possible topics may include:
-writers' accounts of visits to world fairs
-world fairs in nineteenth-century fiction
-poetry at/on the world fairs
-relationship between world fairs and world literature