This panel seeks informed readings of British sermons written between 1500 and 1900, reflecting on the ways that the sermon fits in the literature classroom and for literature readers today.What new avenues of research can be pursued in studying the sermon in Great Britain's literature from 1500-1900? How do the well-known sermon writers (e.g., Donne, Andrewes, Wesley) and lesser-known (Barrow, Whitefield, Edwards) form, transform, and deform the genre? And how do we respond to the form as instructors of British literature in the post-Christian, twenty-first century? This panel seeks informed readings of sermons and ability to discuss them in their historical context as well as pedagogically for college/university classrooms today.
GEORGIA AND CAROLINAS CEA AT SAMLA
In “Ode on a Grecian Urn,” Keats declared that beauty and truth are as one. But are they? T. S. Eliot called Keats’s pronouncement “meaningless” and “a serious blemish on a beautiful poem.” Scientists and mathematicians debate beauty in terms of symmetry. Aestheticians ponder what is beautiful and try to determine whether it is true. Ethicists and theologians explore the moral nexus between beauty and truth. For its 2016 GACCEA at SAMLA session, the GACCEA seeks proposals that discuss beauty and/or truth. Potential topics include:
The Romantics era was rife with social and economic shifts and imbalances as the Industrial Revolution brought destruction to the natural world and further stratification of the classes. In this increasingly dystopian climate, Romantic authors often sought an idyllic nature in which to imbue their utopian views; as such, the Romantic imagination became a mechanism through which authors essentially deconstructed the dystopian world and created the utopian imagination. Conversely, the Romantics sometimes deconstructed the utopian environment as a means to express the dystopian imagination.
We invite proposals for any papers dealing with Gothic literature, culture and film. This session welcomes proposals on a wide variety of topics, with particular consideration granted to papers that engage with the 2016 conference theme of "Archives, Libraries, Properties." Possible foci might include sociohistorical context, intellectual heritage, culture and circulation, and textual materiality in (and of) the Gothic.
Proposals may be submitted via PAMLA's online submission form: http://www.pamla.org/2016/topics/gothic
Looking for paper proposals on any topic relating to Romanticim. Papers relating in particular to the conference theme of “Archives, Libraries, Properties” are especially welcome.
To submit a paper proposal for this session, or one of the many other approved PAMLA sessions, please go to: http://www.pamla.org/2016/topic-areas
Proposals are due by Friday, June 10.
The PAMLA conference 2016 will be held over the 11-13 November 2016 weekend at the Westin Pasadena, CA.
For its 25th annual meeting, the British Women Writers Conference invites papers and panel proposals considering the theme of “Generations.” As we look back on a quarter-century of feminist scholarship and practice within British Studies, we want to celebrate those who have defined the British Women Writers Association’s past and nurture those who will shape its future. Of course, even within literary traditions or scholarly networks, generational transitions are rarely ever easy or smooth. Such transitions may be accompanied by paradigm shifts, struggles to be heard, or difficulty letting go. We therefore welcome investigations into the complexities of generational exchange and transition in women’s writing.
Pacific Ancient and Modern Language Association
PAMLA 116th Annual Conference November 11-13, 2016
Panel Chair: Dewey W. Hall, Professor of English
Affiliation: California State Polytechnic University, Pomona
Session Title: “The Strange Place of Ecocriticism: The Material as
KIERKEGAARD: UTOPIAN OR DYSTOPIAN?
Image [&] Narrative is seeking papers for a special tercentenary issue devoted to the work of Horace Walpole (1717-1797). Articles covering all aspects of Walpole’s literary career are welcome, though preference will be given to those focusing on the correspondences between word and image.
Possible topics may include:
- narrative functions of images in Walpole’s work
- Gothic imagery in The Castle of Otranto and The Mysterious Mother
- art commentaries in Walpole’s correspondence, journals and Anecdotes
- narratives and catalogues of Houghton Hall and Strawberry Hill
- book design at the Strawberry Hill Press
- illustrations of Walpole’s work