This roundtable proposal seeks to expand the conversation on sound studies in literature. Instead of focusing on one time period or geographical area, this roundtable brings scholars of all different types of literature together to discuss sound in literature.
Please consider proposing a paper to the ACLA 2016 seminar on poetry and forgiveness.
See details below and at http://www.acla.org/seminar/poetry-and-forgiveness.
Seminar: Poetry and Forgiveness
Meeting of the American Comparative Literature Association
Harvard U., Cambridge, MA, 17-20 March, 2016
Abstracts due 23 September, midnight PST; submit through the ACLA online portal: http://www.acla.org/node/add/paper.
In response to an echoing call for a renewed attention to form, this ACLA seminar will examine a particularly rich formal classification: the serial. Conceiving of serial form broadly to encompass a variety of sequential and collected narratives, from installments and episodes to versions, revisions, witnesses, releases, copies, variations, collections, and cycles, we will ask how narratives in parts challenge and invigorate our critical approaches to narrative form. While criticism of serial form tends to center on Charles Dickens and look forward to twentieth-century radio and television, the formal conventions of seriality – the sequence and collection of narratives – extends far beyond this fictional field.
• What Do Students Learn & How Do We Know They Have Learned It?: Closing the Loop Through Assessment in Composition & Literature Courses
• Stimulating Awareness/Provoking Engagement:
Metacognition, Active Learning, & Supportive
Technology in the Literature or Composition
Fictional Economies: Inequality and the Novel
Joseph Donica is an Assistant Professor of English at Bronx Community College.
Rami Shamir is the author of TRAIN TO POKIPSE (Grove Press 2011, http://traintopokipse.com/)
Abstracts of 300 words and full CVs due November 1, 2015 to
Full articles due March 1, 2015
Projected publication fall 2016
16th Annual Craft Critique Culture Graduate Conference
April 8-9, 2016
University of Iowa
CRAFT CRITIQUE CULTURE is an interdisciplinary conference focusing on the intersections of critical and creative approaches to writing both within and beyond the academy. This year's conference will encourage an examination of the "inter" of interdisciplinary—as well as the construction and deconstruction of boundaries between and within academic, public, private, personal, critical, and creative discourses—through an inquiry into bridging divides.
Aristotle in his Poetics outlines his theory of tragedy and gives readers a framework for assessing and understanding the genre; his treatise providing the equivalent analysis of comedy has sadly been lost, and as a result, it is difficult to find a unified theory of ancient comedy. Perhaps the closest we have is Democritus' statement that "Laughter is a complete conception of the world." Centuries later, Bakhtin would elaborate upon this sentiment by claiming that the carnivalesque comedy allows for dialogue between multiple genres and voices in order to create a world in which societal structures are upended.
In recent years, the web has seen an explosion of digital interpretations of nineteenth-century texts. The Lizzie Bennett Diaries web series translates Elizabeth from Pride and Prejudice, via video diary, into an out-of-work grad student living with her family; "Texts From Jane Eyre" imagines how Jane would interact with Rochester and St. John via text message; David Copperfield has his own Facebook page; and there are at least four video games based on Alice's Adventures in Wonderland. This session combines interests in nineteenth century, digital media, and cultural studies to investigate how we understand our current world through the lens of nineteenth-century characters and stories.
Encyclopedia of Spanish Literature Film Adaptations