This panel will discuss representations of vignettes from Ovid's Metamorphoses, focusing on illustrated editions, graphic literary representations, and other visuals. Ovid's epic naturally lent itself to visual representation, both affected by prior artwork and affecting subsequent art depicting Roman mythology. An ethically problematic poem, the Metamorphoses was received with anxiety, particularly for the dangerous lessons it could impart to vulnerable audiences, which resulted in adaptations that transformed image and text to guide readers' interpretations.
Centre for Nineteenth-Century Studies One-Day Conference
12 March 2016
Durham University, UK
Keynote Address: Professor Bernard Lightman (York University, Canada)
The treatment of post-Renaissance allegory by literary scholars has been consistently negative. Scholars continue to write about the "demise," "abandonment," or "shattering" of allegory during the eighteenth century, as writers purportedly move away from the abstraction of generalization of allegory and towards the concreteness and demonstrability of literal narrative. This panel is dedicated to revisiting the relationship between allegory and the eighteenth century, since the literary form (whether it is understood as a distinct genre or as a mode of writing that can be evoked occasionally) does not go away. Potential panelists are encouraged to submit proposals for any paper investigating the status or role of allegory during the Enlightenment.
FINAL CALL FOR PAPERS
EIGHTH-ANNIVERSARY SESSIONS OF THE
SCIENCE FICTION, Fantasy, HORROR, AND LEGEND AREA
Online at NEPCA Fantastic: http://nepcafantastic.blogspot.com
2015 Conference of The Northeast Popular Culture/American Culture Association (NEPCA)
Colby-Sawyer College in New London, New Hampshire
Friday 30 October and Saturday 31 October 2015
Proposals by 15 June 2015
Call for Papers: The Henri Peyre French Institute Food Seminar:
SALT and SUGAR/SALT or SUGAR?
OCTOBER 29-30 2015, THE GRADUATE CENTER of CUNY
Generally viewed as the ultimate dietary malefactors in contemporary Western cultures, salt and sugar have adopted –singularly, in tandem, or in contrast to one another--many meanings and held many functions in a long historical period, both in France and in lands impacted by French colonialism.
Deadline Extended to 6/10
Renascence, a peer-reviewed critical and scholarly journal, is published by Marquette University as an expression of its Jesuit mission of the search for truth and the exaltation of human dignity. The journal's essays explore how literature is informed by and contributes to our understanding of fundamental questions concerning moral philosophy, theology, and spirituality. Though Renascence is an English language journal and has an emphasis on literature in English, studies on works and authors from a diversity of times, countries, and cultures are welcome. Essays should make a well-defined, original scholarly argument, run 4,000-7,000 words, and document sources using MLA style.
Breaking Through: Impaired/heightened Senses
8-9 January 2016
Université Sorbonne Nouvelle – Paris 3, Institut du Monde Anglophone, 6 rue Ecole de Médecine, 75006 Paris, France.
In the exact center of the U.S., where the west meets the east at the "Crossroads of America," we will hold this year's South Central Society for Eighteenth-Century Studies meeting in Oklahoma City, February 25-27 2016. We invite you to join us.
SCSECS conferences focus on any aspect of the "long" eighteenth century, which we define for practical purposes as the period between 1660 and 1830.
Romanticism and the Arts, an affiliated session of the Keats-Shelley Association of America at the South Atlantic Modern Language Association Conference in Durham, North Carolina, USA (13-15 Nov. 2015)