The editors invite contributions to Symbolism. An International Annual of Critical Aesthetics, an interdisciplinary, peer-reviewed journal dedicated to pursuing fundamental questions on the forms and functions of the symbolic. Symbolism publishes high-profile research on topics related to the use of figurative language, thought and signification in artistic expression and representation. While maintaining a strong literary focus, the annual also inquires into practices of the symbolic across discourses in media ranging from the cinema and painting to opera, sculpture and other arts.
37th APEAA MEETING: Call for Papers
21-23 March 2016
Venue: Faculty of Social Sciences and Humanities, NOVA University Lisbon
The 37th Meeting of the Portuguese Association for Anglo-American Studies inaugurates in 2016 a new format, moving away from the themed paradigm to highlight the range and diversity of British and American studies current research.
Friday 3 July 2015
Van Midert College, Durham University
Keynote Address: '"Harmonious" Jones and "Honest John" Shore: Contrasting Responses of Garden Reach Neighbours to the Experience of India'.
Professor Michael Franklin, University of Swansea
From the proliferation and commodification of print culture in the 18th century to the Forster's Education Act of 1870, those who consumed - and the way people consumed – the arts and culture at large changed irrevocably in England. These factors - among numerous others- culminate Leonard Bast's feeble attempts to fit Ruskin's depictions of Venice to his basement hovel in E.M. Forster's classic Howards End. Bast's story, pushed to the margins of the novel, is primarily that of a working class individual attempting to better his position in life through the arts and culture.
This panel welcomes papers that examine any aspect of Scottish literature and its connection to other arts, in line with this year's conference theme. In particular, this panel is interested in papers that connect Scottish literature to other literatures and other arts of the wider world. By June 15, 2015, please send proposals (300 words maximum), a one-page CV, a brief bio, and any A/V requirements to Tim Hayes, Chowan University, at email@example.com.
The editor of Rock and Romanticism is soliciting essays about the ways in which rock music, broadly defined, expands, interprets, restates, and conflicts with Romanticism, broadly defined. "Rock music" as a category will be extended to include all popular music since the 1950s, including but not limited to rock, varieties of metal, R&B, soul, varieties of punk, folk, techno, progressive rock, indie, new wave, alternative, psychedelic, gothic, funk, country, and blues.
THE LANGUAGE AND LINGUISTICS STUDENT CONFERENCE
SATURDAY, NOVEMBER 14, 2015
NIGH UNIVERSITY CENTER
UNIVERSITY OF CENTRAL OKLAHOMA (EDMOND)
"Students engaging, transforming, and empowering students"
Abstract submission deadline: Monday, September 21, 2015
Acceptance notification: Monday, October 5, 2015
Registration deadline: Monday, October 19, 2015
India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.
Today more than ever fairy tales permeate pop culture, literature, music, fine arts, opera, ballet and cinema. Speaking of the history of stories and especially fairy-tales, we may say that the Pot of Soup, the Cauldron of Story, has always been boiling for centuries. Dwarves have always been a recurring image and a character from the fairy tales to the novels.
Theme: Objects & Commodities
Keynote Speaker: Dr. Ian Bogost
Ivan Allen College Distinguished Chair in Media Studies and Professor of Interactive Computing at the Georgia Institute of Technology