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16123 Transgressing Political Correctness: the 1980s, 90s and Now

updated: 
Tuesday, June 7, 2016 - 10:59am
full name / name of organization: 
Northeast MLA
contact email: 
deadline for submissions: 
Friday, September 30, 2016

Submit via http://www.buffalo.edu/nemla/convention/submit.html

With student protests on campuses, activism in communities, and a divisive presidential campaign filled with hateful rhetoric presented under the guise of “authenticity,” there seems to be a renewed focus on the role of political correctness in American culture and on the world stage.

 

16124 Progressive Pedagogy: Long-Term Academic Competence from the Composition Class

updated: 
Tuesday, June 7, 2016 - 10:59am
full name / name of organization: 
Northeast MLA
contact email: 
deadline for submissions: 
Friday, September 30, 2016

Submit via http://www.buffalo.edu/nemla/convention/submit.html

 

In an economy where the bachelor’s degree is what the high school diploma once was for obtaining a living wage, are colleges and universities equipped to handle the wide range of abilities for students who are focused more on getting through than learning to appreciate how a liberal arts education may better equip them for the job market?

 

The Iron Cage of Work: Cultural Responses to the Institutions of Contemporary Capitalism

updated: 
Tuesday, June 7, 2016 - 10:53am
full name / name of organization: 
Paul Gagliardi / Northeast Modern Language Association
contact email: 
deadline for submissions: 
Friday, September 30, 2016

In many of his writings, the German sociologist Max Weber condemned the rationality of modern bureaucratic government which, for him, restricted an individual’s freedom by compartmentalizing society. His view of the dangers of the modern state is perhaps best illustrated in The Protestant Ethic and the Spirit of Capitalism where Weber notes that the “iron cage” of rationality extended to work as workers were forced, rather than compelled, to labor. Weber’s observation about the intersection between work and bureaucracy as the “iron cage of capitalism” has endured, in part, because of how thinkers, artists, and workers have continued to view the contemporary work-space.

Dying in American Literature: Death Spaces, Dream Spaces, No Spaces (Panel)

updated: 
Tuesday, June 7, 2016 - 10:52am
full name / name of organization: 
NeMLA 2017 Annual Convention
contact email: 
deadline for submissions: 
Friday, September 30, 2016

The 48th Northeast Modern Language Association Annual Convention

Translingual and Transcultural Competence: Toward a Multilingual Future in the Global Era

March 23-26

Baltimore, Maryland

 

Panel: Dying in American Literature: Death Spaces, Dream Spaces, No Spaces (Panel)

 

Edited Collection on Korean Dramas

updated: 
Tuesday, June 7, 2016 - 10:52am
full name / name of organization: 
Ann-Gee Lee & JaeYoon Park/University of Arkansas-Fort Smith
deadline for submissions: 
Sunday, August 28, 2016

With the proliferation of global media on the internet, Korean television dramas have quickly become a popular phenomenon.Not just permeating Asia, but also appearing in the U.S., the Middle East, Europe, and Spanish-speaking countries among others, these dramas lead to fans scrambling to provide subtitles in their own languages. Along with being enthralled with characters and storylines, fans find themselves listening to soundtracks and following their favorite actors to other Korean dramas.

Narrating the Self in Self-translation

updated: 
Tuesday, June 7, 2016 - 10:52am
full name / name of organization: 
Ticontre. Teoria Testo Traduzione
deadline for submissions: 
Sunday, October 30, 2016

Since the beginning of the 21st century, the literary practices of multilingual writers have gained increasing interest among researchers and have been discussed in terms of translingual literature (see Kellman 2000), language memoirs (see Nic Craith 2012) and questions of identity (see Besemeres 2002). An increasing number of multilingual writers have chosen to self-translate their works, thus writing the same text in different languages. While the practice of self-translation has a very long and rich tradition and continues to be widespread around the globe, for a long time it did not receive much critical attention within literary and translation studies.

4th Annual Conference on Critical Reading, Writing, and Thinking--Oct. 28, 2016

updated: 
Tuesday, June 7, 2016 - 10:51am
full name / name of organization: 
Consortium for Critical Reading, Writing, and Thinking
contact email: 
deadline for submissions: 
Thursday, June 30, 2016

Embracing Innovation: Transcending Tradition in Twenty-First Century Higher Education

CCRWT will present its fourth annual interdisciplinary conference on Friday, October 28, 2016. The primary objectives of this year's conference are to explore innovative pedagogical practices that both enrich and transcend traditional teaching methods, and to inspire a contemplative, cross-disciplinary dialogue regarding higher education in the twenty-first century.

Hawthorne and Longfellow: Fictive and Poetic Visions of History and the Nation

updated: 
Tuesday, June 7, 2016 - 10:51am
full name / name of organization: 
Northeast Modern Language Association (NeMLA)
contact email: 
deadline for submissions: 
Friday, September 30, 2016

 

Hawthorne and Longfellow: Fictive and Poetic Visions of History and the Nation

 

This panel for the NeMLA 2017 Annual Convention, to be held in Baltimore, Maryland, from March 23 to March 26, 2017, seeks papers that examine the visions of history and the nation found in the works of Nathaniel Hawthorne (1804-1864) and Henry Wadsworth Longfellow (1807-1882).

 

Dystopic Dickinson. Or Is It Utopic Dickinson?

updated: 
Tuesday, June 7, 2016 - 7:58am
full name / name of organization: 
South Atlantic Modern Language Association convention
contact email: 
deadline for submissions: 
Friday, July 15, 2016

South Atlantic Modern Language Association convention; Jacksonville, Florida; November 4-6, 2016 

Dystopic Dickinson. Or Is It Utopic Dickinson?

Tragedy and American Drama and Theater: Genre, Mediality, and Ethics - International Conference, June 1 - 3, 2017

updated: 
Monday, June 6, 2016 - 6:00am
full name / name of organization: 
University of Augsburg, Germany
deadline for submissions: 
Sunday, July 31, 2016

Confirmed keynote speakers:
David Kornhaber (University of Texas at Austin)
Martin Middeke (University of Augsburg)

Tragedy as a dramatic genre, theatrical practice, and mode of affect is defined by its longevity and rich tradition and has developed into an extraordinarily dynamic genre, firstly as a mode of narration, secondly as a phenomenon of transition and transformation between text and embodied performance that implies the crossing of medial boundaries, and thirdly in a transnational sense that implies the crossing of geographical borders.

Nomadic Objects

updated: 
Sunday, June 5, 2016 - 4:30pm
full name / name of organization: 
Universities of Paris 3, Paris 7, Paris 10 and Paris 13
deadline for submissions: 
Thursday, September 15, 2016

CALL FOR PAPERS

 

Nomadic Objects:

Material Circulations, Appropriations and the Formation of Identities

in the Early Modern Period (16th-18th c.)

 

International Conference – March 2-4, 2017

 

Musée National de la Renaissance (Écouen), Musée Cognac-Jay (Paris, 3e),

Maison de la Recherche de l’Université Sorbonne Nouvelle (Paris, 5e)

 

[UPDATE] Gods, Icons, and Idols: Stars from Hollywood and Beyond

updated: 
Sunday, June 5, 2016 - 11:05am
full name / name of organization: 
Film and History Conference 2016
contact email: 
deadline for submissions: 
Friday, July 15, 2016

CFP: Gods, Icons, and Idols: Stars from Hollywood and Beyond

An area of multiple panels for the 2016 Film & History Conference:
Gods and Heretics: Figures of Power and Subversion in Film and Television October 26-October 30, 2016
The Milwaukee Hilton
Milwaukee, WI (USA) 

[EXTENDED] DEADLINE for abstracts: July 15, 2016 

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