"Has Theatre Ever Been Secular?"
Session for the Association for Theatre in Higher Education's 2015 Conference
30 July-2 August, 2015; Montréal, Québec, Canada
"Has Theatre Ever Been Secular?"
Since the turn of the twenty-first century, American writers have begun to return to the political and aesthetic moment of the late 1960s and 1970s. This turn has taken both a domestic and a global perspective: from the recent revival of interest in the Weather Underground as the United States' own stillborn revolutionary moment—we can think of Bill Siegel's 2002 documentary, new novels from Russell Banks and Jay Cantor, and the recent memoirs of David Gilbert, Bill Ayers and Cathy Wilkerson, to name just a few—to a revisiting of 1970s global insurgencies in places such as Italy, India, and South Africa as in Rachel Kushner's The Flamethrowers, Jhumpa Lahiri's The Lowlands, and Chris Abani's The Secret History of Las Vegas respectively.
Call for Papers for Vol. I Issue 2 of The Apollonian: A Journal of Interdisciplinary Studies
(Online ISSN: 2393-9001)
(The issue is divided into two segments - Focus and Feature. Both segments have similar submission guidelines but different themes. Please specify submission category in subject line during submission/inquiry.)
36th Annual Southwest Popular /American Culture Association (SWPACA) Conference
Conference Dates: February 11 – 14, 2015
Conference Hotel: Hyatt Regency, 330 Tijeras NW, Albuquerque, NM, (505) 842-1234
Conference Theme: "Many Faces, Many Voices: Intersecting Borders in Popular and American Culture"
Conference Website: http://southwestpca.org/
Chiasma: A Site for Thought is an annual, doubly-anonymous, peer-reviewed journal for the generation and dispersion of theory, and invites submissions for its second issue.
One of the enduring themes of 20th century critical thought is that the question of being, far from being too abstract or general to warrant serious consideration, is rather 'the most basic and at the same time most concrete question'. For our second issue, we are looking for perspectives on the status of this questioning, particularly in the form of teaching, professing, lecturing, researching, and/or publishing in the academic institution. Topics for papers could be related, though not limited, to the following themes:
The MediaCommons Front Page Collective welcomes responses to the survey question: How has reblogging and reblogging culture on sites like Tumblr and Twitter complicated the notion of authorship?
The Subject Beside Itself: Ecstasies of Juxtaposition
Please replace earlier post with this one.
WASHINGTON IRVING AND ISLAM
CALL FOR BOOK CHAPTERS, AMS Press
The Society for the Study of Rebecca Harding Davis and her World will organize a session at the triennial meeting of the Society for the Study of American Women Writers to be in held November 4-8, 2015 in Philadelphia.
The Society for the Study of Rebecca Harding Davis and Her World welcomes proposals for an open topic session at the American Literature Association's 26th Annual Conference. The conference will be held in May, 2015 at the Copley Westin in Boston, MA. For further information about the conference, please consult the ALA website at www.americanliterature.org.
We welcome proposals that engage any aspect of Davis's work and are especially interested in new readings of neglected texts.
Presentations will be limited to 15-20 minutes to accommodate 3 or 4 presenters.
The proliferation of medievalism in popular culture - as Chaucer's Twitter account, Game of Thrones, and historical young adult novels set in Medieval Europe all attest - expresses varying ideas about what the Middle Ages could mean to our current historical moment. This panel seeks papers that explore contemporary ideas about the Middle Ages as they appear in a variety of popular culture venues. We especially welcome those that engage with global perspectives on the idea of the 'Middle Ages.'
Submit an abstract online by September 30: https://nemla.org/convention/2015/cfp.html
Democracy, Resistance, and the Practice of Literature
Sanglap Vol I No. II