"Age and the Stage" is inspired by this year's ASECS location in Los Angeles, a city deeply connected to an entertainment industry that foregrounds the complicated intersection of the feminine, aging, and cultural representations of both. It will seek papers that investigate the place of older and aging women in the long eighteenth-century's very own "entertainment industry:" the English theater. When the theaters of London opened their doors to women, young actresses were given the opportunity to enter the public spotlight, and, as demonstrated in recent works by Laura Engle, Felicity Nussbaum, and Joseph Roach, star actresses became the driving force behind the success of Restoration and eighteenth-century theater.
36th Annual Southwest Popular/American Culture Association Conference
"Many Faces, Many Voices: Intersecting Borders in Popular and American Culture"
February 11-14, 2015
Albuquerque, New Mexico
The Southwest Popular/American Culture Association will hold its 36th annual conference, "Many Faces, Many Voices: Intersecting Borders in Popular and American Culture" in Albuquerque, New Mexico, on February 11-14, 2015. We are now accepting proposals on reality television.
THE AMERICAN CIVIL WAR AND RECONSTRUCTION
Popular Culture Association/American Culture Association
National Conference 2015
April 1-4, 2015
New Orleans Marriott
555 Canal Street
New Orleans, LA 70130 USA
Codex-tensions: Canadian Writing Beyond the Book-Machine
Death in the Cityscape: A Special Issue of Canadian Review of American Studies
In the epilogue to the second edition of The Politics of Postmodernism, Linda Hutcheon heralds the closure of the very period she helped to define: "Let's just say it," she admits, "it's over" (2002: 165-166). This view has in recent years been echoed by an increasing number of cultural critics, who cite the failure of the postmodern aesthetic—developed in the 1970s and characterized by fragmentation, self-reflexivity, and irony—to embody the very real ethical and political concerns of twenty-first century citizens (cf. Eshelman, 2008; Kirby, 2009; Toth, 2010; Vermeulen and van den Akker, 2010; Abrahamson, 2013).
Comics: Strips, Books, Graphic Novels and Everything in Between
The Comics and Comic Art Area of the Popular Culture Association invites all comics scholars to participate in the annual meeting of the Popular Culture Association and American Culture Association. Details of the conference can be found at the conference website.
The Comics and Comic Art Area of the Popular Culture Association offers a venue for scholars from across the country to share their research and exchange ideas on the growing field of comics scholarship. Papers on all aspects of the medium are invited.
Media Fields Journal
Issue 9: Spaces of Protest
Submission Deadline EXTENDED: September 19, 2014
Touchstone Magazine was established in 1975 and publishes works of poetry, non-fiction, fiction, flash-fiction and visual art from students (undergraduates and graduates) all over the United States. There is no submission fee, but there is an opportunity for submissions to win cash prizes. Applicants can send their manuscripts to email@example.com and will hear back between 3 and 6 months. The Magazine launches annually in April. The 2015 edition is "Layers." Our website is www.ksu.edu/touch. I can provide more details as necessary. The deadline to submit is December 15, 2014.
Call for Papers and Book Reviews: 2015 Issue
Submission Deadline: 25 January 2015
Aelurus is an annual journal that publishes literary and theoretical scholarship from graduate students, which is run and staffed by graduate students in Weber State University's Master of Arts in English program. As such, Aelurus is devoted to a publication process in which we foster and lend experience to the scholarly endeavor of fellow graduate students.
Open to critical perspectives and mediums of examination from any time period, Aelurus solicits scholarly submissions, the most rigorous of which will be published digitally and in print in the spring of each year.
Keynote Addresses: Professor Christopher Fynsk (University of Aberdeen) and Professor Elizabeth Rottenberg (DePaul University)
Linda Hutcheon and J. Edward Chamberlin Lecture in Literary Theory: Professor Eric Cazdyn (University of Toronto)
**Please note that our submissions deadline has been extended to October 15**
The Somaliland Journal of African Studies (SJAS) aims at covering an academic research area in clear expansion. The objective of the journal is to shed a light into the political landscape of Africa, its political regimes, the current democratic situation and the respect for human rights. Article proposals from other areas and disciplines revolving around the areas of political science and international relations (history, philosophy and other social sciences) will also be accepted.
SJAS is now accepting submissions for its debut issue, due December 2014. The Editorial Board will only consider original articles that are sent in exclusive to SJAS.
Trayvon Martin's murder is the latest in a long string of unpunished assassinations and assaults–from Emmett Till to Medgar Evers to James Chaney, Andrew Goodman and Michael Schwerner to Amadou Diallo to Sean Bell–that come to define a limit on the possibilities of Black life in the United States. Martin's death stands out from those that preceded it, however, by the solicitous reaction of the sitting president. This panel seeks to evaluate popular culture's reactions to this spectacular event.
Thirty-Sixth International Conference
on the Fantastic in the Arts
The Scientific Imagination
March 18-22, 2015
Marriott Orlando Airport Hotel
While poetry itself has played a historically long and significant role in the discourse of love, the period of modernity seems to be largely associated with its opposites. As the standard narrative goes, citizens the world over felt overwhelmed and frightened by the sundry and rapid changes – literal, conceptual, moral, and beyond – brought about by industrialization, scientific developments, WWI, etc. And the poetry that characterizes this time period represents and reflects on some of the more devastating changes. But what happens to poetic love in the early 20th century? What specifically happens when love, loss, and poetry come together during such a fraught time?