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[UPDATE] Call for Papers: Film Theory and Aesthetics 2015 Albuquerque, NM, USA

updated: 
Monday, August 25, 2014 - 1:10pm
full name / name of organization: 
Jennifer Jenkins/ Southwest Popular/American Culture Association (36th Annual)
contact email: 

Call for Papers: Film Theory and Aesthetics
2015 Southwest Popular/American Culture Association (36th Annual)
Many Faces, Many Voices: Intersecting Borders in Popular and American Culture
February 11-14, 2015 Hyatt Regency Downtown/ Albuquerque, NM, USA

Mid-Atlantic Regional Conference of Undergraduate Scholarship (MARCUS), 11 Oct 2014

updated: 
Monday, August 25, 2014 - 12:24pm
full name / name of organization: 
Sweet Briar College
contact email: 

Announcing the 16th Annual Mid-Atlantic Regional Conference of Undergraduate Scholarship (MARCUS) at Sweet Briar College on Saturday, October 11, 2014.

The MARCUS Conference is devoted exclusively to the scholarship and research activities of undergraduate students. Students from Virginia and surrounding states are invited to present scholarly research from all academic disciplines and may choose to participate in an oral session or poster session

The Uses of Magic in Middle English Literature (Kalamazoo 2015)

updated: 
Monday, August 25, 2014 - 12:21pm
full name / name of organization: 
Tara Williams

The Uses of Magic in Middle English Literature
50th International Congress on Medieval Studies
Western Michigan University
May 14-17, 2015

This session provides a forum for new work being done on representations of magic in the various genres of Middle English literature. Literary texts depict magic and its uses in a variety of ways, opening up new possibilities for categorizing magic (beyond the classic natural/demonic model) and understanding its effects (both within and outside of texts).

UPDATE: Reminder CFP: Merchants and Saints at Kalamazoo 2015

updated: 
Monday, August 25, 2014 - 11:21am
full name / name of organization: 
Emily Kelley
contact email: 

There is still space available in this session organized for the next Kalamazoo medieval conference. Please note proposal deadline of September 15:

Call for Papers: Mighty Protectors for the Merchant Class: Saints as Intercessors between the Wealthy and the Divine. International Congress on Medieval Studies, 14-17 May 2015

¿Queer Brown Futures?: Utopia & Apocalypse in Latina/o Speculative Fiction

updated: 
Monday, August 25, 2014 - 11:08am
full name / name of organization: 
Maia Gil'Adi and John Ribo
contact email: 

José Esteban Muñoz's Cruising Utopia opens with an epigraph from Oscar Wilde: "A map of the world that does not include utopia is not worth glancing at." For Wilde, utopia is vital because it sets the course of human progress like a future destination humanity strives for but never reaches. Similarly, Muñoz reformulates queerness—and might we add brownness?—as utopian, as futurity, as potentiality, as that which lets us feel the limits of the here and now in order to dream better possibilities.

Piers Plowman in Seattle 23-26 July 2015

updated: 
Monday, August 25, 2014 - 9:50am
full name / name of organization: 
International Piers Plowman Society

The International Piers Plowman Society announces the Sixth International Piers Plowman Conference, to be held at the University of Washington, Seattle, 23-26 July 2015. All presenters must be members of the Society (see PayPal link on home page to sign up.)

Please send abstracts of ca. 250 words or panel proposals by 1 October 2014 to IPPSinSeattle2015@gmail.com . Panel proposals should include a brief explanation of the topic and brief abstracts of the papers to be considered.

Wrath of God: The Cinema of Klaus Kinski

updated: 
Monday, August 25, 2014 - 6:18am
full name / name of organization: 
Matthew Edwards UWE
contact email: 

This is a call for papers, for a new anthology tentatively titled Wrath of God: The films of Klaus Kinski.

The collection looks to bring together a series of essays (interviews with filmmakers, will be welcome) on one of cinema's truly volatile sons. Particular emphasis on Kinski's more exploitive roles and obscure gems. Essays on Kinski/Herzog will be welcome, though only one essay per film will be included in the collection.

I'm looking for critical and scholarly essays that discuss individual Kinski films or the man himself.

I have currently received essays on the following films:

Fitzcarraldo
Nosferatu
Paganini
Timestalker
Creature
Venus in Furs

The Second Euroacademia International Conference 'Identities and Identifications: Politicized Uses of Collective Identities'

updated: 
Monday, August 25, 2014 - 4:58am
full name / name of organization: 
Euroacademia

Euroacademia cordially invites you to

The Second Euroacademia International Conference
'Identities and Identifications: Politicized Uses of Collective Identities'

to be held in Florence, Italy
Villa Victoria – Palazzo dei Congressi

17 – 18 October 2014

CALL FOR PAPERS
Deadline for Paper Proposals: 8th of September 2014

Conference description:

call for papers Persian Literary Studies Journal, volume 3, issues 4 and 5, 2014

updated: 
Monday, August 25, 2014 - 2:09am
full name / name of organization: 
Farideh Pourgiv/ Shiraz University

The editor is currently seeking scholarly articles for the volume 3, issues 3 & 4 of Persian Literary Studies Journal 2014, a joint publication of Shiraz University and Iran Academy of Literary Criticism. This is an academic peer-reviewed open access journal designed to explore a wide range of issues of current concern to those working in the field of Persian Literature around the world, including classical and modern literature which will be published twice each year.
Manuscripts (text, quotations, and endnotes) should be between 5,000 and 10,000 words following the MLA Style Sheet, 6th edition. Please send manuscript submissions through http://plsj.shirazu.ac.ir.

Edited Collection: Singing Death

updated: 
Sunday, August 24, 2014 - 8:51pm
full name / name of organization: 
Helen Hickey, Helen Dell/ University of Melbourne, Australia

The editors are in preliminary negotiations with Ashgate Press for a collection of essays provisionally entitled 'Singing Death' and we would like to invite chapter proposals for this project. 'Singing Death' arises out of a day-long symposium and concert combined, generously supported by the Australian Research Council Centre of Excellence for the History of Emotions. This took place at the University of Melbourne, 17th August, 2013: http://www.historyofemotions.org.au/media/89722/singing-death_poster_web...

[Update] The Generative Literature Project

updated: 
Sunday, August 24, 2014 - 4:43pm
full name / name of organization: 
The Generative Literature Project/Hybrid Pedagogy

The Generative Literature Project is calling for the participation of two additional Creative Writing/Digital Writing faculty from campuses across the United States to participate in the creation of a transmedia generative digital novel.

This project will take place during Fall Semester 2014, and will involve students and faculty in writing a minimum of one class assignment, one faculty character sketch, and a collaborative analysis of the main character's motive and alibi.

Students and faculty may also wish to create artifacts via social media and blogging, and participate in project "Tweet-Ups" and Google Hangouts as the project progresses. All project writing will be completed by November 1, 2014.

Languages on Trial: Translation and the Law, NeMLA, 30 April - 3 May, 2014

updated: 
Sunday, August 24, 2014 - 2:11pm
full name / name of organization: 
Oisín Keohane (University of Toronto) and Ian Fleishman (University of Pennsylvania)

In appealing to the law, one must appeal to language. This raises the question of what kind of appeal to language can be made before the law, and in what ways the law depends on language. Consider Socrates in Plato's "Apology" for instance, pleading to his fellow Athenians to treat him as a stranger, to act as if he were a foreigner, an outsider, one ignorant of the 'native tongue' spoken in Athens. One might highlight how this Socratic 'as if' introduces narrativity and fiction into the very core of legal thought, a narrativity and fiction that the law is both troubled by and which it nevertheless frequently utilizes.

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