Call for Papers
Princeton University Conference
April 10, 2015
Frames: Jewish Culture and the Comic Book
"Spiegelman prompts one to see the panel as a picture and a window, as an oxymoronic 'picture window' that must at once be looked at and looked through: looked at because its signifying surface does not simply efface itself, does not merely yield before the authority of a signified reality or become a transparent means to an end outside itself; looked through because such 'picture windows' do open onto other windows, onto the abyssal depths of panes within panes."
Michael G. Levine, "Necessary Stains: Spiegelman's Maus and the Bleeding of History"