50th International Medieval Congress
Call For Papers
50th International Medieval Congress
Call For Papers
The Nouvelle Vague changed the way that people watch, critique, and make movies for generations to come. However, what happens when the New Wave is no longer new? Has its elevation to classic status stripped it of its power to provoke? What is the continued relevance of the French New Wave? This roundtable seeks to engage with these questions by looking at its criticism, filmmakers, and key New Wave films, and the current status of the Nouvelle Vague. Submit abstracts (in English or French) to email@example.com
by Sept. 30.
This panel seeks to explore Shakespeare and the French by tackling Shakespeare and French sources, French characters and settings, neoclassical critics on Shakespeare, Enlightenment and Romantic writers on Shakespeare, French stage and film versions, Shakespeare in translation, and twentieth-century French criticism. The impact of the engagement between Shakespeare and the French continues to be immense, and this panel seeks to explore and appreciate the ever-changing nature of this impact. Submit abstracts (in English or French) to firstname.lastname@example.org by Sept. 30.
The Journal of the Wooden O is a peer-reviewed academic publication focusing on all things Shakespeare. It is published annually by Southern Utah University Press in cooperation with the Center for Shakespeare Studies and the Utah Shakespeare Festival.
The editors invite papers on any topic related to Shakespeare, including Shakespearean texts, Shakespeare in performance, the adaptation of Shakespeare works (film, fiction, and visual and performing arts), Elizabethan and Jacobean culture and history, and Shakespeare's contemporaries.
Articles published in the JWO are indexed in the MLA International Bibliography and appear full-text in EBSCO Academic Search Premiere.
If women's studies (WS) can be described as occupying a space between precarity and legitimacy in the contemporary, corporate university, how do we experience, feel, and inhabit the discipline's in-between location? Institutional Feelings theorizes the contemporary institutional iterations of WS, with attention to the pressures, perils, pitfalls, politics, and potential pleasures of this partial institutionalization.
Celebrating Shakespeare's 450th birthday this issue of Gender Forum will focus on Shakespeare's plays and sonnets emphasizing the range of criticism and theory dealing with gender and sexuality. In order to widen the current discourse we encourage scholars to also consider early modern texts and their historical milieus about same-sex desire and recent critical and historical arguments about the construction of gay identity. We also encourage papers about modern adaptations looking at literary transformations of Shakespeare plays and sonnets by later women like Paula Vogel and gay artists from Oscar Wilde to Gus van Sant.
The nineteenth century has long been understood as an era of industrial growth, scientific discovery, technological innovation, and imperial expansion. Such sweeping global transformations relied on a complex web of relations between humans and machines, individuals and systems, ideas and practices, as well as more efficient and frequent movement across increasingly connected networks of space. From railroad travel to advances in shipping, from the movement of immigrants, enslaved laborers, scientists and colonial settlers, to the circulation of ideas, bodies, and/as commodities, nineteenth-century mobilities challenged and reconfigured the very constitution of subjects, nations, and cultures across the globe.
The series editors welcome proposals for interdisciplinary and comparative studies by humanities scholars working in a variety of fields, including literature; book history, periodicals history, print culture and the sociology of texts; theater, film, and performance studies; library history; history; gender studies; and cultural studies. Topics might include publishing histories of major figures or works, of regions, of genres, or studies of particular publishers or practices (including production, distribution, and reception) that hold special aesthetic, social, or political significance.
The Mary Elizabeth Braddon Association will shortly be launching our website and blog in conjunction with our inaugural meeting at the VPFA conference in July. We welcome submissions for the blog of 750-1,000 words on topics pertaining to Braddon and sensation fiction. We are especially interested in brief highlights of your current work on Braddon, experiences teaching Braddon and discussions of the importance of Braddon and sensation fiction in Victorian literature and cultural studies. Submissions or questions can be directed to Dr. Janine Hatter and Anna Brecke at email@example.com.
Keynote Address: "What kind of monster is Religio Medici? Sir Thomas Browne and Renaissance Genres"—Reid Barbour, UNC-Chapel Hill
I'm writing to invite you to submit proposals for a collection of essays that is tentatively titled The Good Life and the Greater Good in a Global Context. Please take a look at the brief description of the topic, its rationale, and research questions below. Feel free to add any other comments and questions and let me know if you are interested in contributing. My own essay examines the transnational dimensions of "that moral-intimate-economic thing called 'the good life'" (Berlant 2) as theorized by cultural critic Lauren Berlant and imagined by Pakistani novelist Mohsin Hamid in his latest novel, How to Get Filthy Rich in Rising Asia (2012).
Everywhere is a Classroom
Two-Year College English Association-Southwest
TYCA-SW ANNUAL CONFERENCE, Embassy Suites, Frisco, TX
October 23-25, 2014
International Conference - CALL FOR PAPERS
"UNCERTAIN SPACES: Virtual Configurations in Contemporary Art and Museums"
31 October | 1 November 2014, Calouste Gulbenkian Foundation, Lisbon, Portugal
Over the past decades, and especially since the generalization of the Internet, artists have been actively exploring the potentialities of new media languages and communities, often blurring artistic categories. Movements like Digital Art or Internet Art clearly demonstrate how these technological means came to shape challenging new territories for contemporary art, not only in terms of creation, reception and participation, but also regarding its preservation, collection, curatorship or exhibition.
NeMLA 2015 46th Annual Convention
Toronto, April 30-May 3, 2015
The Romance of Sidney and Spenser
This seminar explores how Sidney and Spenser engage with and develop the romance framework alongside and against their contemporaries. How do these poets revise, contest, or maintain conventions of romance in their own works? How do they represent and reconcile the genre's tendency toward contradiction, conflation, and multiplicity? How do they influence later authors and contribute to the evolution of the genre and its concerns in the English tradition?