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Performing Medieval Drama in the 21st Century (A Panel Discussion)

updated: 
Friday, July 19, 2019 - 1:50pm
Kyle A. Thomas, Missouri State University
deadline for submissions: 
Friday, September 6, 2019

 

Session Title: Performing Medieval Drama in the 21st Century (A Panel Discussion) at the International Congress on Medieval Studies, Western Michigan University (2020)

Organizer: Kyle A. Thomas (Missouri State University)

Sponsered by the Medieval and Renaissance Drama Society (MRDS) 

Concept, Gaze, Execution: Women Artists Interpret Male Subjects and Authors (Seminar)

updated: 
Friday, July 19, 2019 - 12:20pm
NeMLA 2020
deadline for submissions: 
Monday, September 30, 2019

Abstract submissions invited - please submit and circulate widely!Concept, Gaze, Execution: Women Artists Interpret Male Subjects and Authors (Seminar)51st Annual NeMLA Convention: March 5-8, 2020 (Boston, MA) deadline for submissions: September 30, 2019 This session seeks to stage a conversation about the idea of adaptation, with a focus on how women writers and directors script performative interpretations of male subjects or texts by male authors. Papers can look at Shakespeare restaged by women playwrights and directors, modes of engagement, the continued debate about originality versus adaptation versus appropriation, the impact of contexts and audiences, or the hybridity of transcultural adaptations.

The Pearl-poet: Modern Connections, Adaptations, and Evolutions @ ICMS 2020

updated: 
Wednesday, July 17, 2019 - 12:03pm
Ashley E. Bartelt / International Pearl-poet Society
deadline for submissions: 
Sunday, September 1, 2019

International Pearl-Poet Society

Call for Papers — ICMS 2020

The International Pearl-Poet Society is sponsoring five sessions and one co-sponsored session with the Medieval Association of the Midwest (MAM) at the 55th International Congress on Medieval Studies (May 7-10, 2020) at Western Michigan University, Kalamazoo, MI. One session is:

 

The Pearl-poet: Modern Connections, Adaptations, and Evolutions

Translating Performance / Performing Translation

updated: 
Wednesday, July 10, 2019 - 11:50am
University of Paris 8 / EUR ArTeC / Laboratoires Aubervilliers
deadline for submissions: 
Monday, September 2, 2019

International Conference "Translating Performance / Performing Translation"

EUR ArTeC (University Paris 8)

December 12-13-14, 2019

 

Location: The conference will be held in Laboratoires dAubervillers, an art center focusing on experimentation and social practices as well as live creation.

Laboratoires d'Aubervilliers

41 Rue Lécuyer, 93300 Aubervilliers

on line 7 of the Parisian métro

 

Border Crossings in Medieval Drama

updated: 
Thursday, July 11, 2019 - 12:39am
Medieval and Renaissance Drama Society
deadline for submissions: 
Friday, August 23, 2019

The theater has always been a place to push boundaries and explore the borders of what is accepted in society.  The Medieval and Renaissance Drama Society invites abstracts for the 2020 Leeds International Medieval Congress on “Borders” to be delivered in a session about crossing different types of borders—be they geographic or social—within the context of drama and performance in the medieval and Renaissance periods.

 

Topics can include but are not limited to:

Critical Theatre Ecologies

updated: 
Wednesday, July 10, 2019 - 11:41am
German Society for Contemporary Theatre and Drama in English (CDE)
deadline for submissions: 
Friday, November 1, 2019

The German Society for Contemporary Theatre and Drama in English (CDE) is pleased to announce its 29th Annual Conference (21–24 May 2020). It is organized by the Chair of English Literature at the University of Augsburg and will be held as a residential conference at ‘Haus Sankt Ulrich’ in Augsburg.

Drawing and Performance: Creating Scenography International Conference

updated: 
Wednesday, June 26, 2019 - 1:31pm
Institute of Ethnomusicology – Center for Studies in Music and Dance
deadline for submissions: 
Monday, September 30, 2019

Scenographers use drawing as an expressive and communication tool in rehearsal and in performance. They use it as a record of a thought process and an instrument for reflection. Drawing allows discussion and error and serves as a register of the creative process for all involved.

This conference aims at reflecting upon the artistic and pragmatic relationship scenographers, directors and choreographers have with drawing as a device for the creation of space and time of performance and as mediator between the bodies of performers on stage and the drawer’s page.

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