theatre and performance studies

Call for Book Proposals

VoyGull Press | Emerging Voices Series, Edited Volumes, Handbook Series

VoyGull Publishing Centre Ltd UK

Diamond Open Access Publisher in Social Sciences & Humanities

About VoyGull Press

VoyGull Press is the publishing imprint of VoyGull Publishing Centre Ltd, a UK-based academic publisher committed to democratizing scholarly knowledge. As a young and ambitious publisher, we are building a new model for academic publishing that is grounded in equity, accessibility, and intellectual rigour.

 In a Conference Far, Far Away…Traversing Forms of the Folkloric  (Graduate Student Conference)

 New York University, Department of Comparative Literature: Friday, May 1, 2026

The American Theatre and Drama Society (ATDS) and the Disability in Theatre and Performance focus group (DTaP) invite submissions of conference-length essays (8-10 pages) from current graduate students or early-career scholars, particularly those who have yet to present at a major conference. Accepted submissions will present at our emerging scholars joint debut panel during the Association for Theatre in Higher Education (ATHE) Conference held in Baltimore, MD from July 22nd-26th, 2026.

Call for contributions: Audience Participation as Vernacular Practice

We are seeking contributions for an edited volume on the subject of audience participation across performance forms and traditions, focusing on practices that evolve among audience communities, rather than being led by performance makers or artists.

This volume will be published by State University of New York Press as part of the series Studies in Vernacular Music.

ESSE 2026 conference, Santiago de Compostela (SPAIN)

31st August - 4st September 2026

Seminar 61.- Violence in Early Modern English Drama: From Stage to Screen

From the brutality of Titus Andronicus to the psychological torment of The Duchess of Malfi, early modern English drama is saturated with violence—performed or described, symbolic or spectacular. This seminar will explore how violence has functioned as a dramatic, cultural, and ideological force in early modern English theatre, and how its representations have evolved across time, including contemporary screen adaptations and TV series that borrow early modern tropes of violence, such as House of Cards or Game of Thrones.

Call for Papers

ETKI: Journal of Literature, Theatre and Culture Studies

ETKI: Journal of Literature, Theatre and Culture Studies invites submissions for the New issue of the journal - a general issue on literature, theatre and culture studies.

Writing about a series of human-object relationships, Robin Bernstein employs the term “scriptive thing” to articulate how objects become things when they orient, choreograph, or compel human action. In one such case study, she analyzes a photograph of a woman posing with a racist caricature at the Hotel Exposition in New York’s Grand Central Palace, circa 1930. Using this photo, she further clarifies the nature of this particular subject-object relationship, stating that it is “neither an isolated woman and her ‘whys’ nor an isolated caricature and its textual ‘hows,’ but instead through a complex interaction between the two figures,” that the photo constructs race.

In 2016, Oxford Dictionaries named “post-truth” its Word of the Year, marking a shift towards skepticism of facts and scientific institutions alongside the rising influence of emotion and opinion in shaping public knowledge. In the decade since, we have witnessed the further erosion of consensus truth as multiple constructions of the “real” proliferate throughout divergent media ecosystems, accelerated by emerging technologies and polarizing political orientations towards race, gender, class, and sexuality. 

Centre for Comparative Literature, Bhasha Bhavana, Visva-Bharati,

in collaboration with

Department of Yogic Art and Science, Vinaya Bhavana, Visva-Bharati

presents

Of Clay and Dust

6 days extensive body movement workshop

Body awareness

Narrative based movements

Body conditioning

Introduction to Odissi with marshal arts like Mayurbhanj Chhau and Kalaripayattu

Introduction to basic Abhinaya

How to work with musicians and script

How to develop performance

Facilitated by Monami Nandy

February 16-21, 2026

Venue: Dhyana Kutir, Yoga Village Premises, Vinaya Bhavana, Visva-Bharati

Call for Papers 2026

Deadline: February 28th 2026

Theme: Gender and Supernatural

“You should be women, And yet your beards forbid me to interpret That you are so.” Macbeth 1.3.46-47

Legacies of Performance: Inheriting Pasts & Imagining Futures

Graduate Student Symposium

Sponsored by the Department of Theater and Dance

University of California, Santa Barbara

April 18, 2026

“Every image of the past that is not recognised by the present as one of its own threatens to disappear irretrievably.” – Walter Benjamin, 1942

“I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood.” – Audre Lorde, 1978

Call for Proposals for a special issue of Studies in Musical Theatre on the films Wicked and Wicked: For Good.

View the full call here>>

https://www.intellectbooks.com/studies-in-musical-theatre#call-for-papers

Abstract 

The “end of the world” names a methodological problem before it names an apocalypse: how do humanities scholars and artist-researchers think, make, and teach when climate disruption, extinction, extractive infrastructures, forced displacement, and slow violence reformat what counts as evidence, what counts as futurity, and what counts as responsibility? This conference convenes research and practice across film, theatre, performance, and allied arts to ask how (post)Anthropocene conditions are not only represented but produced, felt, and negotiated through aesthetic forms, production systems, embodied publics, and more-than-human milieus.