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Performing Fantastika: An Interdisciplinary Conference

updated: 
Monday, July 11, 2016 - 8:27am
Fantastika Journal and Conferences
deadline for submissions: 
Wednesday, February 1, 2017

Performing Fantastika: An Interdisciplinary Conference

July 3rd – 5th, 2017, Lancaster University

The 4rd annual Fantastika conference will focus on performative bodies in fantastika. This includes performance in theatrical plays and films, as well as an examination of the body itself. How is the body performed and perceived in fantastika texts? How do fantastika texts and our interaction with fantastika texts modulate our understanding of performative bodies?

Broadway & Media Studies (SCMS, Chicago, March 2017)

updated: 
Wednesday, July 6, 2016 - 11:25am
Pete Kunze (University of Texas at Austin)
deadline for submissions: 
Friday, July 29, 2016

I seek two other papers for a panel on the alternately symbiotic and antagonistic relationship between Broadway and Hollywood--as entertainment industries, cultural destinations, and/or aesthetics. The circulation of talent and content between Broadway and Hollywood obviously has a long and complex history, from Hollywood's poaching of Broadway talent during the early sound era to its bankrolling of Broadway shows as early as the 1930s.

Spectatorship and Observation in the Medieval Arts (Kalamazoo 2017)

updated: 
Wednesday, July 6, 2016 - 11:25am
The Medieval Studies Workshop at the University of Chicago - Sam Lasman, Carly Boxer
deadline for submissions: 
Friday, September 9, 2016

In contemporary studies of the Middle Ages, questions of visuality have increasingly dominated analyses of artistic production, in part because of the central role of vision in medieval theological and scientific discourse. This session seeks to broaden the conversation around medieval visuality by asking not only what it meant to see in the Middle Ages, but also what it meant to be seen, and how these networks of viewership could be depicted in the pictorial arts, literature, architecture, music, and drama.

[UPDATE] Book Project & Journal Issue: "Performing philosophy, philosophizing performance"

updated: 
Friday, July 1, 2016 - 11:49am
The Apollonian: A Journal of Interdisciplinary Studies
deadline for submissions: 
Thursday, August 31, 2017

BOOK PROJECT AND SPECIAL JOURNAL ISSUE ON PERFORMANCE

[Selected essays from the special issue and other essays will subsequently be published as an edited volume from a major academic publisher in 2018, following the publication of the issue]

NETC 2016: Theatre is Alive!

updated: 
Friday, July 1, 2016 - 11:48am
New England Theatre Conference
deadline for submissions: 
Friday, July 29, 2016

The New England Theatre Conference is soliciting papers for its 65th annual convention that address this year’s theme, “Theatre is Alive! New Approaches, Ideas, and Practices Keeping Theatre Relevant Today.” The Convention will be held in Westford, MA, the weekend of October 28-30, 2016. All papers that address the convention theme are encouraged and welcome.

‘For they are the abstract and brief chronicles of the time’: Negotiating Shakespearean Characters in Performance from Past to Present

updated: 
Tuesday, June 28, 2016 - 11:14am
One of the Seminars of Asian Shakespeare Association, Biennial International Conference, New Delhi, 1-3 December, 2016
deadline for submissions: 
Friday, July 15, 2016

In criticism, relying on character study or treating Shakespearean characters as real
people, has often been censured. But, in performance, where actors especially need to
get under the skin of the characters they portray, Shakespearean personae do exhibit
some kind of biographical reality.

Mr.

updated: 
Monday, June 27, 2016 - 11:28am
muhammad ehsan
deadline for submissions: 
Tuesday, June 7, 2016

Historical English poetic comparison with Pakistani Poetical forms in Wordsworth and Shinwari’s poetry

 

Muhammad Ehsan

Ph.M Scholar, Department of English Language and literature,

The University of Lahore, Lahore-Pakistan

Mob: +92 3366317543

Email: ehsanlitterateur@gmail.com

Abstract

Philosophizing Performance, Performing Philosophy

updated: 
Monday, June 27, 2016 - 11:28am
The Apollonian: A Journal of Interdisciplinary Studies
deadline for submissions: 
Thursday, August 31, 2017

Performance philosophy has been in development for the past decade as an interdisciplinary approach to performance studies. The contemporary global reality and political-economic situations have called forth performances that operate within new frames of reference and use new technologies. Understanding the complex politics of these new performances requires a fresh theorizing, a specifically contemporary philosophy of performance. The ‘crossover’ of performance and philosophy hybridizes the spaces between and around the two ‘conceptual personae’ (Deleuze and Guattari). The present areas of conceptual interrogation include radical interventionist studies of existing philosophies to place performance into perspective.

Baltimore and the Emergence of the African American Literary Tradition

updated: 
Friday, June 24, 2016 - 3:31pm
Lena Ampadu/Northeast Modern Language Association (NEMLA)
deadline for submissions: 
Tuesday, September 27, 2016

Baltimore, Maryland, has been the home of several important African American authors, including Frederick Douglass and Frances E. W. Harper.  In addition to these major writers who influenced the emergence of African American protest literature of the tumultuous nineteenth century, there are several other significant writers of prose and poetry who have lived in the city and created African American literature. Notable examples include Zora Neale Hurston, Countee Cullen, Waters Turpin, Eugenia Collier, and Lucille Clifton.

Guest Edited Issue: “Reviving History: Contemporary Representations of “The Past” on Page, Stage, and Screen”

updated: 
Wednesday, June 22, 2016 - 1:29pm
The Apollonian: A Journal of Interdisciplinary Studies
deadline for submissions: 
Thursday, December 15, 2016

“Reviving History: Contemporary Representations of “The Past” on Page, Stage, and Screen”

Guest edited special issue of The Apollonian: A Journal of Interdisciplinary Studies

Vol. 4 Issue 2 (June 2017)

Michael Kula, University of Washington, Tacoma

 

As our daily lives have grown more and more dominated by technology and by a corresponding fascination with the “new,” there’s been a counter movement interested in reexamining the ways of “the past.”  Whether it is handmade books, craft-made pickles, vintage automobiles, or handlebar mustaches, indeed the cliché often seems true now: what’s old is new again.

26th Annual CDE Conference, Reading, UK, 29 June – 2 July 2017

updated: 
Wednesday, June 22, 2016 - 1:28pm
CDE (Contemporary Drama in English)
deadline for submissions: 
Friday, December 16, 2016

 

26th Annual CDE Conference, Reading, UK,

29 June – 2 July 2017

 

The German Society for Contemporary Theatre and Drama in English (CDE) is pleased to announce its 26th Annual Conference (29 June - 2 July 2017). It is organized by the Department of Film, Theatre & Television at the University of Reading (UK) and will be held as a residential conference at the University of Reading, Whiteknights Campus.

 

Nation, Nationhood and Theatre

Encountering Shakespeare

updated: 
Monday, June 20, 2016 - 9:09am
Ohio Valley Shakespeare Conference
deadline for submissions: 
Monday, August 15, 2016

Inviting proposals for

ENCOUNTERING SHAKESPEARE

The 40th Annual Ohio Valley Shakespeare Conference

October 20–22, 2016

Wright State University Dayton, Ohio

Proposals accepted until August 15, 2016

Keynote Speakers:

Dr. Ayanna Thompson, Professor of English at George Washington University  

Dr. Curtis Perry, Professor of English at University of Illinois Urbana-Champaign 

Drama and Society

updated: 
Monday, June 20, 2016 - 8:57am
Kimberly Jew/PAMLA
deadline for submissions: 
Friday, July 1, 2016

114th Annual PAMLA Conference - Pasadena, California

Friday, November 11 - Sunday, November 13, 2016

Extended deadline: July 1, 2016

 

Panel: “Drama and Society”

Drama has long served as a communal mirror to society, reflecting its habits, aesthetics, politics and cultural norms. This panel seeks to explore the ways in which drama reveals its intricate relationship to society; how does drama (through both text and performance) support, embody and critique the world in which it was created?

 

Submit proposals online at http://www.pamla.org/2016/topic-areas

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