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Renaissance Drama - Regular Panel at SCMLA

updated: 
Thursday, March 2, 2017 - 11:01am
South Central Modern Language Association Conference - Oct. 5-8, 2017
deadline for submissions: 
Friday, March 31, 2017

The conference theme is "Moving Words: Migrations, Translations, and Transformations," but papers are welcome on any topic pertaining to Renaissance Drama. Send abstracts of 250 words to Rochelle Bradley (rochelle.bradley@blinn.edu).

Call for papers "Danza e Ricerca. Laboratorio di studi, scritture, visioni", n.9, 2017

updated: 
Tuesday, February 28, 2017 - 2:09pm
Danza e ricerca. Laboratorio di studi, scritture, visioni
deadline for submissions: 
Friday, June 30, 2017

Call for papers

Danza e ricerca. Laboratorio di studi, scritture, visioni”, n.9, 2017

 

"Danza e ricerca. Laboratorio di studi, scritture, visioni" selects original contributions for the 9th issue, scheduled for publication by the end of 2017. D&R is an open access journal edited by Eugenia Casini Ropa and published by the Department of Arts (University of Bologna).

 

Atlantic World Arts: Collision, Fusion, Re-Vision

updated: 
Tuesday, February 28, 2017 - 2:09pm
Atlantic World Research Network, University of North Carolina at Greensboro
deadline for submissions: 
Friday, March 24, 2017

Call for Papers

Atlantic World Arts: Collision, Fusion, Re-Vision                             

An International, Interdisciplinary Conference                                                                                     

Sponsored by the Atlantic World Research Network and The National Folk Festival                                    

http://www.uncg.edu/eng/awrn/ 

Leonora Carrington Centenary Syposium

updated: 
Thursday, March 9, 2017 - 5:50am
Edge Hill University UK
deadline for submissions: 
Wednesday, March 22, 2017

The Leonora Carrington Centenary Symposium will celebrate and bring into discussion the work and legacy of Lancastrian-born Surrealist artist Leonora Carrington (1917-2011).  This timely event forms part of the existing body of research and creative practice that has already emanated from across departments at Edge Hill University, including Film Scholarship (Professor Roger Shannon), Creative Writing (Professor Ailsa Cox), and Dance Performance and Choreography (James Hewison and Michelle Man). We now call upon artists and scholars from a range of disciplines to share research and creative practice that explores Carrington’s work as an artist, a theatre and film collaborator, and writer. 

B(l)ack Futures - Flat Time in Black Performance

updated: 
Tuesday, February 28, 2017 - 2:11pm
De Gruyter / Open Cultural Studies journal
deadline for submissions: 
Wednesday, May 31, 2017

Editors: Dr Nicole Hodges Persley, (University of Kansas, Department of Theatre) & Dr Baron Kelly (University of Louisville, Department of Theatre)

CFP: Musical Theatre and Film

updated: 
Tuesday, February 28, 2017 - 2:12pm
Northeast Popular Culture Association
deadline for submissions: 
Friday, May 19, 2017

Papers are being solicited for the new Musical Theatre and Film area at the Northeast Popular Culture Association Conference to be held October 27 and 28, 2017, at the University of Massachusetts/Amherst.

 

This area investigates topic central to the understanding of all aspects of musical theatre and film and their reflections and resonances in popular culture.  Some topics may include:

◾Politics

◾Performance history

◾Canons

◾Divas and Icons

◾Music

◾Choreography

◾Lyrics

◾Writers, composers, directors and designers

◾Formal traditions

◾Critical response

 

THE POLITICS OF MEMORY IN CONTEMPORARY U.S. VISUAL CULTURE

updated: 
Tuesday, February 28, 2017 - 2:13pm
SAMLA 89 South Atlantic Modern Language Association Conference
deadline for submissions: 
Wednesday, May 31, 2017

This special session investigates the function of memory in U.S. visual culture, tracing political significance of remembering particular historical events in a contemporary moment. Indeed, judging by recent examples—including Lin-Manuel Miranda’s Broadway sensation Hamilton, Theodore Melfi’s blockbuster Hidden Figures, and John Lewis’s graphic novel trilogy March; the representational backwards-gaze upon the national past seems to enact, at a minimum, influential political critique and, at a maximum potential, art-based activism. We welcome proposals for 15-minute papers that consider the political stakes of memory and remembrance in any visual artifact (broadly defined) that engages U.S. culture.

The Artistic Production of Emma Dante

updated: 
Tuesday, February 28, 2017 - 2:13pm
American Association of Teachers of Italian AATI
deadline for submissions: 
Wednesday, March 8, 2017

AATI Palermo June 28 –July 2 2017

The artistic production of Emma Dante and the work of the Compagnia Sud Costa Occidentale

Session Organizer and Chair: Patrizia Comello Perry -BMCC

 

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