The Journal of Communications Media Studies welcomes original submissions for its annual volume, to be published in Fall 2017.
The Journal of Communications Media Studies is broad in focus and welcomes submissions on a variety of communication topics including (but not limited to) mass communication, international communication, educational technology, rhetorical studies, and organizational/corporate communication. Article submissions should be directed to Editor Zack Stiegler (firstname.lastname@example.org) for consideration. All article submissions undergo double blind peer review.
REUNION: The Dallas Review, a graduate journal of the School of Arts & Humanities at The University of Texas at Dallas, is now taking submissions for Volume 7, to be published in 2017. The editors of Reunion are looking for submissions in the following genres: Visual Arts. The subject of your submission is limited only by your imagination. All submissions should be sent through Submittable at the following address: https://reunionthedallasreview.submittable.com/submit and should follow the guidelines outlined below. We look forward to reading and viewing your work.
Acting Out: The IV International Flann O'Brien Conference
(Salzburg, 17-21 July 2017)
Anne Fogarty (University College Dublin)
Stanley E. Gontarski (Florida State University)
Maebh Long (The University of the South Pacific)
Writers & Performers (more TBA)
Arthur Riordan (Improbable Frequency, Slattery’s Sago Saga)
Liverpool-Irish Literary Theatre (The Glittering Gate, The Dead Spit of Kelly, Thirst)
Special Issue of Shakespeare: ‘Shakespeare and Riot’ (planned for publication in 2018)
We invite essay submissions (c. 6000 words including notes) for a special issue of Shakespeare, the journal of the British Shakespeare Association, on the topic of ‘Shakespeare and Riot’.
The William Dean Howells Society welcomes submissions for two panels at the 28th Annual American Literature Association Conference to be held in Boston, May 25-28, 2017.
Panel 1: On the Neglected Works of William Dean Howells
In many ways, the spectrum of “spectacle” aesthetics that threads through New York’s contemporary downtown performance community unearths new ways of examining the ethics and political engagement of these diverse groups and performance-makers. Inclusive of epic works like Taylor Mac’s A 24-Decade History of Popular Music and Nature Theater of Oklahoma’s Life and Times; The Wooster Group’s and The Builder’s Association’s sophisticated tech-scapes; and Half Straddle’s shoestring excess; downtown performance artists increasingly reinvent, challenge, resist, and embrace the spectacular.
The German Society for Contemporary Theatre and Drama in English (CDE) is pleased to announce its 26th Annual Conference (29 June - 2 July 2017). It is organized by the Department of Film, Theatre & Television at the University of Reading (UK) and will be held as a residential conference at the University of Reading, Whiteknights Campus.
Nation, Nationhood and Theatre
Northumbria University, Newcastle Upon Tyne
24 May 2017
Keynote speakers: Prof. Douglas Lanier (University of New Hampshire) and Dr. Peter Kirwan (Nottingham University)
Sponsored by the British Shakespeare Association
Constitutions of Hamlet: Afterlives and political theologies of trauerspiel
University of Split, Croatia
16th December 2016
Keynote speakers: Prof. Andreas Höfele and filmmaker Ken McMullen